The one-act play invites listeners into Sharon's unorthodox childhood, growing up in an apartment on the top floor of the St. Agnes Branch of the New York Public Library, where her father served as the building's custodian. A love of literature and boundless imagination helped the playwright as a young woman persevere over dragons of all forms.Directed by Maria Mileaf, Feeding the Dragon premiered at City Theatre in Pittsburgh and was subsequently produced by Hartford Stage and Primary Stages.©2018 Sharon Washington (P)2018 AO Media, LLC.

    Jimmy Nail has been a household name since Auf Wiedersehen, Pet hit our screens in the 1980s. since then, his career as an actor and a musician has put on him on the silver screen alongside Madonna and given him a No. 1 hit single. Success on this astonishing scale was beyond the wildest dreams of the working class lad whose harsh childhood and brutal schooling put him on a collision course with Strangeways. But a short spell in prison helped propel Nail onwards and upwards. With the support of his friends and family, it wasn't long before Jimmy's unique talents and single-minded determination brought him attention of a different kind - and changed his life for ever. In A Northern Soul, Jimmy Nail tells his own vivid story in this intriguing, inspiring and sometimes confounding account of how one man rose to fame and fortune by refusing to be anything but himself.

    So writes the playwright, novelist and erstwhile QC, John Mortimer. And as a septuagenarian, he is writing from experience. But it's not the effort it takes to put on socks, or the need to use people as props to stop falling over, or the sad fact that one may be compelled to buy a "Decorative Window Film" to prevent against walking into glass doors that Mortimer objects to. "The real trouble with old age", he says, "is it lasts for such a short time". 'The Summer of a Dormouse' is a wickedly funny journal in which Mortimer wryly observes the absurdities of old age. After all, "No one should grow old who isn't ready to appear ridiculous". And Mortimer freely admits he often does. Such as the time he unintentionally pirouetted down some marble steps after getting out of a hotel bathtub and crashed into a set of shelves. "I fell amongst splintering glass and a hailstorm of cotton-wool buds, aware of a torrent of destruction". However, in spite of his partial immobility, failing eyesight and frequent tendency to topple over, Mortimer deals with his increasing decrepitude with formidable fortitude. Even a death threat fails to faze him: "Some one's offering to kill me - why on earth should they bother?" Sharp and dark, 'The Summer of a Dormouse' is an upbeat account of a man not afraid to stare mortality in the face. - Christopher Kelly

    Looking back, I can find gifts and life lessons in every one.” The legendary Patti LuPone is one of the theatre’s most beloved leading ladies. Now she lays it all bare, sharing the intimate story of her life both onstage and off--through the dizzying highs and darkest lows--with the humor and outspokenness that have become her trademarks.With nearly 100 photographs, including an 8-page four-color insert, and illuminating details about the life of a working actor, from inspired costars and demanding directors to her distinct perspective on how she developed and honed her Tony Award–winning performances, Patti LuPone: A Memoir is as inspirational as it is entertaining. And though the title might say “a memoir,” this is ultimately a love letter to the theatre by a unique American artist.Raised on Long Island’s North Shore, Patti discovered her calling at the age of four and knew that she was destined for the stage. A prodigiously gifted child, she was one of only 36 young actors chosen for the inaugural class of The Juilliard School’s Drama Division, where she fought near-constant criticism from her instructors, and here describes those early years with disarming frankness. From the heady days of her early twenties—crisscrossing the country as a founding member of the classical repertory theatre ensemble, The Acting Company--to her early success on Broadway, her four-year stint as Libby Thacher on the television series Life Goes On, her loving marriage to Matt Johnston, and much, much more, Patti chronicles her professional and personal life with inimitable candor and wit.  With its insightful retrospective of her career-defining turns, both on Broadway and abroad, in Evita, Les Misérables, Anything Goes, Sunset Boulevard, Sweeney Todd, and Gypsy, Patti LuPone: A Memoir reveals the artist’s deeply felt passion for music and the theatre and is, in the end, the compelling and quintessential tale of an exceptional life well lived.

    Already a young veteran of the prototype American metal band Dust, Bell took residence in artistic, seedy Lower Manhattan, where he played drums in bands that would shape rock music for decades to come, including Wayne County, who pioneered transsexual rock, and Richard Hell and the Voidoids, who directly inspired the entire early British punk scene.If punk had royalty, in 1978 Marc became part of it when he was knighted "Marky Ramone" by Johnny, Joey, and Dee Dee of the iconoclastic Ramones. The band of tough misfits were a natural fit for Marky, who dressed punk before there was punk, and who brought his "blitzkrieg" style of drumming as well as the studio and stage experience the band needed to solidify its lineup. Together, they changed the world.But Marky Ramone changed, too. The epic wear and tear of a dysfunctional group (and the Ramones were a step beyond dysfunction) endlessly crisscrossing the country and the world in an Econoline "practically a psychiatric ward on wheels" drove Marky from partying to alcoholism. When his life started to look more out of control then Dee Dees, he knew he had a problem. Marky left music in the mid-eighties to enter recovery and eventually returned to help the Ramones finally receive their due as one of the greatest and most influential bands of all time.Covering in unflinching detail the cult film Rock ’N’ Roll High School to “I Wanna Be Sedated” to Marky’s own struggles, Punk Rock Blitzkrieg is an authentic and always honest look at the people who reinvented rock music, and not a moment too soon.

    Typically candid, covering all you need to know, including tips and tricks on diet, exercise and even your sex life.

    But how else do you cope when your mentally ill mother has killed your little brother and sister by scalding them with boiling water?This is a harrowing true story of how one little girl endured the most tragic of childhoods. But it's also the ultimate tale of forgiveness.Follow Nikkia on her heartbreaking journey, as she attempts to find answers and rekindle a relationship with her mother behind the gates of a secure psychiatric hospital.Deeply moving, Mummy is a Killer proves that love really is the strongest emotion of all.

    The year was 1962. He was all of twenty-three. No player in basketball history had ever done this. No one has done it since--not Magic Johnson, not Larry Bird, not Michael or Kobe. Throughout the first five years of his career, he averaged a triple-double.Videotape does not do him justice. The images are washed out, the colors faded and fuzzy in a manner associated with bygone eras, the fashions and style of play not aging well. And yet there is palpable greatness.He was voted into the Basketball Hall of Fame on the first ballot, and the National Association of Basketball Coaches named him their player of the century. ESPN put him among their fifty greatest athletes of the century, the National Basketball Association on their list of the fifty greatest players. On and on. So many accolades that they run into one another.But the story of Oscar Robertson is about much more than basketball. The story of Oscar Robertson is one of a shy black child growing up in a city so segregated that, until he is ten years old, his only exposure to white people is the distant memory of two Tennessee farm owners whose land his father had worked. It is the story of a poor family, and absent parents working long hours without complaint or reward.The story of Oscar Robertson is also the story of the basketball-crazed state of Indiana and Crispus Attucks High School, the high school he led to the state championship. He joins the University of Cincinnati's basketball team and handles the ball on the perimeter in a way that has never been seen before.Oscar Robertson enters the NBA with the Cincinnati Royals, who have been just barely holding on as they wait for the fledgling star. Robertson does not disappoint. Moving to the backcourt, he simply revolutionizes the game.The story of Oscar Robertson is one of a superstar at the height of his career becoming the president of a union, the National Basketball Players Association, using his fame to try to improve conditions for all basketball players. It is the story of the man who sues the NBA for the right to free agency.He is thirty-one years old when the Milwaukee Bucks trade for him. And so Oscar Robertson's story is also the story of a veteran player who joins young superstar Lew Alcindor (the future Kareem Abdul-Jabbar) and leads Milwaukee to an NBA championship.It is the story of a man who, at thirty-four years old, is forced to leave the game. Who is blacklisted from coaching and is forced out of broadcasting. Who must face questions not about whether he fought the good fight, but how he fought it.Two years after he leaves basketball, after six years of legal wrangling, Robertson wins his lawsuit with the NBA. It is the story of a man who revolutionized the game of basketball twice: once on the court, and once in the way that the business of basketball is conducted. It is the story of how the NBA, as we now know it, was built. Of race in America in the second half of the twentieth century. Of a complex hero. An uncompromising man. It is Oscar Robertson's story.

    Burning with talent and ambition, she was like dozens of aspiring actors of the time—a twenty-something beauty who rode her bike everywhere, kept a diary, napped before performances, and stayed out late “talking about acting with actors in actors’ bars.” Yet Meryl stood apart from her peers. In her first season in New York, she won attention-getting parts in back-to-back Broadway plays, a Tony Award nomination, and two roles in Shakespeare in the Park productions. Even then, people said, “Her. Again.”Her Again is an intimate look at the artistic coming-of-age of the greatest actress of her generation, from the homecoming float at her suburban New Jersey high school, through her early days on the stage at Vassar College and the Yale School of Drama during its golden years, to her star-making roles in The Deer Hunter, Manhattan, and Kramer vs. Kramer. New Yorker contributor Michael Schulman brings into focus Meryl’s heady rise to stardom on the New York stage; her passionate, tragically short-lived love affair with fellow actor John Cazale; her marriage to sculptor Don Gummer; and her evolution as a young woman of the 1970s wrestling with changing ideas of feminism, marriage, love, and sacrifice.Featuring eight pages of black-and-white photos, this captivating story of the making of one of the most revered artistic careers of our time reveals a gifted young woman coming into her extraordinary talents at a time of immense transformation, offering a rare glimpse into the life of the actress long before she became an icon.

    As a Stanislavsky disciple and founder of her own highly esteemed acting conservatory, the extravagant actress was also an eminent acting teacher, training her students--among them Marlon Brando, Al Pacino, and Robert DeNiro--in the art of script interpretation. The classic lectures collected here, delivered over a period of forty years, bring to life the plays of the three fathers of modern drama: Henrik Ibsen, August Strindberg, and Anton Chekhov. With passionate conviction and shrewd insight, Adler explains how their plays forever changed the world of dramaturgy while offering enduring insights on society, class, culture, and the role of the actor. She explores the struggles of Ibsen's characters to free themselves from societal convention, the mortal conflicts that trap Strindberg's men and women, and the pain of loss and transition lyrically evoked by Chekhov. A majestic volume, Stella Adler on Ibsen, Strindberg, and Chekhov allows us to experience the work of these masters "as if to see, hear and feel their genius for the first time." (William H. Gass)

    Or at least, he was, once. Now he lives a quiet life with his family, until a gang of crooks take everything from him and Charles must make a diabolical pact. His soul, in exchange for vengeance!Tanner Williams has been tasked with an impossible job — to track and kill the bloodthirsty abomination that stalks the plains. Haunted by his dark past, Tanner must learn the horrifying secret of…THE NAVAJO NIGHTMARE!From the twisted minds of David Sodergren (The Forgotten Island) and Steve Stred (Ritual) comes a gripping, blood-soaked horror western that will leave you breathless.

    Suddenly one of the most active men you'd ever meet couldn't even get up off the sofa to make a cup of tea. In Absolutely Foxed, a cricket memoir like no other, Fowler takes the reader on a vivid ride, with riotous stories of life on England tours, partying with Ian Botham and Elton John, combined with a moving account of his battle with mental-health issues. A hugely influential coach, and one of the most original thinkers about the game, Fowler looks back over his 40 years in the professional game, including his 16 years on the county circuit with Lancashire and Durham, and his three years as an England international - a period that was cut short by a life-threatening injury. He followed that with a spell working on Test Match Special, before running the Durham Centre of Excellence for 18 years. In his Foreword, lifelong friend Sir Ian Botham describes Fowler as 'one of the gutsiest I ever encountered', but also points out how he 'made a dressing room tick'. Those elements of courage, knowledge and humour are all present in Absolutely Foxed - a truly unmissable read.

    It's a still a mystery, and a much debated topic, among theater enthusiasts as to why "Merrily We Roll Along" flopped, especially since Sondheim's other productions, which include "Into the Woods," "Follies," "Sweeney Todd," and "A Funny Thing Happened on the Way to the Forum," have been so endearing and extraordinarily successful. In this Kindle Single, Pogrebin muses on why the show didn't get off the ground at the same time that she takes the reader on passionate, introspective journey, examining the importance of this very special moment in her life.Abigail Pogrebin is the author of Stars of David: Prominent Jews Talk About Being Jewish (Broadway Books 2007), and One And The Same: My Life as an Identical Twin and What I've Learned About Everyone's Struggle to Be Singular (Doubleday 2009). Pogrebin has written for many national publications, and has produced for Mike Wallace at "60 Minutes." She lives in New York City with her husband and two children.

    Sophie was routinely neglected and harmed, starved and left to fend for herself. Social workers were often involved but, despite numerous visits and extensive reports, nothing was ever done.When Sophie was six, her life took another horrible turn: her adored grandfather began to sexually abuse her.Please Will Someone Help Me? is Sophie Young's heartbreaking story about a young girl at the mercy of the adult world. With full access to her social work files, she shows how those who are meant to help children can be blind to the reality of their lives; but how, ultimately, love conquers all.Sophie Young was the eldest of three, born into a dysfunctional family that she fought for years to escape. Now forty years old, she lives in England with her husband and children, and works as a volunteer for a national children's charity.

    Each year there are hundreds of stagestruck kids arrive in New York determined to crash the theatre, firmly convinced they're destined to be famous Broadway stars or playwrights.