The Art of Fiction: Notes on Craft for Young Writers


John Gardner - 1984
      John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of a refined sentence. Written with passion, precision, and a deep respect for the art of writing, Gardner’s book serves by turns as a critic, mentor, and friend. Anyone who has ever thought of taking the step from reader to writer should begin here.

The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students


Tom Kealey - 2005
    The handbook includes profiles of fifty creative writing programs, guidance through the application process, advice from current students and professors including George Saunders, Aimee Bender, Tracy K. Smith, and Geoffrey Wolff, and the most comprehensive listings of graduate writing programs in and outside the United States. The handbook also includes special sections about Low-Residency writing programs, Ph.D. programs, publishing in literary journals, and workshop and teaching advice.In a remarkably concise, user-friendly fashion, The Creative Writing MFA Handbook answers as many questions as possible, and is packed with information, advice, and experience.

Into the Woods: A Five Act Journey Into Story


John Yorke - 2013
    Many of us love to tell them, and even dream of making a living from it too. But what is a story? Hundreds of books about screenwriting and storytelling have been written, but none of them ask 'Why?' Why do we tell stories? And why do all stories function in an eerily similar way? John Yorke has been telling stories almost his entire adult life, and the more he has done it, the more he has asked himself why? Every great thinker or writer has their theories: Aristotle, David Hare, Lajos Egri, Robert McKee, Gustav Freytag, David Mamet, Christopher Booker, Charlie Kaufman, William Goldman and Aaron Sorkin - all have offered insightful and illuminating answers. Here, John Yorke draws on these figures and more as he takes us on a historical, philosophical, scientific and psychological journey to the heart of all storytelling.What he reveals is that there truly is a unifying shape to narrative - one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within. Much more than a 'how to write' book, Into the Woods is an exploration of this fundamental structure underneath all narrative forms, from film and television to theatre and novel-writing. With astonishing detail and wisdom, John Yorke explains to us a phenomenon that, whether it is as a simple fable, or a big-budget 3D blockbuster, most of us experience almost every day of our lives.

Revising Fiction: A Handbook for Writers


David Madden - 1988
    185 practical techniques for improving your story or novel

Writing Magic: Creating Stories that Fly


Gail Carson Levine - 2006
    She shows how you, too, can get terrific ideas for stories, invent great beginnings and endings, write sparkling dialogue, develop memorable characters—and much, much more. She advises you about what to do when you feel stuck—and how to use helpful criticism. Best of all, she offers writing exercises that will set your imagination on fire.With humor, honesty, and wisdom, Gail Carson Levine shows you that you, too, can make magic with your writing.

Sin and Syntax: How to Craft Wickedly Effective Prose


Constance Hale - 1999
    Copy veteran Constance Hale is on a mission to make creative communication, both the lyrical and the unlawful, an option for everyone.With its crisp, witty tone, Sin and Syntax covers grammar’s ground rules while revealing countless unconventional syntax secrets (such as how to use—Gasp!—interjections or when to pepper your prose with slang) that make for sinfully good writing. Discover how to:*Distinguish between words that are “pearls” and words that are “potatoes”* Avoid “couch potato thinking” and “commitment phobia” when choosing verbs* Use literary devices such as onomatopoeia, alliteration, and metaphor (and understand what you're doing)Everyone needs to know how to write stylish prose—students, professionals, and seasoned writers alike. Whether you’re writing to sell, shock, or just sing, Sin and Syntax is the guide you need to improve your command of the English language.

Layer Your Novel: The Innovative Method for Plotting Your Scenes


C.S. Lakin - 2017
    And while there are hundreds of books, podcasts, and blog posts that teach aspiring authors how to structure scenes and plot out a solid story, none implement the most intuitive and effective method for success.What is that method? Layering. Novels are made up of dozens of scenes, and regardless of genre, time-tested structure dictates what key scenes are needed and where. Most writers are familiar with some of those scenes: the Inciting Incident, the Midpoint, and the Climax, to name a few.But novelists need more than a few landmarks to find their way across the tricky terrain of novel plotting. They need a surefire method to organizing all their scenes. In Layer Your Novel, you’ll be introduced to an innovative, intuitive method for arranging your scenes and crafting a beautifully structured story.First, you construct the ten most important scenes as a foundation.From there, you choose from one of three methods to craft a second layer of scenes: the action-reaction layer, the subplot layer, or the romance layer.Once your second layer is integrated, next comes the third layer: the processing scenes that the glue your plot together.In Layer Your Novel, you’ll learn: What the 5 major turning points are and where they’re placed in your novel How to know exactly where to start your story and how to set up your premise What the ten key scenes are that serve as the framework for your novel What pinch points are and why you need them How to craft those essential twists and where they’re placed in your story for greatest impact Why your protagonist’s goal is the key to great storytelling How to come up with a meaningful subplot that will showcase your story’s themes How a romance novel is structured and how to plot out the romance story line How to analyze best sellers in your genre to identify and learn from the layers evident in their plots How to apply this layering method to novellas Special bonus analyses! In Layer Your Novel, you’ll dig into deconstructions of best-selling novels across genres to see how successful authors have their key scenes in all the right places, which gives credence to this practical layering method. In contrast, examples of best sellers are dissected to show the structural flaws due to the lack of the needed foundational framework that this layering method advocates. Don’t guess what scenes you need in your novel. Don’t guess where your scenes go. Guessing usually leads to novel failure. With the method you’ll learn in Layer Your Novel, you’ll guess no more. You can write terrific novels, every time, if you layer your novel following this blueprint!

Telling Lies for Fun & Profit


Lawrence Block - 1981
    It is a must read for anyone serious about writing or understanding how the process works.

Mastering Plot Twists: How to Use Suspense, Targeted Storytelling Strategies, and Structure to Captivat E Your Readers


Jane K. Cleland - 2018
    By integrating Plot Twists, Plot Reversals, and Moments of Heightened Danger (TRDs) at crucial points, you can captivate your readers with I-can't-wait-to-see-what-happens-next intrigue. The quicker pace and focused action that comes from strategically placed twists form the core of the nuanced, multifaceted books that sell--and that help you find a devoted readership. In Mastering Plot Twists, Agatha Award-winning author, Jane K. Cleland goes beyond telling writers what to do; she shows you how to do it. Within these pages, you'll find:A proven, five-step process for using TRDs, with detailed examples from best-selling booksA deep dive into plotting, structure, pacing, subplots, and more to help you develop surprising yet inevitable twists."Jane's Plotting Roadmap" and worksheets--essential tools for planning your plotBuilding on the award-winning instruction provided in Mastering Suspense, Structure & Plot, Cleland's newest guide will help you create effective and credible twists, creating the kind of stories that will keep your readers up long into the night. ..".A master class in crafting plots that twist and turn..." Hallie Ephron, New York Times best-selling author of You'll Never Know, Dear

Sometimes the Magic Works: Lessons from a Writing Life


Terry Brooks - 2003
    Spanning topics from the importance of daydreaming to the necessity of writing an outline, from the fine art of showing instead of merely telling to creating believable characters who make readers care what happens to them, Brooks draws upon his own experiences, hard lessons learned, and delightful discoveries made in creating the beloved Shannara and Magic Kingdom of Landover series, The Word and The Void trilogy, and the bestselling Star Wars novel The Phantom Menace.In addition to being a writing guide, Sometimes the Magic Works is Terry Brooks’s self-portrait of the artist. “If you don’t think there is magic in writing, you probably won’t write anything magical,” says Brooks. This book offers a rare opportunity to peer into the mind of (and learn a trick or two from) one of fantasy fiction’s preeminent magicians.

Editor-Proof Your Writing: 21 Steps to the Clear Prose Publishers and Agents Crave


Don McNair - 2013
    McNair explains the common mistakes made by most writers and shows how eliminating unnecessary words strengthens action, shorten sentences, and makes writing crackle with life. Containing 21 simple, straightforward principles, Editor-Proof Your Writing teaches how to edit weak verb forms, strip away author intrusions, ban redundancies, eliminate foggy phrases, correct passive-voice sentences, slash misused and overused words, and fix other writing mistakes. A superb addition to any writer’s toolkit, this book will not only make writing clearer and more grammatical, it will also make it more concise, entertaining, and appealing to publishers.

Dialogue: Techniques and Exercises for Crafting Effective Dialogue


Gloria Kempton - 2004
    Craft Compelling DialogueWhen should your character talk, what should (or shouldn't) he say, and when should he say it? How do you know when dialogue—or the lack thereof—is dragging down your scene? How do you fix character who speaks with the laconic wit of the Terminator?Write Great Fiction: Dialogue by successful author and instructor Gloria Kempton has the answers to all of these questions and more! It's packed with innovative exercises and instructions designed to teach you how to:•Create dialogue that drives the story•Weave dialogue with narrative and action•Use dialogue to pace your story•Write dialogue that fits specific genres•Avoid the common pitfalls of writing dialogue•Make dialogue unique for each characterAlong with dozens of dialogue excerpts form today's most popular writers, Write Great Fiction: Dialogue gives you the edge you need to make your story stand out from the rest.

Plot


Ansen Dibell - 1988
    "They aren't laws. They're an array of choices, things to try, once you've put a name to the particular problem you're facing now."That's what this book is about: identifying those choices (whose viewpoint? stop and explain now, or wait? how can this lead to that?), then learning what narrative problems they are apt to create and how to choose an effective strategy for solving them. The result? Strong, solid stories and novels that move.Inside you'll discover how to:test a story idea (using four simple questions) to see if it worksconvince your reader that not only is something happening, but that something's going to happen and it all matters intenselyhandle viewpoint shifts, flashbacks, and other radical jumps in your storyline weave plots with subplotsget ready for and write your Big Scenesbalance scene and summary narration to produce good pacinghandle the extremes of melodrama by "faking out" your readers--making them watch your right hand while your left hand is doing something sneakyform subtle patterns with mirror characters and echoing incidentschoose the best type of ending--linear or circular, happy or downbeat, or (with caution!) a trick endingWhether your fiction is short or long, subtle or direct, you'll learn to build strong plots that drive compelling, unforgettable stories your readers will love.

Save the Cat: The Last Book on Screenwriting You'll Ever Need


Blake Snyder - 2005
    This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!

Poemcrazy: Freeing Your Life with Words


Susan Goldsmith Wooldridge - 1996
    Her exuberant, critically acclaimed teaching guide takes instructors, writers, and general readers into the very heart and intensity of life and the craft of expressing what one feels through the written word.