The photo looks completely out of place on the FBI Ten Most Wanted Fugitives list where it’s been since December, 8, 2007. For eight of those years, Jason appeared directly beside Osama Bin Laden. Bin Laden is long gone, but Jason is still wanted for armed robbery and murder.For years, his sister, Jami D. Brown Martin has watched the true crime programs and read the amateur investigative blogs devoted to Jason, his crime, and the efforts to apprehend him knowing the story wasn’t as simple, nor was it just Jason’s. To be the sister, brother, or relative of one of the world’s most wanted men is to live every day with the horrible truth and many consequences of his brutal act.CENTER OF ATTENTION is the story of a former Mormon missionary turned murderer. It is also a riveting look behind the facade of the genetically blessed, seemingly prominent and pious Brown family of Laguna Beach, California. It is a tale of the family patriarch, John Brown, who disappeared without a trace ten years before his son. More important, it is the gripping and ultimately hopeful story of the sister of one of the world’s most wanted fugitives and her journey to accept that despite being a product of the same crazy environment as her brother, her life and path are her own.

    Film. Religion & Spirituality. How does one participate (read and write) from within the membranous precinct between our multiple bodies, from within the larger rhizomic field of resonances, where much is sounding and also unsounded? By employing various divinatory generators (instructions, methods, trances), the essays in IDEAL SUGGESTIONS: ESSAYS IN DIVINATORY POETICS genuflect to practices that celebrate engagement with uncertainty while cultivating strategies through which one might collaborate with both rupture and rapture.

    We witness scenes of passionate, even violent intensity that give rise to meditations on eros and literature, the solitariness of travel, and the poetics of place.These individual pieces, most of which first appeared in The London Review of Books and won an international cult following, are by turns "poignant, surreal, down home and lyrical, a mixture of qualities that inheres in his language with uncommon delicacy and effect" (Leonard Michaels). Together they make up an intellectual and emotional autobiography on the run. The book's final section, about Kleinzahler's adored, doomed older brother, is unforgettable, and since its appearance last year in the LRB, has already entered the literature as one of the most moving contemporary memoirs.

    • Exhausting—when you realize you’ll most likely never sleep again--like EVER. • Explosive—OMG these kids spew from both ends! And that’s just the beginning. Whitney shares the ridiculous highs and excruciating lows of her catapult into motherhood. Enjoy the ride as this new mom vows to give up profanity while falling in love with… you guessed it, Costco. Be careful, because if you’re anything like Whitney, you may just pee a little. Motherhood Martyrdom & Costco Runs takes the reader on a roller coaster of emotions as Whitney plummets into postpartum depression, desperately tries to get her kids to stop yodeling in public restrooms, and comes to terms with the fact she’ll never quite be queen of her own kingdom. Get ready to laugh, cry, cheer, and pat yourself on the back for the sake of mommies everywhere. And while you’re at it, stop by Costco for a case of toilet paper and a Very Berry Sundae. You won’t regret it!

    Featuring brand new stories and some old favorites, many of these tell-all, gritty tales were originally published on the blog Make It MAD between 2010 and 2012, and have been rereleased in their originality for this special print and digital anthology.

    For someone who hates exercise, Kristy Chambers is pretty good at running away, and coming back again when her credit cards are declined. She’s not so much an international jetsetter as a loose cannon with a passport. So, in the manner of Eat, Pray, Love, a privileged white girl takes her privileged white arse on the road in an attempt to find happiness. With a family history of mental illness that goes back generations and a complicated long-term relationship with depression, will eating all the pasta in Italy help her to find the silver lining she’s looking for? Of course it won’t. It’s pasta, not magic beans. Joined by the most unreliable travel companion of them all—her mental health—Kristy openly, honestly, and humorously recounts their adventures together.

    Including classic pieces such as Postcard from Rome, and his observations on Margaret Thatcher, it contains funny examinations of characters like Barry Humphries, while elsewhere showcasing James's more reflective and analytical style.

    The original edition cost seventy-five cents, but there was something priceless about its eponymous piece. Although it gave a voice to the new generation that came of age in the conservative years following World War II, the poem also conferred a strange, subversive power that continues to exert its influence to this day. Ginsberg went on to become one of the most eminent and celebrated writers of the second half of the twentieth century, and "Howl" became the critical axis of the worldwide literary, cultural, and political movement that would be known as the Beat generation.The year 2006 marks the fiftieth anniversary of the publication of "Howl," and The Poem That Changed America will celebrate and shed new light on this profound cultural work. With new essays by many of today's most distinguished writers, including Frank Bidart, Andrei Codrescu, Vivian Gornick, Phillip Lopate, Daphne Merkin, Rick Moody, Robert Pinsky, and Luc Sante, The Poem That Changed America reveals the pioneering influence of "Howl" down through the decades and its powerful resonance today.

    The commentary will contain background on the poems or more deeply delve into themes or topics discussed in the poems themselves. The spiritual seeker as well as the mature in faith will both benefit from the poems.

    Wright returns to her native Arkansas and examines an explosive incident from the Civil Rights movement. Wright interweaves oral histories, hymns, lists, newspaper accounts, and personal memories—especially those of her incandescent mentor, Mrs. Vititow—with the voices of witnesses, neighbors, police, activists, and black students who were rounded up and detained in an empty public swimming pool. This history leaps howling off the page.I can walk down the highway unarmedScott Bond, born a slave, becamea millionaire. Wouldn't you like to run wild.Run free. The Very Reverend Al Greenhailed from here. Sonny Liston a few miles west,Sand Slough. Head hardenedon hickory sticks.The cool water is for white/ the sun-heated for blackThis chair is not for you [N-word]/ it is for the white buttockThis textbook/ is nearly new/ is not for you [N-word]This plot of ground does not hold black bonesToday the sermon once again "Segregation After Death"C.D. Wright has published a dozen books of poetry and prose, including the recent volumes One Big Self: An Investigation and Rising, Falling, Hovering, which received the Griffin Poetry Award. A MacArthur Fellow, Wright teaches at Brown University and lives outside Providence, Rhode Island.

    "Eula Biss writes in spare brushstrokes that evoke an emotional universe, by turns funny, scary, dreamlike, haunting. These prose poems are shards of gleaming observation, fragments of intimacy and illusion. Here we find our families and ourselves, our words and our silences"-Martin Espada. "With deceptively quiet, unflinching compassion, Eula Biss records the perceptual wedges that cleave the self from its origins. The family history refracted here is mutable, notable, more gravid than grave. THE BALLOONISTS holds a fresh line on confession, biography, and the formal uses of information in poetry"-Rebecca Wolff.

    "MOTHERs is a howling storm of a book. In this desperately digressive essay, the poet Rachel Zucker narrates her complicated path to becoming and not becoming her mother, the storyteller Diane Wolkstein. Zucker turns her intelligent eye outward and inward, including everything she knows about mothers, stories, poems, and consequence itself. In mythic terms, the essay is about a poet who doesn't want to turn into a storyteller. But as in all myths of avoidance, Zucker must eventually tell a terrifyingly inevitable story."—Sarah Manguso

    These poems have contributed to her growth as a person, writer, poet, and thinker. Now, take this journey with Bialosky as she introduces you to each of these life-changing poems, recalling when she encountered each one, and how its importance and meaning to her has evolved over time.Witness Jill turning to poetry in dire moments to restore her faith and cope with loss; there are poems she turns to for inspiration and consolation; poems for when she is angry or disillusioned, or when she wants to see into another person’s soul. While Jill’s personal stories animate each poem, they touch on many universal experiences and life events that all can relate to, from crises of faith to sexual awakening from becoming a parent to growing creatively as a poet and artist.More than a creative chronicle of one woman’s life, Jill’s book celebrates the unique and enduring value of poetry as a means of conveying personal experience and as a source of comfort and connection.

    When I am brave enough I am never brave enough I unravel the tapestry of my life, my childhood. I take things away. I smash things, relations are broken. I am the bad mother. -- from Book of MutterComposed over thirteen years, Kate Zambreno's Book of Mutter is a tender and disquieting meditation on the ability of writing, photography, and memory to embrace shadows while in the throes -- and dead calm -- of grief. Book of Mutter is both primal and sculpted, shaped by the author's searching, indexical impulse to inventory family apocrypha in the wake of her mother's death. The text spirals out into a kind of fractured anatomy of melancholy that comes to contain critical reflections on the likes of Roland Barthes, Louise Bourgeois, Henry Darger, Theresa Hak Kyung Cha , Peter Handke, and others. Zambreno has modeled the book's formless form on Bourgeois's Cells sculptures -- at once channeling the volatility of autobiography, pain, and childhood, yet hemmed by a solemn sense of entering ritualistic or sacred space.Neither memoir, essay, nor poetry, Book of Mutter is an uncategorizable text that draws upon a repertoire of genres to write into and against silence. It is a haunted text, an accumulative archive of myth and memory that seeks its own undoing, driven by crossed desires to resurrect and exorcise the past. Zambreno weaves a complex web of associations, relics, and references, elevating the prosaic scrapbook into a strange and intimate postmortem/postmodern theater.

    I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.