It weaves together Albanian folktale, stories of Kosovan experience of the war in 1999 and a look into the lives of modern-day Kosovan women.The dark undercurrent of Albanian blood feuds underpins a story about the impact of war and the way that new life can emerge from darkness.It is characterised by striking imagery and daring form.

    "They had read the signs, they said: a sea of horses, a conference of birds, the North Star in alignment with the moon. It was a prophecy that their last king had given on his deathwatch." But joy is mixed with tragedy, for Eleonora's mother dies soon after the birth. Raised by her doting father, Yakob, a carpet merchant, and her stern, resentful stepmother, Ruxandra, Eleonora spends her early years daydreaming and doing housework—until the moment she teaches herself to read, and her father recognizes that she is an extraordinarily gifted child, a prodigy. When Yakob sets off by boat for Stamboul on business, eight-year-old Eleonora, unable to bear the separation, stows away in one of his trunks. On the shores of the Bosporus, in the house of her father's business partner, Moncef Bey, a new life awaits. Books, backgammon, beautiful dresses and shoes, markets swarming with color and life—the imperial capital overflows with elegance, and mystery. For in the narrow streets of Stamboul—a city at the crossroads of the world—intrigue and gossip are currency, and people are not always what they seem. Eleonora's tutor, an American minister and educator, may be a spy. The kindly though elusive Moncef Bey has a past history of secret societies and political maneuvering. And what is to be made of the eccentric, charming Sultan Abdulhamid II himself, beleaguered by friend and foe alike as his unwieldy, multiethnic empire crumbles? The Oracle of Stamboul is a marvelously evocative, magical historical novel that will transport readers to another time and place—romantic, exotic, yet remarkably similar to our own.

    A novel about not just discovering but inventing oneself.The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings.At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.

     Sara Foster has left America for the adventure of a lifetime—teaching English to the sons and daughters of statesmen in Hungary—but her idyllic adventure instead reveals a dark world of pain and redemption when she ends up teaching in a refugee camp. Sara discovers that one of her students is a celebrated composer and soon finds herself crossing the border to his war-torn homeland, determined to exonerate him for the death of his brother. In a journey that takes her to Dubrovnik, a magnificent stone city on the Croatian Riviera, Sara contemplates her own identity, struggling to understand why the region's ancient and extraordinary beauty belies a history of grief. As Sara unveils the secret of the composer's escape, The Sound of Blue reveals poignant truths about the quests for refuge we all pursue.

    By the middle of the 6th century the Byzantine emperor ruled a mighty empire that straddled Europe, Asia, and North Africa. Within 100 years, this powerful empire had been cut in half. Two centuries later the Byzantine empire was once again a power to be reckoned with that soon recovered its position as the paramount East Mediterranean and Balkan power, an empire whose fabulous wealth attracted Viking mercenaries and central Asian nomad warriors to its armies, whose very appearance on the field of battle was sometimes enough to bring enemies to terms. This book provides essential support for those interested in Byzantine history in general as well as a useful corrective to the more usual highly romanticized views of Byzantine civilization.

    A tiny country of just two million people, 90% of whom are ethnic Albanians, Kosovo is central-geographically, historically, and politically-to the future of the Western Balkans and, in turn, its potential future within the European Union. But the fate of both Kosovo, condemned by Serbian leaders as a "fake state" and the region as a whole, remains uncertain.In Kosovo: What Everyone Needs to Know®, Tim Judah provides a straight-forward guide to the complicated place that is Kosovo. Judah, who has spent years covering the region, offers succinct, penetrating answers to a wide range of questions: Why is Kosovo important? Who are the Albanians? Who are the Serbs? Why is Kosovo so important to Serbs? What role does Kosovo play in the region and in the world? Judah reveals how things stand now and presents the history and geopolitical dynamics that have led to it. The most important of these is the question of the right to self-determination, invoked by the Kosovo Albanians, as opposed to right of territorial integrity invoked by the Serbs. For many Serbs, Kosovo's declaration of independence and subsequent recognition has been traumatic, a savage blow to national pride. Albanians, on the other hand, believe their independence rights an historical wrong: the Serbian conquest (Serbs say "liberation") of Kosovo in 1912.For anyone wishing to understand both the history and possible future of Kosovo at this pivotal moment in its history, this book offers a wealth of insight and information in a uniquely accessible format.What Everyone Needs to Know® is a registered trademark of Oxford University Press.

    It propelled its author, Gjergj Fishta, to universal recognition as the national poet of Albania until the Communists took power in 1944. On its first public recital in post-Communist Albania, 45 years later, many in the audience still knew parts by heart. Robert Elsie's masterful new translation, the first to appear in English, captures the spirit of the original and, accompanied by a new critical introduction, will introduce the poem to a new generation of admirers.

    After delivering the manuscript to the legendary Bran Castle in Romania, Barkeley—a Romanian orphan himself—realizes to his horror that he's become a prisoner to the son of Vlad Dracul. To earn his freedom, Barkeley must decipher cryptic messages hidden in the text of the original Dracula that reveal the burial sites of certain Dracul family members. Barkeley's only hope is to ensure that he does not exhaust his usefulness to his captor until he’s able to escape. Soon he discovers secrets about his own lineage that suggest his selection for the task was more than coincidence. In this knowledge may lie Barkeley's salvation—or his doom. For now he must choose between a coward's flight and a mortal conflict against an ancient foe. Building on actual international events surrounding the publication of Bram Stoker's original novel, Royce Prouty has written a spellbinding debut novel that ranges from 1890s Chicago, London, and Transylvania to the perilous present.

    Before Milosevic was finally ousted in October 2000, B92 would be shut down and resume broadcasting four times as, through an inspired combination of courage, imagination, and black humor—and a playlist, from The Clash's "White Riot" to Public Enemy's rap manifesto, "Fight the Power," which in sound and spirit, echoed the street fighting in which they sometimes took part—it somehow persisted in disseminating the truth. Matthew Collin knows the founders of the station well and has had extraordinary access to the key personalities and their archives. He first reported on the station as part of a feature on Belgrade's mass street protest in 1996. The book is based on in-depth, first person interviews and exhaustive background research. "Matthew Collin captures the conviction of a generation whose culture and identity were under siege...."—Independent on Sunday

    This classic work of post-war fiction was made into a magnificent BBC television series starring Emma Thompson and Kenneth Branagh.

    But eventually her father's behavior was too disturbing to ignore. He wept when listening to Radio Free Europe, hid pamphlets in sacks of dried beans, and mysteriously buried and reburied a typewriter. When she discovered he was a political dissident she became anxious for him to conform. However, with her mother in the hospital and her sister at boarding school, she was alone, and helpless to stop him from driving off on one last, desperate protest.After her father's subsequent imprisonment, Bugan was shunned by her peers at school and informed on by her neighbors. She candidly struggled with the tensions of loving her "hero" father who caused the family so much pain. When he returned from prison and the family was put under house arrest, the Bugans were forced to chart a new course for the future. A warm and intelligent debut, Burying the Typewriter provides a poignant reminder of a dramatic moment in Eastern European history.

    But, almost immediately, something began to beckon her. She can feel it calling her, luring her, with promises of passion, lust, and ecstacies she'd never thought possible.

    Don't wait. Climb aboard the rollercoaster today. Read The Last Window-Giraffe as an elaborate, erudite, gut-wrenching belly-laugh at everything that went wrong and all the people who failed to fix it.' Lawrence Norfolk, author of ‘In the Shape of a Boar’This book is about the madness of everyday life under a dictatorship. It shifts in theme and time, testing the borderlines of prose and poetry, fiction and non-fiction, history and autobiography - all in the unassuming guise of a child’s ABC. Filled with his own striking photographs, Péter Zilahy gives fascinating insight into whole other universe behind the Iron Curtain. The Last Window-Giraffe is one of the most unusual, beguiling books you will ever read. 'Wonderful!' Victor Pelevin, author of ‘Babylon’ ‘'In these bittersweet pages you will find the fall of the regimes, and the last twenty years of Eastern Europe.' Enrico Remmert, Rolling Stone Magazine 'Péter Zilahy, wanderer, adventurer, initiator of a great many performances and provocations, much resembles Jean-Arthur Rimbaud during the Commune of Paris.' Yuri Andrukhovych, author of ‘Twelve Rings’ and ‘The Secret’

    She and her husband Liviu are teachers in their twenties, living under the repressive regime of Communist dictator Nicolae Ceausescu in the Socialist Republic of Romania in the 1970s. But after her brother-in-law defects, Alina and Liviu fall under suspicion and surveillance, and their lives are suddenly turned upside down--just like the glasses in her superstitious Aunt Theresa's house that are used to ward off evil spirits.But Alina's evil spirits are more corporeal: a suffocating, manipulative mother; a student who accuses her; and a menacing Secret Services agent who makes one-too-many visits. As the couple continues to be harassed, their marriage soon deteriorates. With the government watching--and most likely listening--escape seems impossible . . . until Alina's mystical aunt proposes a surprising solution to reduce her problems to a manageable size.Weaving elements of magic realism, Romanian folklore, and Kafkaesque paranoia into a gritty and moving depiction of one woman's struggle for personal and political freedom, Bottled Goods is written in short bursts of "flash fiction" and explores universal themes of empowerment, liberty, family, and loyalty.

    But the woman whose image was later immortalized in glittering mosaic was, in fact, a scrappy, clever, conniving, flesh-and-blood woman full of sensuality and spirit whose real story is as surprising as any ever told…When her father dies suddenly, Theodora and her sisters face starvation on the streets. Determined to survive, Theodora makes a living any way she can—first on her back with every man who will have her, then on the stage of the city’s infamous amphitheater in a scandalous dramatization of her own invention. When her daring performance grants her a back-door entry into the halls of power, she seizes the chance to win a wealthy protector—only to face heartbreak and betrayal. Ever resilient, Theodora rises above such trials and by a twist of fate, meets her most passionate admirer yet: the Emperor’s nephew. She will thrive as his confidant and courtesan, but many challenges lie ahead. For one day, this man will hand her a crown. And all the empire will wonder—is she bold enough, shrewd enough, and strong enough to keep it?