She told Lori, “We all have two lives and we carry the maps of those lives with us. Our left hands mark the lives we’re born with. Our right hands mark the lives we make for ourselves.”Belief Is Its Own Kind of Truth, Maybe is a book about mapping those lives – the lives we are born with and the lives we are allowed – and lucky enough – to make for ourselves.Belief is part adoption narrative and part meditation on family, motherhood, nature vs. nurture, and what it means to make our own authentic human connections. It extends the possibilities of creative nonfiction at a time when many people are talking about what exactly truth-in-memoir means. The book’s patchwork form mirrors the fragmented experience of being an adoptee confronting — and trying to heal — her roots.Belief is the story of one woman’s search for her birth mother coupled with the parallel story of her own motherhood and her own re-making. It’s about what it means to be a mother, what it’s like to have two very different blood connections, and what it means to form a family.Belief is about searching for roots and what that means, exactly. It’s about finding a balance between the families we’re born into and the ones we make ourselves.

    He interviewed 82 inductees into the Rock and Roll Hall of Fame ... 174 recording artists who had at least one No. 1 hit. His interviews were heard daily on radio stations around the globe during much of the late ‘70s and ‘80s, until severe bipolar disorder took full control. In One Brain Cell Left, Rosy doesn’t always paint a rosy picture of the Mega-Stars he interviewed. Some were absolute sweethearts; others were absolute assholes. And they’re not always the ones you’d expect. He’s never asked what he talked about with celebrities. People only want to know what the stars were like in person. This book answers the “What were they like?” questions about a cross-section of superstar entertainers, newsmakers and athletes that Rosy interviewed. But it’s equally about the unique and unusual life that he’s led outside the entertainment industry. He REALLY didn’t want to like Paul McCartney. He found George Harrison to be completely down-to-earth. Unfortunately, he can’t say the same about Ringo. He found Madonna to be “Queen Shit with a muffin top.” Mickey Mantle swore at him. Mel Brooks ran after him. Kareem Abdul-Jabbar intentionally treated him like shit. His first words to Lionel Richie were, “So they tell me you’ve become a real asshole since you’ve gotten all this success.” And you’ll laugh at his self-deprecating chapters “Always wear a cup when you play tennis” and “Free drinks, a blind hockey goalie and a goat.” You’ll likewise be drawn in by the poignant “I’m no Belushi, but I’ve become Joe Cocker” and the riveting “A machine gun and explosives.” His stories aren’t always pretty. But they’re always pretty interesting. And he’s got the brain cell to prove it.

    They would ask her about her family’s health history, and she would hear the doctor’s familiar sigh after she answered, “I don’t know, I’m adopted.”Being perfectly happy with the loving family she had, Feldman never took an interest in finding her biological parents until diagnosed with a disease that she passed on to her son. Suddenly, Nancy’s lack of family history was affecting someone else.Writing to the Nebraska Children’s Home Society for help, the adoption agency assigned Nancy’s case to Rebecca Crofoot. This began a 17-year journey between the two women who were determined to find information about a family that might not know, or want to know, Nancy existed.Family Medical History: Unknown/Adopted is a heart-warming story of personal, medical, genealogical and emotional discovery.

    It's a wonderful thing to be chosen, to be brought up by loving parents, but in order for this to happen, there has to be an initial abandonment, and this loss can settle like a seed of unease in the adopted person, quite possibly affecting the entirety of his or her life. Anne Heffron, who'd been adopted at ten weeks old, embarked on a three-month journey she called "Write or Die", leaving California for her birth place, New York City, in order to do the one thing she'd been unable to do her entire adult life: tell her own story, and not the one she'd heard all her life that began, "The day we got you." You Don't Look Adopted is an intimate look at what it means for an adopted person to live in the world as someone who was both chosen and given away.

    Anyone who has followed Mary's career in film and as the popular in-your-face TV and stage character Effie, may be shocked to learn of the trials she was going through at the time. But they won't be surprised by the love she gives out to all, and receives in return, from family and friends.By giving us an intimate view of her experiences—including meeting George, the love of her life, and their journey to parenthood—we also see the universal truth that in life there's loss and, amongst the pain and tragedy of that, there is the power of hope and humour. Mary's story of the deaths of her father, her grandmother and her daughter Stevie is at times heartbreaking but, ultimately, All I Know is an enriching and uplifting celebration of life.

    

    When overnight success came to the Pointer Sisters in 1973, they all thought it was the answer to their long-held prayers. While it may have served as an introduction to the good life, it also was an introduction to the high life of limos, champagne, white glove treatment, and mountains of cocaine that were the norm in the high-flying '70s and '80s. Ruth Pointer’s devastating addictions took her to the brink of death in 1984. Ruth Pointer has bounced back to live a drug- and alcohol-free life for the past 30 years and she shares how in her first biography. Readers will learn about the Pointer Sisters’ humble beginnings, musical apprenticeship, stratospheric success, miraculous comeback, and the melodic sound that captured the hearts of millions of music fans. They will also come to understand the five most important elements in Ruth’s story: faith, family, fortitude, fame, and forgiveness.

    Uncoiling from his crouched stance, he seemed to guide the ball wherever he wanted on the way to a whopping seven batting titles and a spot in the Baseball Hall of Fame. If only everything in life had been as easy as he made hitting look. In One Tough Out: Fighting Off Life’s Curveballs, Carew reflects on the highlights, anecdotes, and friendships from his outstanding career, describing the abuse, poverty, and racism he overcame to even reach the majors. In conversational, confessional prose, he takes readers through the challenges he’s conquered in the second half of his life, from burying his youngest daughter to surviving several near-fatal bouts with heart disease. He also details the remarkable reason he’s alive today: the heart transplant he received from Konrad Reuland, a 29-year-old NFL player he’d met years before. Carew explains how that astonishing connection was revealed and the unique bond he and his wife, Rhonda, have since forged with his donor’s family. An important thread running through this mosaic of Carew’s life is his faith. He illustrates how his mother instilled those beliefs during their darkest days and how conversations with God helped him fight off every curveball life has thrown his way.

    

    But six years after their wedding, they learned that Elliot, only 55, had pancreatic cancer - and would be lucky to live for a year or two.With a journalist's eye for intimate detail, Leslie shows how they made the very most of the time they had left together. Told with heart, humor and compelling immediacy, The Last Kiss is a love story about the life-affirming power of a passionate marriage, the importance of loyal friends, and the resilience of children growing up through one of life's harshest trials.This is the most important story she has ever told.

    There's a reason for that: Racing is not only incredibly difficult, it's downright excruciating, with the possibility for public humiliation never more than one pedal away. So when Natalie, Bill Strickland's preschool-aged daughter, asked him if he could win ten points during one racing season -- the bicycling equivalent of taking an at-bat against Randy Johnson or going one-on-one with Lebron James -- a sensible man wouldve just said no and moved on. Instead, Strickland decided to try.In the process, he discovered that he was racing toward the loving home life he cherished and, at the same time, trying to get away from something far worse -- his legacy of horrific childhood abuse. Strickland's memoir is filled with lyrical insights on training and dedication, racing scenes packed with nail-biting suspense, and powerful reflections on the meaning of family. Because for Strickland, it's definitely not about the bike.

    

    Their mother, a heroin addict, had left them alone again. Later that day, after trying to burn down the family home, Justin was taken into care.Six years on, after 20 failed placements, Justin arrives at Casey’s home. Casey and her husband Mike are specialist foster carers. They practice a new style of foster care that focuses on modifying the behaviour of profoundly damaged children. They are Justin’s last hope, and it quickly becomes clear that they are facing a big challenge.Try as they might to make him welcome, he seems determined to strip his life of all the comforts they bring him, violently lashing out at schoolmates and family and throwing any affection they offer him back in their faces. After a childhood filled with hurt and rejection, Justin simply doesn’t want to know. But, as it soon emerges, this is only the tip of a chilling iceberg.A visit to Justin’s mother on Boxing Day reveals that there are some very dark underlying problems that Justin has never spoken about. As the full picture becomes clearer, and the horrific truth of Justin’s early life is revealed, Casey and her family finally start to understand the pain he has suffered…

    When she walked into the Body Art Workshop in Laramie, Wyoming, she found what she was looking for: a culture on the fringe of polite society, complete with outlaw signature. Soon Karol was a full-time tattoo artist, an occasional outlaw, and a tattooed woman looking for love in all the wrong places. By the mid nineties, the West had been invaded by suburban culture; and tattoos had become a mass commodity of coolness, compelling Karol to go even farther to find the authentic outsiders she romanticized. She eventually hooked up with a real old-fashioned Wyoming outlaw, complete with felony convictions and outstanding warrants—which is how Karol wound up looking down the barrel of a gun held by a tattooed caricature of true love.

    Sixteen year old Tina S. leaves behind her dysfunctional family to join her new friend, April, a wild and charismatic teenage runaway, living in the station's deepest tunnels amidst the homeless and drug addicted. Soon she's caught up in in a romantic relationship with April and finds herself following in her footsteps: bingeing on crack cocaine, stealing, rolling drunks, and panhandling to support their habits and to survive on the New York City streets. In her own words Tina describes her harrowing descent into crack addiction, being raped in the tunnels, several arrests and jail terms served with hardened criminals on Rikers Island, and her devastation over April's sudden, brutal death. Finally faced with the reality that she might not make it through one more day, Tina takes her first tentative steps towards a normal life.With the help of a homeless advocate and his wife, a gay uncle dying of AIDS, and Jamie Pastor Bolnick, the writer who was to become her coauthor on this book, Tina turns her life around and begins the long struggle back to the world of the living.