It will make you laugh, think and feel and is the perfect Christmas gift for those who speak human. Illustrations by Shaun Tan Every copy sold will contribute to cancer research

    Part of her wanted desperately to sit on the riverbank and breathe in the peace. But why would she put herself through all the pain of a homecoming when she didn't need to?Nine years ago, thirty-year-old Chelsea Taylor left the small country town of Barker and her family's property to rise to the top as a concert pianist. With talent, ambition, and a determination to show them all at home, Chelsea thought she had it made.Yet here she was, in Barker, with her four-year-old daughter, Aria, readying herself to face her father, Tom. The father who'd shouted down the phone nine years ago never to come home again. With an uneasy truce developing, Chelsea and Aria settle into the rhythm of life on the land with Tom and Cal, the farmhand, who seems already to have judged Chelsea badly. Until a shocking discovery is made on the riverbed and Detective Dave Burrows, the local copper, has to tear back generations of family stories to reveal the secrets of the past. Chelsea just wants a relationship with her dad but will he ever want that too? Or will his memory lapses mean they'll never get that opportunity?

    

    Secrets are different from privacy. They are things you are forced to keep to yourself, by family, friends, by your own shame. Secrets like these come to the surface one day and demand an airing.Emerging from an unconventional, boisterously happy childhood, Mary-Rose MacColl was a rebellious teenager. And when, at the age of fifteen, her high-school teacher and her husband started inviting Mary-Rose to spend time with them, her parents were pleased that she now had the guidance she needed to take her safely into young adulthood.It wasn't too long, though, before the teacher and her husband changed the nature of the relationship with overwhelming consequences for Mary-Rose. Consequences that kept her silent and ashamed through much of her adult life. Many years later, safe within a loving relationship, all of the long-hidden secrets and betrayals crashed down upon her and she came close to losing everything.In this poignant and brave true story, Mary-Rose brings these secrets to the surface and, in doing so, is finally able to watch them float away.

    Her father, left with four young children to raise, gathers up his family and leaves the city to go doving. For the next fifteen years, the McGinnis clan travels the continent, droving, horse breaking and living off the land. Kerry grows up in the harsh outback, and the animals that inhabit the land are her closest friends.With the memory of her absent mother ever present, Kerry begins her difficult journey into young womanhood.

    The fall of Malaya and Singapore and the bombing of Darwin—what looked like the invasion of Australia—ebb and crash over a man’s long search to find a home and a woman’s determination to keep hers, connected by old memories and new betrayals. It is a thriller and a romance, a story of earth and water, air and metal—an unforgettable ride through the most precarious time in our region's recent history. Garry Disher writes: ‘Past the Headlands came from the same World War 2 research as The Stencil Man. I was struck by the power of two documents. The first was a letter written by a woman alone on a cattle station near Broome in 1942, at the time the Japanese were overrunning Malaya and Singapore and bombing areas of northern Australia. One day she found herself giving shelter to Dutch colonial officers and their families, who were fleeing Sumatra and Java ahead of the Japanese advance (many people like them lost their lives when Japanese planes shot up their waiting seaplanes in Broome Harbour in March, 1942). This woman stuck in my head (the isolation, the danger, the efforts to communicate, her bravery, etc). The second document was a war diary written by an Australian army surgeon who escaped Singapore ahead of the Japanese and was stuck in Sumatra, trying to get out. Here he treated many of the civilians (and Australian Army deserters) fleeing from Singapore. He was captured by the Japanese, but survived the war. But his last few diary entries detail how he and a mate were waiting for a plane or a ship to take them out, then one day he wrote, “Davis [his mate] left last night without telling me”. So much for mateship. I spent years trying to find my way into their stories. At one stage I spent a year writing 40,000 words before realising it wouldn’t work. I put it aside, then realised one subplot didn’t belong, so extracted it and turned it into a separate novel The Divine Wind, which has sold 100,000 copies around the world, won a major award and been published as both a young adult and a general market novel. But cutting it out like that freed me up to write about the woman and the man betrayed by his mate, in Past the Headlands.’

    'I have several young busty blondes, Derek,' Ruth sang like the weathergirl. 'One is a very sexy Danish girl, just back from a skiing trip, five-foot-five, long wavy blonde hair, blue eyes, twenty-five years old. A fantastic figure: thirty-six, twenty-five, thirty-five. Or I have a more demure, very pretty, young strawberry blonde Australian, Derek. She's nineteen ...' When her acting career stalls, Merridy Eastman lands a challenging role: night receptionist at a Sydney brothel. A long way from the bright lights of a TV studio, she is swept into the high drama of the sex industry. This former Play School presenter learns words for items and acts she never imagined, she opens the door to first-timers, old hands, couples and the occasional celebrity. But the place she spends every moment she can is the kitchen table, having a cup of tea and discussing investment portfolios, and life's many great mysteries, with Sapphire, Shelby, Antoinette and Bree - the women who make a living from having sex with strangers. And then, in this most unlikely of places, she finds herself falling in love ... There's a Bear in There (and he wants Swedish) is a funny, fascinating and true account of a forbidden world.

    But one particular string of bad news stories – and a terrifying brush with her own mortality – sent her looking for answers about how vulnerable each of us is to a life-changing event. What are our chances of actually experiencing one? What do we fear most and why? And when the worst does happen, what comes next?In this wise and layered book, Leigh talks intimately with people who’ve faced the unimaginable, from terrorism to natural disaster to simply being in the wrong place at the wrong time. Expecting broken lives, she instead finds strength, hope, even humour. Leigh brilliantly condenses the cutting-edge research on the way the human brain processes fear and grief, and poses the questions we too often ignore out of awkwardness. Along the way, she offers an unguarded account of her own challenges and what she’s learned about coping with life’s unexpected blows.Warm, candid and empathetic, this book is about what happens when ordinary people, on ordinary days, are forced to suddenly find the resilience most of us don’t know we have.

    But not for everyone. Unsolved Australia: Lost Boys, Gone Girls tells thirteen stories of people whose luck ran out in the most mysterious of circumstances.It's a journalistic deep-dive into Australia's dark heart by one of Australia's premier true crime writers, Justine Ford, the acclaimed bestselling author of Unsolved Australia and The Good Cop .Why are four people missing from a Western Australian doomsday cult? Who abducted and murdered beauty queen Bronwynne Richardson on pageant night? And why is a cooked chook important evidence in the outback disappearance of Paddy Moriarty?Key players are interviewed, evidence laid out and suspects assessed. Never-before-published information is revealed. Can you help crack the case and solve these mysteries?Hold tight as Unsolved Australia: Lost Boys, Gone Girls takes you on a chilling yet inspiring true crime rollercoaster ride where the final destination is hope.

    But long before Cold Chisel and 'Barnesy', long before the tall tales of success and excess, there was the true story of James Dixon Swan - a working class boy whose family made the journey from Scotland to Australia in search of a better life.Working Class Boy is a powerful reflection on a traumatic and violent childhood, which fuelled the excess and recklessness that would define, but almost destroy, the rock'n'roll legend. This is the story of how James Swan became Jimmy Barnes. It is a memoir burning with the frustration and frenetic energy of teenage sex, drugs, violence and ambition for more than what you have.Raw, gritty, compassionate, surprising and darkly funny, Jimmy Barnes's childhood memoir is at once the story of migrant dreams fulfilled and dashed. After arriving in Australia in the summer of 1962, things went from bad to worse for the Swan family - Dot, Jim and their six kids. The scramble to manage in the tough northern suburbs of Adelaide in the 60s would take its toll on the Swans as dwindling money, too much alcohol and fraying tempers gave way to violence and despair. This is the story of a family's collapse, but also of a young boy's dream to escape the misery of the suburbs with a once-in-a-lifetime chance to join a rock'n'roll band and get out of town for good.

     From her exploits at Miss Sheila's Fancy-pants School of Dance and her efforts to secure a solo at the end-of-year performance, to embracing the spotlight as an Australian Idol contestant and her deep and abiding love for John Farnham, Em Rusciano is a self-confessed hobbit with a taste for glitter. And behind the stage makeup Em is an overachiever of epic proportions – an elite athlete, the hardest working mum you’ll ever meet, and the best friend The Gays could ever have. She also has a heart bigger than Phar Lap’s, tells the best dirty jokes, and loves those closest to her ferociously. When the chips are down, you definitely want her on your side. This all-singing, all-dancing, all-emoting, leopard-print clad warrior is fierce, fabulous and pants-wettingly funny. Try Hard is her story. Because she is. And she does.

    The recipient of numerous Dally M and Golden Boot awards, he has starred in the toughest league competition on the planet every season since he made his NRL debut in 2002. Captaining the Melbourne Storm to multiple premierships, Smith played in a staggering seventeen finals campaigns. An integral member of the record-breaking Queensland teams of 2006-2017, he won eleven State of Origin series. As skipper of the Australian national team for over a decade, he led the Kangaroos to two World Cups. Smith is credited with revolutionising the number nine position. He holds the State of Origin records for most appearances and most wins, as well as the NRL records for most games, goals, points scored, wins and appearances as captain.This book maps his unique journey in the game: an extraordinary look into the biggest matches and biggest moments, Smith describes his career with great colour and candour, outlining what it takes to climb to the highest level in sport. Talent aside, it is Smith's intelligence and poise that set him apart, coupled with consistency, durability and longevity that are unlikely to ever be matched. Notoriously private throughout his career, The Storm Within sets the record straight. Finally, the life behind the legend - the man behind the mystery - tells his story.Features a foreword by legendary Melbourne Storm coach Craig Bellamy.

    The best stories are often about the lowest points in our lives - the soul-crushing jobs, the bad boyfriends, the terrible holidays, the betrayals and heartbreaks. These are the stories I tell people to make them like me, but, more importantly, they've helped me learn how to like myself.So this book is a collection of thankyous and acknowledgments:∗ Thank you to an ex-lover who marvelled at the fact he could get hard with me, even though I wasn't up to his usual standard.∗ Thank you to the coked-up real estate agent who, while lecturing me and my friend about the importance of travelling, fell down a flight of stairs.∗ Thank you to the woman who approached me after a gig and told me she hoped her daughter wouldn't end up like me.You've all taught me that you can't control who comes into your life or what happens to you, but you can decide just what it is you take from them.

    One Sunday night in Sydney, Robert Dessaix collapses in a gutter in Darlinghurst, and is helped to his hotel by a kind young man wearing a T-shirt that says F**K YOU. What follows are weeks in hospital, tubes and cannulae puncturing his body, as he recovers from the heart attack threatening daily to kill him. While lying in the hospital bed, Robert chances upon Philip Larkin's poem 'Days'. What, he muses, have his days been for? What and who has he loved - and why? This is vintage Robert Dessaix. His often surprisingly funny recollections range over topics as eclectic as intimacy, travel, spirituality, enchantment, language and childhood, all woven through with a heightened sense of mortality

    There weren’t many. And too often there was a negative narrative around Indigenous lives, and Aboriginal women especially. Now an award-winning actor, she decided to change things herself. Combining her love of romantic comedies with her love of Darwin, the Tiwi Islands and the Top End, Miranda wrote, produced and starred in the box office hit Top End Wedding.In this engaging and thought-provoking memoir, Miranda shares the path she took to create a moving film about reconnection to family and culture. And, like all good storytellers, she holds a mirror up to the society we live in to show the prejudice that too often surfaces.MIRANDA TAPSELL was born in Darwin and her people are the Larrakia. She grew up in Kakadu National Park and began performing at the age of seven. At 16, she won the Bell Shakespeare Company regional performance scholarship. She has her own podcast on BuzzFeed, Pretty for an Aboriginal, with Nakkiah Lui, which rocks the traditional perceptions of Indigenous Australia and challenges rigid mindsets of what women of colour can and cannot do. Top End Girl is her literary debut.