This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors -- but the upshot is she's good at her job as a licensed private investigator with her family's firm, Spellman Investigations. Invading people's privacy comes naturally to Izzy. In fact, it comes naturally to all the Spellmans. If only they could leave their work at the office. To be a Spellman is to snoop on a Spellman; tail a Spellman; dig up dirt on, blackmail, and wiretap a Spellman. Part Nancy Drew, part Dirty Harry, Izzy walks an indistinguishable line between Spellman family member and Spellman employee. Duties include: completing assignments from the bosses, aka Mom and Dad (preferably without scrutiny); appeasing her chronically perfect lawyer brother (often under duress); setting an example for her fourteen-year-old sister, Rae (who's become addicted to "recreational surveillance"); and tracking down her uncle (who randomly disappears on benders dubbed "Lost Weekends"). But when Izzy's parents hire Rae to follow her (for the purpose of ascertaining the identity of Izzy's new boyfriend), Izzy snaps and decides that the only way she will ever be normal is if she gets out of the family business. But there's a hitch: she must take one last job before they'll let her go -- a fifteen-year-old, ice-cold missing person case. She accepts, only to experience a disappearance far closer to home, which becomes the most important case of her life.

    Eleven of the world’s best female thriller writers from Diana Gabaldon to Charlaine Harris are paired with eleven of the world’s best male thriller writers, including John Sandford, C.J. Box, and Nelson DeMille. The stories are edited by #1 New York Times bestselling author Lee Child and feature:-Lee Coburn and Joe Pickett in “Honor & …” by Sandra Brown and C.J. Box -Tony Hill and Roy Grace in “Footloose” by Val McDermid and Peter James -Temperance Brennan and Jack Reacher in “Faking a Murderer” by Kathy Reichs and Lee Child -Jamie Fraser and Cotton Malone in “Past Prologue” by Diana Gabaldon and Steve Berry -Liz Sansborough and Rambo in “Rambo on Their Minds” by Gayle Lynds and David Morrell -Jeffrey Tolliver and Joe Pritchard in “Short Story” by Karin Slaughter and Michael Koryta -Harper Connelly and Ty Hauck in “Dig Here” by Charlaine Harris and Andrew Gross -Regan Pescoli and Virgil Flowers in “Deserves to be Dead” by Lisa Jackson and John Sandford -Lucan Thorne and Lilliane in “Midnight Flame” by Lara Adrian and Christopher Rice -Bennie Rosato and John Corey in “Getaway” by Lisa Scottoline and Nelson DeMille -Ali Reynolds and Bravo Shaw in “Taking the Veil” by J.A. Jance and Eric Van Lustbader

    For twelve years, it remained untouched.Now a near fatal riding accident has shattered Piper’s dreams of Olympic glory. After her grandfather’s death, she inherits the house and all its secrets, including a key to a room that doesn’t exist—or does it? And after her grandmother is sent away to a nursing home, she remembers the box buried in the backyard. In it are torn pages from a scrapbook, a charm necklace—and a newspaper article from 1939 about the body of an infant found floating in the Savannah River. The necklace’s charms tell the story of three friends during the 1930s— each charm added during the three months each friend had the necklace and recorded her life in the scrapbook. Piper always dismissed her grandmother as not having had a story to tell. And now, too late, Piper finds she might have been wrong.

    . .Colin Hancock is giving his second chance his best shot. With a history of violence and bad decisions behind him and the threat of prison dogging his every step, he's determined to walk a straight line. To Colin, that means applying himself single-mindedly toward his teaching degree and avoiding everything that proved destructive in his earlier life. Reminding himself daily of his hard-earned lessons, the last thing he is looking for is a serious relationship.Maria Sanchez, the hardworking daughter of Mexican immigrants, is the picture of conventional success. With a degree from Duke Law School and a job at a prestigious firm in Wilmington, she is a dark-haired beauty with a seemingly flawless professional track record. And yet Maria has a traumatic history of her own, one that compelled her to return to her hometown and left her questioning so much of what she once believed.A chance encounter on a rain-swept road will alter the course of both Colin and Maria's lives, challenging deeply held assumptions about each other and ultimately, themselves. As love unexpectedly takes hold between them, they dare to envision what a future together could possibly look like . . . until menacing reminders of events in Maria's past begin to surface.Rich in emotion and fueled with suspense, SEE ME reminds us that love is sometimes forged in the crises that threaten to shatter us . . . and that those who see us for who we truly are may not always be the ones easiest to recognize.

    But the house has a mystery it has never revealed: It's where Arden Arrowood's younger twin sisters vanished on her watch twenty years ago--never to be seen again. After the twins' disappearance, Arden's parents divorced and the Arrowoods left the big house that had been in their family for generations. And Arden's own life has fallen apart: She can't finish her master's thesis, and a misguided love affair has ended badly. She has held on to the hope that her sisters are still alive, and it seems she can't move forward until she finds them. When her father dies and she inherits Arrowood, Arden returns to her childhood home determined to discover what really happened to her sisters that traumatic summer.Arden's return to the town of Keokuk--and the now infamous house that bears her name--is greeted with curiosity. But she is welcomed back by her old neighbor and first love, Ben Ferris, whose family, she slowly learns, knows more about the Arrowoods' secrets and their small, closed community than she ever realized. With the help of a young amateur investigator, Arden tracks down the man who was the prime suspect in the kidnapping. But the house and the surrounding town hold their secrets close--and the truth, when Arden finds it, is more devastating than she ever could have imagined.Arrowood is a powerful and resonant novel that examines the ways in which our lives are shaped by memory. As with her award-winning debut novel, The Weight of Blood, Laura McHugh has written a thrilling novel in which nothing is as it seems, and in which our longing for the past can take hold of the present in insidious and haunting ways.

    Then one ordinary morning, her husband, Marcus, picks up his briefcase, kisses her good-bye, and simply vanishes.That day, all her calls to him go straight to voice mail; the messages she leaves at his office go unreturned, too. Panicking after finally receiving a call from his cell phone in which all she can hear is a man's terrified cry, Isabel calls the police. But they aren't interested. Men leave, they tell her. They leave all the time. Desperate to find her husband, Isabel races to his office. But instead of finding him, she finds herself in the middle of an FBI raid. Hours later, she awakens in the hospital with a severe concussion and a homicide detective by her bedside waiting to question her about Marcus Raine-the real Marcus Raine.Now the only thing Isabel knows for sure is that her husband of five years is gone. Where is he and who is he are questions no one seems able to answer. But Isabel will not rest until she discovers the truth about the man she loves, even if it means risking everything--including her own life.New York Times bestselling master of suspense Lisa Unger takes us on a nightmarish journey from bustling, glamorous New York City to the twisted streets of Prague, seeking an answer to one bone-chilling question: What if the man you love, the one sleeping beside you, is a stranger?

    Descending into undercover operations, Kate is able to infiltrate the seedy side of the city in ways her fellow detectives can't. She's a seductress, an exotic foreign medium, a rich train passenger-all depending on the day and the robber, thief, or murderer she's been assigned to nab.But is the woman she's becoming-capable of lies, swapping identities like dresses-the true Kate? Or has the real disguise been the good girl she always thought she was? As the tensions between the north and south escalate, Kate takes on a job in which the stakes have never been higher. The nation's future is at risk, even as the lines between disguise and reality begin to blur.

    There’s no use talking to police; they have failed her abysmally before. She has to flee before she’s arrested . . . or worse. The truth doesn’t matter anymore.But what is the truth? That’s the question haunting Dylan Roberts, the war-weary veteran hired to find Casey. PTSD has marked him damaged goods, but bringing Casey back can redeem him. Though the crime scene seems to tell the whole story, details of the murder aren’t adding up. Casey Cox doesn’t fit the profile of a killer. But are Dylan’s skewed perceptions keeping him from being objective? If she isn’t guilty, why did she run?Unraveling her past and the evidence that condemns her will take more time than he has, but as Dylan’s damaged soul intersects with hers, he is faced with two choices. The girl who occupies his every thought is a psychopathic killer . . . or a selfless hero. And the truth could be the most deadly weapon yet.

    Henry Prize winner Jan Ellison delivers a brilliantly paced, beautifully written debut novel about one woman's reckoning with a youthful mistake. Named one of the best books of the year by San Francisco ChronicleAt nineteen, Annie Black trades a bleak future in a washed-out California town for a London winter of drinking and abandon. Twenty years later, she is a San Francisco lighting designer and happily married mother of three who has put her reckless youth behind her. Then a photo from that distant winter in Europe arrives inexplicably in her mailbox, and an old obsession is awakened. Past and present collide, Annie's marriage falters, and her son takes a car ride that ends with his life hanging in the balance. Now Annie must confront her own transgressions and fight for her family by untangling the mysteries of the turbulent winter that drew an invisible map of her future. Gripping, insightful, and lyrical, A Small Indiscretion announces the arrival of a major new voice in literary suspense as it unfolds a story of denial, passion, forgiveness—and the redemptive power of love.

    Increasingly, he feels like a fish out of water among the concrete buildings of the University of Barchester, where he works as an English professor. His one respite is his time spent nestled in the library, nurturing his secret obsession with the Holy Grail and researching his perennially unfinished guidebook to the medieval cathedral.But when a beautiful young American named Bethany Davis arrives in Barchester charged with the task of digitizing the library's manuscripts, Arthur's tranquility is broken. Appalled by the threat modern technology poses to the library he loves, he sets out to thwart Bethany, only to find in her a kindred spirit with a similar love for knowledge and books and a fellow Grail fanatic.Bethany soon joins Arthur in a quest to find the lost Book of Ewolda, the ancient manuscript telling the story of the cathedral's founder. And when the future of the cathedral itself is threatened, Arthur and Bethany's search takes on grave importance, leading the pair to discover secrets about the cathedral, about the Grail, and about themselves.

    Five years later his piercing blue eyes still haunt Timmy's dreams. Laurie is haunted by more: the killer's threat to her son as he fled the scene: Tell your mother she's next, then it's your turn . .Now Laurie is dealing with murder again, this time as the producer of a true-crime, cold-case television show. The series will launch with the twenty-year-old unsolved murder of Betsy Powell. Betsy, a socialite, was found suffocated in her bed after a gala celebrating the graduation of her daughter and three friends. The sensational murder was news nationwide. Reopening the case in its lavish setting and with the cooperation of the surviving guests that night, Laurie is sure to have a hit on her hands. But when the estranged friends begin filming, it becomes clear each is hiding secrets . . . small and large.And a pair of blue eyes is watching events unfold, too . . .

    That’s why Gladie is more than a little skeptical when her Grandma Zelda — who is more than a little psychic — recruits her into the family’s matchmaking business in the quaint small town of Cannes, California. What’s more, Gladie is also highly unqualified, having a terrible track record with romance. Still, Zelda is convinced that her granddaughter has her clairvoyant “gift.” But when the going gets tough, Gladie wonders if this gift has a return policy. When Zelda’s neighbor drops dead in his kitchen, Gladie is swept into his bizarre family’s drama. Despite warnings from the (distractingly gorgeous) chief of police to steer clear of his investigation, Gladie is out to prove that her neighbor’s death was murder. It’s not too long before she’s in way over her head — with the hunky police chief, a dysfunctional family full of possible killers, and yet another mysterious and handsome man, whose attentions she’s unable to ignore. Gladie is clearly being pursued — either by true love or by a murderer. Who will catch her first?

    It is a sin she can never forgive herself for, so she pushes away the man she loves most, knowing that he would eventually hate her for what she’s done, the same way she hates herself.Twenty years later, Abby’s husband, Nate, is also living with a deep sense of guilt. He was the driver who first came upon the scene of Abby’s accident, the man who pulled her to safety before the car erupted in flames, the man who could not save her brother in time. It’s this guilt, this regret that binds them together. They understand each other. Or so Nate believes.In a strange twist of fate, Liam (her old lover—possibly her true soulmate) moves in with his own family next door, releasing a flood of memories that Abby has been trying to keep buried all these years. Abby and Liam, in a complicit agreement, pretend never to have met, yet cannot resist the pull of the past—nor the repercussions of the dark secrets they’ve both been carrying…

    But when an employer stiffs her, and her checks bounce, she goes on the lam, hiding out as a maid for a wealthy family at their summer home. That plan goes awry when there’s a murder and Blanche becomes the prime suspect. So she’s forced to use her savvy, her sharp wit, and her old-girl network of domestic workers to discover the truth and save her own skin. Along the way, she lays bare the quirks of southern society with humor, irony, and a biting commentary that makes her one of the most memorable and original characters ever to appear in mystery fiction.

    Vincent Capello to live in The Dragon, his almost magical beach house on the Oregon Coast. Allison was the youngest of the lucky ones living an idyllic life with her newfound family…until the night she almost died, and was then whisked away from the house and her adopted family forever.Now, thirteen years later, Allison receives a letter from Roland, Dr. Capello’s oldest son, warning her that their father is ill and in his final days. Allison determines she must go home again and confront the ghosts of her past. She's determined to find out what really happened that fateful night--was it an accident or, as she's always suspected, did one of her beloved family members try to kill her?But digging into the past can reveal horrific truths, and when Allison pieces together the story of her life, she'll learns the terrible secret at the heart of the family she once loved but never really knew.A vivid and suspenseful tale of family, grief, love—and the dark secrets that bind everything together—Tiffany Reisz’s latest is enthralling to the final page.