Here is an enchanting tale set in a land rich with folklore–and ripe for a rekindling of the old ways.Nestled on the coast of Scotland, Appleton was once famous for its apples. Now, though the orchards are long gone, locals still dream of the town’s glory days, when an Apple Queen was crowned at the annual fair and good luck seemed a way of life. And outsiders are still drawn to the charming village, including three very different American women.Enchanted by Appleton’s famously ornate, gold-domed library, divorcée Kathleen Mullaroy has left her cosmopolitan job to start anew as the town’s head librarian. Widowed Nell Westray hopes for a quiet life of gardening in the place where she and her husband spent their happiest moments. And young Ashley Kaldis has come to find her roots, and learns that the town’s fortunes turned when her grandmother was crowned Apple Queen–then mysteriously disappeared.When a sudden landslide cuts Appleton off from the wider world–and the usual constraints of reality–the village reveals itself to be an extraordinary place, inhabited by legendary beings, secret rooms, and the blossoming of a rare fruit not seen in decades. Most unexpected is a handsome stranger who will draw all three women into an Otherworld in which luck and love will return to Appleton–if only one of them will believe. Lush with the romance and allure of ancient traditions, The Silver Bough will propel you into a land where, as in Eden, the bite of a single apple can alter the whole course of reality.From the Hardcover edition.

    Bantam brings three generations into sharp focus – Kay’s own, her father’s, and his own father’s – to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we how we embody our times, whether we want to or not. Bantam crosses borders, from Rannoch Moor to the Somme, from Brexit to Bronte country. Who are we? Who might we want to be? These are poems that sing of what connects us, and lament what divides us; poems that send daylight into the dark that threatens to overwhelm us – and could not be more necessary to the times in which we live."

    Eighteen-year-old Lady Aileana Kameron, the only daughter of the Marquess of Douglas, has everything a girl could dream of: brains, charm, wealth, a title—and drop-dead beauty.She's a liar.But Aileana only looks the part of an aristocratic young lady. she's leading a double life: She has a rare ability to sense the sìthíchean—the faery race obsessed with slaughtering humans—and, with the aid of a mysterious mentor, has spent the year since her mother died learning how to kill them.She's a murderer.Now Aileana is dedicated to slaying the fae before they take innocent lives. With her knack for inventing ingenious tools and weapons—from flying machines to detonators to lightning pistols—ruthless Aileana has one goal: Destroy the faery who destroyed her mother.She's a Falconer.The last in a line of female warriors born with a gift for hunting and killing the fae, Aileana is the sole hope of preventing a powerful faery population from massacring all of humanity. Suddenly, her quest is a lot more complicated. She still longs to avenge her mother's murder—but she'll have to save the world first.The first volume of a trilogy from an exciting new voice in young adult fantasy, this electrifying thriller combines romance and action, steampunk technology and Scottish lore in a deliciously addictive read.

    Discover the legend of the noble Scottish clan called the MacLachlans whose destiny is entwined with the magic that rules these tempestuous Highlands. Savor four stories of breathtaking romance set in a land where love is the most powerful magic of all…Scottish MagicIn Stobie Piel’s Lily, a handsome laird’s passion will be put to the ultimate test in a battle between good and evil that can only be won by true love. Hannah Howell’s Isbel introduces an ethereal beauty whose sensual dream of a tall, black-haired warrior stepping off the battlefield into her life turns delightfully real. Destiny and desire become one in Faerie Princess, Elizabeth Ann Michaels’s tale of the cerulean-eyed Krista and an enigmatic prince who is about to learn that a woman’s capricious charm can hold a magic all its own. In Mandalyn Kaye’s Beneath the Midnight Sky, Stuart MacLachlan awakens from his enchanted one hundred year slumber to end the curse placed on his cherished love. But now he has only five days to solve the legendary faerie riddle… or surrender to the darkness forever.Enter a world that is magnificent and wild, where love rides on winds of fortune… and where passion knows no bounds…note: Hannah Howell's story, Isbel, was also published in the anthology Highland Hero .

    Designed to facilitate a thoughtful and informed reading of Spinoza's Ethics, this anthology provides the Ethics, related writings, and two valuable appendices: List of Propositions from the Ethics, which helps readers to trace the development of key themes; and Citations in Proofs, a list of all the propositions, corollaries, and scholia in the Ethics, together with all the definitions, axioms, propositions, corollaries, and scholia to which Spinoza refers in the proofs--thus, readers can locate, for a given item, each instance where Spinoza refers to it.

    This is the first collection to draw on the full range of Zukofsky's poetry-containing short lyrics, versions of Catullus, and generous selections from "A", his 24-part"poem of a life"-and provides a superb introduction to a modern master of whom the critic Guy Davenport has written: "Every living American poet worth a hoot has stood aghast before the steel of his integrity." The most formally radical poet to emerge among the second wave of American modernists, Louis Zukofsky continues to influence younger poets attracted to the rigor, inventiveness, and formal clarity of his work. Born on New York's Lower East Side in 1904 to emigrant parents, Zukofsky achieved early recognition when he edited an issue of Poetry devoted to the Objectivist poets, including George Oppen and Charles Reznikoff. In addition to an abundance of short lyrics and a sound-based version of the complete poems of Catullus, he worked for most of his adult life on the long poem "A" of which he said: "In a sense the poem is an autobiography: the words are my life." Zukofsky's work has been described as difficult although he himself said: "I try to be as simple as possible." In the words of editor Charles Bernstein, "This poetry leads with sound and you can never go wrong following the sound sense... Zukofsky loved to create patterns, some of which are apparent and some of which operate subliminally... Each word, like a stone dropped in a pond, creates a ripple around it. The intersecting ripples on the surface of the pond are the pattern of the poem." Here for the first time is a selection designed to introduce the full range of Zukofsky's extraordinary poetry.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This book was originally published in 1945 in Chungking, China."--Preface.

    The book presented a new and urgent poetry of dream-life, mystery and music, sexual obsession and the consolations of drink - all delivered with great formal skill and imaginative daring.'One of the finest first books of poems I've read for ages.' Paul Muldoon'If you are wondering whether great poems are still being written, you ought to read Don Paterson's.' Charles Simic'One of the most ferociously talented of all British poets.' Catherine Lockerbie

    Excerpt: Long lines of cliff breaking have left a chasm ;And in the chasm are foam and yellow sands ;Beyond, red roofs about a narrow wharfIn cluster ; then a moulder'd church ; and higherA long street climbs to one tall-tower'd mill ;And high in heaven behind it a gray downWith Danish barrows ; and a hazelwood,By autumn nutters haunted, flourishesGreen in a cuplike hollow of the down.[...]

    Subsequent essays include critical work on Gerard Manley Hopkins, William Wordsworth, John Keats, Robert Lowell, William Butler Yeats, John Montague, Patrick Kavanagh, Ted Hughes, Geoffrey Hill, and Philip Larkin.

    . .’ Enduring myths of vengeful gods and tragically flawed mortals from ancient Rome’s great poet. Ovid tells the tales of Theseus and the Minotaur, Daedalus and Icarus, the Calydonian Boar-Hunt, and many other famous myths.(Taken from Books VIII and IX of Mary M. Innes’s translation of Metamorphoses.)[ Ovid (Publius Ovidius Naso) 43 BC–17 AD ]Little Black Classics celebrates Penguin’s 80th birthday, introducing 80 works from the classics.

    Finfolk, seal-people and the Makers of Dreams. Within these pages are the little-known stories of Scotland, collected and retold by an oral storyteller who performs them throughout the world. From folk-tales and local legends to ancient epics, these stories will astonish and delight readers everywhere.Daniel Allison is an acclaimed oral storyteller who performs everywhere from schools and prisons to global festivals. He hosts the House of Legends Podcast and is the author of The Bone Flute, Silverborn, Scottish Myths & Legends and Finn & The Fianna.

    This book is for civil engineers that teach fluid mechanics both within their discipline and as a service course to mechanical engineering students. As with all previous editions this 10th edition is extraordinarily accurate, and its coverage of open channel flow and transport is superior. There is a broader coverage of all topics in this edition of Fluid Mechanics with Engineering Applications. Furthermore, this edition has numerous computer-related problems that can be solved in Matlab and Mathcad.

    With his trademark sense of humor, open-hearted empathy, and perceptive vision, Charles Simic roots his poetry in the ordinary world while still taking in the wide sweep of the human experience.From poems pithy, wry, and cutting—“Time—that murderer/that no has caught yet”—to his layered reflections on everything from love to grief to the wonders of nature, from the story of St. Sebastian to that of a couple weeding side by side, Simic’s work continues to reveal to us an unmistakable voice in modern poetry. An innovator in form and a chronicler of both our interior lives and the people we are in the world, Simic remains one of our most important and lasting voices on the page.