From York to Whitby, from London to Sutton Hoo, from Edinburgh to Anglesey, and from Hadrian's Wall to Loch Tay, each of his ten walking narratives form free-standing chapters as well as parts of a wider portrait of a Britain of fort and fyrd, crypt and crannog, church and causeway, holy well and memorial stone.Part travelogue, part expert reconstruction, In the Land of Giants offers a beautifully written insight into the lives of peasants, drengs, ceorls, thanes, monks, knights, and kings during an enigmatic but richly exciting period of Britain’s history.

    Now, in 1137, the ambitious head of Shrewsbury Abbey has decided to acquire the sacred remains for his Benedictine order. Native Welshman Brother Cadfael is sent on the expedition to translate and finds the rustic villagers of Gwytherin passionately divided by the Benedictine's offer for the saint's relics. Canny, wise, and all too wordly, he isn't surprised when this taste for bones leads to bloody murder.The leading opponent to moving the grave has been shot dead with a mysterious arrow, and some say Winifred herself held the bow. Brother Cadfael knows a carnal hand did the killing. But he doesn't know that his plan to unearth a murderer may dig up a case of love and justice...where the wages of sin may be scandal or Cadfael's own ruin.

    Yet the only thing up there is a stack of grimy old plates. Alison and her stepbrother, Roger, discover that the flowery patterns on the plates, when traced onto paper, can be fitted together to create owls-owls that disappear when no one is watching. With each vanished owl, strange events begin to happen around Alison, Roger, and the caretaker's son, Gwyn. As the kids uncover the mystery of the owl service, they become trapped within a local legend, playing out roles in a tragic love story that has repeated itself for generations... a love story that has always ended in disaster.

    Life at work is difficult but fulfilling; life at home a constant round of arguments—often prompted by her fly-by-night sister, Ellen, the apple of her short-tempered father's eye. Then Frank turns up at the house one night—a guard at the camp, he's been watching Mary for weeks—and won't leave until she agrees to walk out with him. Frank Shuttleworth is a difficult man to love and it's not long before Mary gives him his marching orders. But Shuttleworth won't take no for an answer and the gossips are eager for their next victim, and for the slightest hint of fraternization with the enemy. Suddently, not only Mary's happiness but her very life is threatened by the most dangerous of wartime secrets.

    Will Oakley, landlord and host, with his two daughters, beautiful Myrtle, and the repellent Harriet, waited to receive his guests. Along with the usual farmers, merchants and the "quality", there were others who fitted into none of these categories. Like the handsome foreigner with the scarred face, and the fat man who appeared to be gloating over some malicious secret of his own...

    But despite Welsh grandparents (and a Welsh surname) he is an Englishman: by birth, upbringing and temperament.In this singular, hilarious love letter to a glorious country so often misunderstood, Rees sets out to achieve his goal of becoming a Welshman by learning to sing, play, work, worship, think - and above all, speak - like one. On the way he meets monks, tenors and politicians, and tries his hand at rugby and lambing - all the while weaving together his personal story with Wales's rich history. Culminating in a nail-biting test of Rees' Welsh-speaking skill at the National Eisteddfod, this exuberant journey of self-discovery celebrates the importance of national identity, and the joy of belonging.

    When the lovely and high-spirited Joan of Kent is sent to this politically charged court, she is woefully unprepared for the underhanded maneuverings of her peers.Determined to increase the breadth of his rule, the king will use any means necessary to gain control of France—including manipulating his own son, Edward, Prince of Wales. Joan plots to become involved with the prince to scandalize the royal family, for she has learned they engineered her father’s downfall and death. But what begins as a calculated strategy soon—to Joan’s surprise—grows into love. When Joan learns that Edward returns her feelings, she is soon fighting her own, for how can she love the man that ruined her family? And, if she does, what will be the cost?Filled with scandal, court intrigue, and prominent figures of the Medieval Age, The First Princess of Wales has at its center a wonderful love story, which is all the more remarkable because it is true. Karen Harper’s compelling, fast-paced novel tells the riveting tale of an innocent girl who marries a prince and gives birth to a king.

    Separated from her mother and five siblings, young Megan must learn how to stand on her own two feet. But it's on one of the days she's sent out on errands that her fate changes. She meets a young boy who's stealing apples from the local market, as well as a friendly well-to-do lady with the most melodious voice she's ever heard. With her newfound friends, can she find a new life for herself? A heartwarming saga, perfect for fans of Dilly Court, Katie Flynn and Nadine Dorries Please note: this edition contains editorial revisions

    But appearances can be deceptive. Erica describes her successful, lawyer husband as handsome and charismatic when she recounts their whirlwind marriage. But nothing is what it seems.  What is Erica hiding?Was Joel’s death really an accident? Sometimes the truth can be ugly.

    This new volume contains six of her finest stories that have been selected specifically to demonstrate this, and to trace the development of her art. As diverse in setting as in subject matter, these tales move from the gentle comedy of life in a small English country town in Dr Harrison's Confessions, to atmospheric horror in far north-west Wales with The Doom of the Griffiths.The story of Cousin Phillis, her masterly tale of love and loss, is a subtle, complex and perceptive analysis of changes in English national life during an industrial age, while the gripping Lois the Witch recreates the terrors of the Salem witchcraft trials in seventeenth-century New England, as Gaskell shrewdly shows the numerous roots of this furious outbreak of delusion. Whimsically modified fairy tales are set in a French chateau, while an engaging love story poetically evokes peasant life in wine-growing Germany.

    But the re-planting of the forest will revive an altogether darker and more dangerous entity – and Saul’s employee Tom will find himself engaging in an epic, ancient battle between good and evil.  A battle in which there can be only one survivor.

    The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.

    It purports to relate the history of the Brythonic inhabitants of Britain from earliest times, and this text has been used to write a history of both Wales and England, for want of more reliable sources. The Historia Brittonum has drawn attention because of its role in influencing the legends and myths surrounding King Arthur. This history is the source of several stories some of which were repeated and amplified by later authors.

    Between two world wars, he became the laureate of cricket by doing the same with words.In The Great Romantic, award-winning author Duncan Hamilton demonstrates how Cardus changed sports journalism for ever. While popularising cricket – while appealing, in Cardus’ words to people who ‘didn’t know a leg-break from the pavilion cat at Lord’s’- he became a star in his own right with exquisite phrase-making, disdain for statistics and a penchant for literary and musical allusions.Among those who venerated Cardus were PG Wodehouse, John Arlott, Harold Pinter, JB Priestley and Don Bradman. However, behind the rhapsody in blue skies, green grass and colourful characters, this richly evocative biography finds that Cardus’ mother was a prostitute, he never knew his father and he received negligible education. Infatuations with younger women ran parallel to a decidedly unromantic marriage. And, astonishingly, the supreme stylist’s aversion to factual accuracy led to his reporting on matches he never attended.Yet Cardus also belied his impoverished origins to prosper in a second class-conscious profession, becoming a music critic of international renown. The Great Romantic uncovers the dark enigma within a golden age.

    Victory over Jeff Lacy, a 28-year-old American compared to a young Mike Tyson because of his power and "take-no-prisoners attitude", left no one in doubt about the world super middleweight champion's talent. For years, Calzaghe's virtuosity remained a legend of the Welsh valleys. His defeat in 1997 of Chris Eubank brought him to prominence, winning for him the World Boxing Organisation (WBO) super middleweight title. But despite a record number of defences of the belt, his career lacked a defining contest. A long line of challengers and ex-titleholders were disposed of but the biggest names in American boxing avoided the ultimate showdown he craved. Hand injuries further obscured the true level of his aptitude for an art he began to learn from his father, Enzo, at the age of eight when - inspired by Sugar Ray Leonard - a rolled-up carpet in the family home in Newbridge became a makeshift heavy bag.This is the story of Calzaghe's extraordinary life, from his humble beginnings in his hometown of Newbridge, to his ascent to personal greatness, becoming the first super middleweight boxer to win the prized belt awarded by The Ring, the bible of boxing, in the division's near 20-year history. One of Britain's foremost sporting champions, a warrior and working-class hero, this is the story of the triumphs and trials that made Calzaghe a legend.