But in a Jerusalem hotel room a world away from everything she knows, Dinah van der Lyn hears angry voices through the wall, followed by a crash and a brief cry in English...for help! The brutal shattering of an evening's stillness becomes a prelude to terror. Without warning, Dinah has been unwittingly pulled into something unholy transpiring in a sacred city, and she must find answers hidden in the shadows. And she must trust an enigmatic stranger as she races through ancient, twisting streets teeming with secrets and peril, a man who may be leading her to safety...or to her doom.

    When lovely Linda Martin first arrives at Château Valmy as an English governess to the nine-year-old Count Philippe de Valmy, the opulence and history surrounding her seems like a wondrous, ecstatic dream. But a palpable terror is crouching in the shadows. Philippe's uncle, Léon de Valmy, is the epitome of charm, yet dynamic and arrogant, his paralysis little hindrance as he moves noiselessly in his wheelchair from room to room. Only his son Raoul, a handsome, sardonic man who drives himself and his car with equally reckless abandon, seems able to stand up to him. To Linda, Raoul is an enigma, though irresistibly attracted to him, she senses some dark twist in his nature. When an accident deep in the woods nearly kills Linda's innocent charge, she begins to wonder if someone has deadly plans for the young count.

    M. Kaye, Death in Kashmir is a wonderfully evocative mystery ...When young Sarah Parrish takes a skiing vacation to Gulmarg, a resort nestled in the mountains above the fabled Vale of Kashmir, she anticipates an entertaining but uneventful stay. But when she discovers that the deaths of two in her party are the result of foul play, she finds herself entrusted with a mission of unforeseen importance. And when she leaves the ski slopes for the Waterwitch, a private houseboat on the placid shores of the Dal Lake near Srinagar, she discovers to her horror that the killer will stop at nothing to prevent Sarah from piecing the puzzle together.

    Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests. Prepared to accept that Edward's death was due to a long-standing physical infirmity, Julia is outraged when Brisbane visits and suggests that Sir Edward has been murdered. It is a reaction she comes to regret when she discovers the damning paper for herself, and realizes the truth. Determined to bring her husband's murderer to justice, Julia engages the enigmatic Brisbane to help her investigate Edward's demise. Dismissing his warnings that the investigation will be difficult, if not impossible, Julia presses forward, following a trail of clues that lead her to even more unpleasant truths, and ever closer to a killer who waits expectantly for her arrival.

    I was caught upon a chessboard, a helpless pawn in a game of life and death, and the green rook was hunting me. That tall rook of green-black yew who had it in his power to destroy the king and end the game..." When Eve North returns to Athmore after three years' separation from her husband Justin, she finds the great estate-and Justin himself-vastly changed. Eve too has changed. She knows now the mistakes she made in her marriage in the past, and she now dares to win back the love of her own husband. Like another Eve, she wanders into the gardens of Athmore, unsuspecting. Yet she has reason to fear. Justin's brother Marc had once before placed her in a compromising position in that place of secrets-the green velvet room. Justin had believed Marc and never forgiven her. Now Marc waits for her at Athmore. Then, too, she has been warned that Justin has made up his mind at last to divorce her in order to marry Alicia Daven-the cool, serene Alicia whose quiet assurance comes from generations at Grovesend, and who has always taunted the American Eve with her tempting of Justin. Old Daniel-just before he is sent to his death-tries to warn Eve. It is he who carved from the green-black yew a topiary garden, one of the marvels of Athmore. The dark trees are clipped into the shape of chessmen, at a game forever in play. The black rook stands poised in readiness, like a hunter ready for the kill, challenging the white king. Daniel cries to Eve, "It's the black rook's play!"--but he dies before Eve can learn his fateful meaning. Eve finds herself entrapped on a chessboard of evil, unsure of her next move, yet aware that the black rook will move again-this time to destroy her.

    But he is also a noted antiquities expert, which is why Beatrice Poole has demanded his reluctant assistance. The freethinking authoress of "horrid novels," Beatrice is searching for the Forbidden Rings of Aphrodite, a mythic treasure she suspects played a role in her uncle's death. Beatrice finds Leo every bit as fascinating as one of the heroes in her novels-and she's convinced he's the only one who can help her. But after only five minutes in her company, Leo is sure he's never met a woman more infuriating...and more likely to rescue him from boredom. Yet the alliance may well prove to be the biggest mistake of their lives. For a villain lurks in London, waiting for the pair to unearth the Forbidden Rings-knowing that when they do, that day will be their last....

    Fanny knew then that Adam felt as she did about the strange events at Darkwater. Even before the sudden death of the old Chinese amah, she had sensed a chill of menace in the atmosphere. Now there was real peril in the mists and fogs that beshrouded the ancient English estate. There was danger...especially for Fanny -- ravishing, lovely young Fanny -- who was too curious and headstrong for her own good...

    Scotland, 1831. With her wedding to fellow investigator Sebastian Gage only a day away, Kiera is counting down the hours. But just when matrimonial jitters threaten to consume her, Kiera receives a welcome distraction in the form of a mysterious gold necklace. The Celtic torc, thought missing for decades, was directly involved in a recent investigation. Now, Kiera feels compelled to uncover the truth behind its sudden reappearance. But with an overwhelming flock of wedding guests, a muddled cat, an unpaid favor, and a ferocious storm throwing things into disarray, it’s anyone’s guess whether Kiera and Gage will actually make it to the altar... Includes an exclusive preview of the next Lady Darby Mystery, As Death Draws Near.

    Caroline Verlaine, a young widow, comes to work at the estate hoping to discover the cause of the mysterious disappearance of her sister, who had been studying the nearby Roman ruins. Caroline found her employers a strange family, haunted by tragedies of the past, scarred by distrust. Yet she found herself irresistibly attracted to them - especially to the family's dark, moody young scion. But not until she had retraced her sister's fatal last steps could she answer the crucial questions about the family's past - and her own future.

    Damien Cole. Ignoring the whispered warnings and rumours that he's a man to fear, she takes her position at his eerie estate, where she quickly discovers that nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances ... and the murders.With her options dwindling and time running out, Darcie must rely on her instincts as she confronts the man she falling in love with. Is he an innocent and misunderstood man ... or a remorseless killer who prowls the East End streets?Note: All books in the Dark Gothic series can be read as stand-alone novels.

    Blood and death are Fiona Mahoney’s trade, and business, as they say, is booming. Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It’s been two years since Fiona scrubbed Mary’s blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn’t forgotten. And she hasn’t stopped searching for Jack. When she’s called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary’s old home. The relentless, overbearing, and irritatingly handsome Inspector Grayson Croft warns her away from the case. She might have listened, if she hadn’t found a clue in the blood. A clue that will lead her down a path from which there is no return.As a killer cuts a devastating swath through London, a letter written in blood arrives at her door, and it is only then that Fiona realizes just how perilous her endeavor is. For she has drawn the attention of an obsessive evil, and is no longer the hunter, but the prey. Fiona Mahoney is in the business of blood. But she’s not the only one. With intriguing twists, blood-chilling discoveries, and dazzling prose, USAToday Bestselling author Kerrigan Byrne shows that a woman’s work is never done, even when she is sleuthing out a serial killer.

    It is a strange world she finds at Cluain - an arrogant and lonely old man running one of the finest whisky distilleries in the world with two women running the house.

    And she's determined to inform and educate the ladies of London on the nefarious-and deadly-criminals who are preying on the fairer sex. When her reporting leads to the arrest of a notorious killer, however, Katherine flees to a country house party to escape her newfound notoriety-only to witness a murder on her very first night. And when the lead detective accuses Katherine of inflaming-rather than informing-the public with her column, she vows to prove him wrong.Detective Inspector Andrew Eversham's refusal to compromise his investigations nearly cost him his own career, and he blames Katherine. To avoid bad publicity, his superiors are pressuring him to solve cases quickly rather than correctly. When he discovers she's the key witness in a new crime, he's determined to prevent the beautiful widow from once again wreaking havoc on his case. Yet as Katherine proves surprisingly insightful and Andrew impresses Katherine with his lethal competency, both are forced to admit the fire between them is more flirtatious than furious. But to explore the passion between them, they'll need to catch a killer.

    In a cold January morning in 1856, Evelyn Atherton’s husband is found murdered after attending an exclusive séance. Having “married up” into New York society, Evie herself is the immediate suspect. Ostracized and vulnerable, she knows that to clear her name she must retrace her husband’s last steps. And so, joining forces with her husband’s best friend–and the only Manhattan lawyer who will accept her case–Evie dives into the mysterious underworld of the occult. Before long, the trail brings them to a charismatic medium, Michel Jourdain. Evie’s instincts tell her the smooth-talking Jourdain is a charlatan–and her only hope for exoneration. But getting close to Jourdain means embracing a seductive and hypnotic world where clues to murder come through the voices of the dead. Caught in a perilous game in which she is equal player and pawn, predator and victim, Evie finds there is no one to trust, perhaps not even herself. As her powerful in-laws build a case against her, and with time running out, Evie must face the real ghosts of her past if she is to have any hope of avoiding the hangman.

    So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.