It was in order to balance clock time with the movement of the earth. Byron Hemming knew this because James Lowe had told him and James was the cleverest boy at school. But how could time change? The steady movement of hands around a clock was as certain as their golden futures.Then Byron's mother, late for the school run, makes a devastating mistake. Byron's perfect world is shattered. Were those two extra seconds to blame? Can what follows ever be set right?

    A globetrotting Irish travel writer, Kathleen de Burca is used to living--and loving--on the run. On the brink of fifty, she decides to leave her job and rethink her life. Intrigued by a divorce case dating back to the days of the Potato Famine, she tries hand at writing about it. The case, called "The Talbot Affair," detailed the clandestine liaison between the wife of a British landlord and an Irish servant in Ireland in the 1850s. After a bitter thirty-year absence, Kathleen returns to Ireland, the land of her troubled childhood and turbulent heritage, in search of answers to her questions about desire and lasting love.

    The seven stories are all concerned with love, or rather with the complex erotic games and stratagems employed by women and especially men as they try to come to terms with needs and impulses that can start a terrifying train of events. Sexual attraction is shown as a game that often turns sour, an experience that brings with it painful insights and releases uncertainty, panic, vanity and a constant need for reassurance. Thus a young couple on holiday start a game of pretence that threatens to destroy their relationship, two middle-aged men go in search of girls they don't really want, a young man renews contact with an older woman who feels humiliated by her ageing body, an elderly doctor uses his beautiful wife to increase his attraction and minister to his sexual vanity. In Laughable Loves, Milan Kundera shows himself, once again, as a master of fiction's most graceful illusions and surprises.

    Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries.One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it.

    This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. Also included are the stories "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved a cult following after publication online.

    Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    In the pared-down style that has since become his hallmark, Carver showed us how humour and tragedy dwelt in the hearts of ordinary people, and won a readership that grew with every subsequent brilliant collection of stories, poems and essays that appeared in the last eleven years of his life.

    Part historical epic, part love story, it recalls The English Patient in its mix of emotional intimacy and sweeping landscape.In a run-down apartment block in Moscow, a nine-year-old piano prodigy practices silently for fear of disturbing the neighbors.In a factory on the outskirts of the city, his aunt makes car parts, trying to hide her dissident past.In the hospital, a leading surgeon buries himself deep in his work to avoid facing his failed marriage.And in a rural village in the Ukraine, a teenage boy wakes up to a sky of the deepest crimson. In the fields, the ears of the cattle are dripping blood. Ten miles away, at the Chernobyl Power Plant, something unimaginable has happened.Now their lives will change forever.All That Is Solid Melts Into Air is an astonishing end-of-empire novel by a major new talent.

      Considered by many the greatest short story writer, Anton Chekhov changed the genre itself with his spare, impressionistic depictions of Russian life and the human condition. From characteristically brief, evocative early pieces such as “The Huntsman” and the tour de force “A Boring Story,” to his best-known stories such as “The Lady with the Little Dog” and his own personal favorite, “The Student,” Chekhov’s short fiction possesses the transcendent power of art to awe and change the reader. This monumental edition, expertly translated, is especially faithful to the meaning of Chekhov’s prose and the unique rhythms of his writing, giving modern readers an authentic sense of his style and a true understanding of his greatness.Contains: The death of a clerk --Small fry --The huntsman --The malefactor --Panikhida --Anyuta --Easter night --Vanka --Sleepy --A boring story --Gusev --Peasant women --The fidget --In exile --Ward No. 6 --The black monk --Rothschild's fiddle --The student --Anna on the neck --The house with the mezzanine --The man in a case --Gooseberries --A medical case --The darling --On official business --The lady with the little dog --At Christmastime --In the ravine --The bishop --The fiancée.

    From “Guests of the Nation” to “The Mad Lomasneys” to “First Confession” to “My Oedipus Complex,” these tales of Ireland have touched generations of readers the world over and placed O'Connor alongside W. B. Yeats and James Joyce as the greatest of Irish authors.Analyzing a Robert Browning poem, O'Connor once wrote: “Since a whole lifetime must be crowded into a few minutes, those minutes must be carefully chosen indeed and lit by an unearthly glow.” Each of the sixty-seven stories gathered here achieves the same incredible feat of the imagination, laying bare entire lives and histories within the space of a few pages. Dublin schoolteacher Ned Keating waves good-bye to a charming girl and to any thoughts of returning to his village home in the lyrical and melancholy “Uprooted.” A boy on an important mission is waylaid by a green-eyed temptress and seeks forgiveness in his mother’s loving arms in “The Man of the House,” a tale that draws on O'Connor’s own difficult childhood. A series of awkward encounters and humorous misunderstandings perfectly encapsulates the complicated legacy of Irish immigration in “Ghosts,” the bittersweet account of an American family’s pilgrimage to the land of their forefathers.As a writer, critic, and teacher, O'Connor elevated the short story to astonishing new heights. This career-spanning anthology, epic in scope yet brimming with the small moments and intimate details that earned him a reputation as Ireland’s Chekhov, is a testament to Frank O’Connor's magnificent storytelling and a true pleasure to read from first page to last.

    O?Keeffe's four linked novellas span time and generations, and each brims with gorgeous, thoughtful prose and enduring characters. Love and secrets, unfulfilled dreams and missed opportunities, fear, greed, and compromised moral decisions all leave their mark here. A dairy farmer unknowingly falls in love with the younger sister of a woman he once cruelly jilted. A young man recalls his spinster aunt and the tragic story of her life's great love?a soldier who returned alive but altered by the Great War.A richly rewarding work that will resonate with fans of William Trevor and Alice Munro, "The Hill Road" heralds the arrival of an important new voice.

    Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all.Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.

    Naturally, she takes their daughters and son with her. The children, however, only make it as far as the train station - and even after returning home remain unaffected by their brief exile. "They ought either to be quieter or more noisy than before," their father thinks, "and it was disconcerting that they seemed to be exactly the same." Frank's routines, however, drift into disorder as he tries desperately to take charge of life at home and work. Even his printing plant is suddenly confronted by the specters of modernization and utter instability. In Penelope Fitzgerald's fiction, affection and remorse are all too often allied, and desire and design seem never to meet. Frank wants little more than a quiet, confident life - something for which he is deeply unsuited, and which Russia certainly will not go out of her way to provide. 'The Beginning of Spring' is filled with echoes of past wrongs and whispers of the revolution to come, even if the author evokes these with abrupt comic brio. (In one disturbance, "A great many shots had hit people for whom they were not intended.") As ever, Fitzgerald makes us care for - and want to know ever more about - her characters, even the minor players. Her two-page description of Frank's chief type compositor, for instance, is a miracle of precision and humor, sympathy and mystery. And the accountant Selwyn Crane - a Tolstoy devotée, self-published poet, and expert at making others feel guilty -is a sublime creation. His appetite for do-gooding is insatiable. After one fit of apparent altriusm, "Selwyn subsided. Now that he saw everything was going well, his mind was turning to his next charitable enterprise. With the terrible aimlessness of the benevolent, he was casting round for a new misfortune." As she evokes her household of tears and laughter, Fitzgerald's prose is as witty as ever, rendering the past present and the modern timeless. - Kerry Fried