She loves her parents and has always strived to please them, but her interest in a sexy new student, her growing passion for art, and her need to break away without breaking her tightly-knit family apart, force Emily to create a web of lies that ultimately traps her just as tightly as her circumstances. Through her art she finds a key to freedom and a new understanding of her place in the world. Joyce Lee Wong's dazzling debut addresses the complexities of the contemporary Asian American experience, the pressures of American high school, and the age-old clash between teens and parents. This touching novel takes readers on a journey in which parents, peers and readers ultimately find new ways of seeing Emily.

    A thrilling story of endurance and survival.

    Now reissued in a new cover style. Spring 1945. The final weeks of the war. One man holds the secret that will decide the fate of post-war Europe: Peter Hencke, an unlikely hero, a German prisoner-of-war on the run.Refusing to wait for peace and the freedom it will finally bring, Hencke is fired by a personal mission that drives him to risk everything in his lonely, treacherous journey across wartime Britain, back through the battle-torn remnants of the Third Reich – to the very heart of encircled Berlin.One man faced by the mightiest armies ever assembled, pursued by the most powerful and ruthless men in Europe – and helped and loved by two of the most extraordinary women. The secret of Peter Hencke will be hidden until the very last moments of the war.

    There he runs afoul of Philip Lentz, an outspoken cognitive neurologist intent upon modeling the human brain by means of computer-based neural networks. Lentz involves Powers in an outlandish and irresistible project: to train a neural net on a canonical list of Great Books. Through repeated tutorials, the device grows gradually more worldly, until it demands to know its own name, sex, race, and reason for exisiting.

    Coverage includes writing college-level essays, source-based arguments, and research papers; thinking and reading critically; using documentation style correctly; designing documents; writing for the Web; writing about literature; writing for business; creating oral presentations; taking essay tests; and using correct grammar, punctuation, and mechanics correctly. Anyone looking to succeed and fulfill their potential in writing.

    To illustrate the various theories, and to reveal their implications, important current issues such as abortion, euthanasia, the treatment of nonhuman animals, racial discrimination, and nuclear weapons are discussed in depth.

    The account of his attempts to cope with situations, together with a penchant for early wholesome philosophizing, form the basis of this book.

    It is also a book they may want to keep out of view of their professors, for it expresses in clear and simple language things that tend to be murky and abstruse in the classroom. These 101 concise lessons in design, drawing, the creative process, and presentation--from the basics of "How to Draw a Line" to the complexities of color theory--provide a much-needed primer in architectural literacy, making concrete what too often is left nebulous or open-ended in the architecture curriculum. Each lesson utilizes a two-page format, with a brief explanation and an illustration that can range from diagrammatic to whimsical. The lesson on "How to Draw a Line" is illustrated by examples of good and bad lines; a lesson on the dangers of awkward floor level changes shows the television actor Dick Van Dyke in the midst of a pratfall; a discussion of the proportional differences between traditional and modern buildings features a drawing of a building split neatly in half between the two. Written by an architect and instructor who remembers well the fog of his own student days, 101 Things I Learned in Architecture School provides valuable guideposts for navigating the design studio and other classes in the architecture curriculum. Architecture graduates--from young designers to experienced practitioners--will turn to the book as well, for inspiration and a guide back to basics when solving a complex design problem.

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    He offers a compelling portrait of the earthly Jesus as the divine brother in our distress and suffering and points to the risen Christ as the warrant for the future in which God will restore everything . . . and gather everything into his kingdom. Urging that acknowledgment of Christ and discipleship are two sides of the same coin, Moltmann contends that the question of Jesus Christ for today is not just an intellectual one. Moltmann takes fresh approaches to a number of crucial topics: Jesus and the kingdom of God, the passion of Christ and the pain of God, Jesus as brother of the tortured, and the resurrection of Christ as hope for the world, the cosmic Christ, Jesus in Jewish-Christian dialogue, the future of God, and others.

    Rowling’s Harry Potter and the Order of the Phoenix™ come alive is made only more delightful by the extraordinary soundtrack that enhances Harry, Hermione, Ron's adventures. Alfred presents this selection of music from the soundtrack to the major motion picture arranged for advanced solo piano. Titles are * Dumbledore's Army * Fireworks * Flight of the Order of the Phoenix * Loved Ones & Leaving * The Ministry of Magic * Professor Umbridge * The Room of Requirement * (Bonus Selection) Hedwig's Theme.

    Based on the real-life experiences of street children in Chennai, it tells the story of Velu, a runaway village child. He ends up as a ragpicker in a big city and must face the harsh realities of life on the streets. The story is accompanied by facts and arguments that connect complex issues—ranging from child labor and child rights, to lifestyles, waste and recycling.“A true gem in the Indian publishing landscape . . .”—The White Ravens Catalogue of the World’s Best Children’s Books

    Although most of the currently popular guides contain useful ideas, they all suffer from the same problems: poor organization; quirky, idiosyncratic advice; and abstract theorizing on the nature of art. As a result, they fail to offer any concrete information or useful guidelines on how to construct a well-written play. Out of frustration, Spencer wrote his own. The result, The Playwright's Guidebook, is a concise and engaging handbook full of the kind of wisdom that comes naturally with experience. Spencer presents a coherent way of thinking about playwriting that addresses the important principles of structure, includes invaluable writing exercises that build upon one another, explores the creative process, and troubleshoots recurrent problems that many playwrights face.

    Struggling to navigate this strange world of bloated calf scrota, orgiastic math instruction, and onrushing regional accreditors, Charlie must devise a plan to lead Cow Eye Community College through the perils of continuous improvement to the triumphant culmination of world history. Idiosyncratic, wry, and ambitiously constructed, Cow Country is Adrian Jones Pearson’s most American work yet, deftly blending the lunacies of contemporary academia with the tragic consequences of New World nation-building. A must-read for anyone who has ever worked at an institution of higher education, or attempted to straddle partisan lines, this insightful novel offers a poetic requiem for the loss of our humanity – and our humanities.

    She wonders what life was like two centuries ago, before the Cleansing wiped out all the men. But the rules—the Matriarch's senseless rules—prevent her from exploring the vacant city to find out.Taylor's got a dangerous secret: he's a boy. His compound's been destroyed, and he's been relocated to Section One. Living under the Matriarch means giving up possessions, eating canned food and avoiding all physical contact. Baggy clothes hide his flat chest and skinny legs, but if anyone discovers what lies beneath, he'll be exiled. Maybe even executed.Mary's never seen a boy—the Matriarch cut the pictures of men from the textbooks—and she doesn't suspect Taylor's secret. If she knew, she might understand the need to stop the girls from teasing him. If she knew, she might realize why she breaks the rules, just to be near him. Then again, she might be frightened to death of him.Taylor should go. The Matriarch is watching his every move. But running means leaving Mary—and braving the land beyond the compound's boundaries.