Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation.Hamilton: The Revolution gives readers an unprecedented view of both revolutions, from the only two writers able to provide it. Miranda and Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages--"since before this was even a show," according to Miranda--trace its development from an improbable perfor­mance at the White House to its landmark opening night on Broadway six years later. In addition, Miranda has written more than 200 funny, revealing footnotes for his award-winning libretto, the full text of which is published here.Their account features photos by the renowned Frank Ockenfels and veteran Broadway photographer Joan Marcus; exclusive looks at notebooks and emails; interviews with Questlove, Stephen Sond­heim, leading political commentators, and more than 40 people involved with the production; and multiple appearances by Presi­dent Obama himself. The book does more than tell the surprising story of how a Broadway musical became a national phenomenon: It demonstrates that America has always been renewed by the brash upstarts and brilliant outsiders, the men and women who don't throw away their shot.

    E. Stallings has established herself as one of the best American poets of her generation. In addition to a lively dialogue with both the contemporary and ancient culture of her adopted homeland, Greece, this new collection features poems that, in her inimitable voice, address the joys and anxieties of marriage and motherhood. This collection builds on previous accomplishments with some longer poems and sequences of greater philosophical scope, such as “On Visiting a Borrowed Country House in Arcadia.” Stallings possesses the rare ability to craft precise poems that pulsate with deeply felt emotion. Like the olives of the title, the book embraces the bitter but savory fruits of the ancient tree, and the tears and sweetness we harvest in our temporary lives. These poems show Stallings in complete command of her talent, able to suggest the world in a word.

    Her words can rattle and sting, exposing private crimes and inner wars, the pain of need, and the chains of unspoken law. With evocative image and clear-sighted truth she transforms experience into dark and beautiful art. She is a poet of the urban streets whose passionate eye catches the motion and vibrant color of the life that surrounds us all. In this volume are collected the writings of Suzanne Vega, poems and stories, remembrances of times past and far countries, interviews and song lyrics, overheard conversations and imagined thoughts, complex inner worlds realized in simple yet breathtaking strokes. And through her words a portrait emerges of an exemplary artist and unique individual whose passion embraces the entire scope of human existence, from love and longing to war and politics. It is a window into a guarded life, and a remarkable journey across an emotional landscape sometimes hard, often cruel, but never barren or devoid of hope.

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."

    She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life. Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with The Sunlight Project, an organization that traffics in all the secrets of the world--including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn't understand, and the intensity of her response to him upends her conventional ideas of right and wrong. Purity is a grand story of youthful idealism, extreme fidelity, and murder. The author of The Corrections and Freedom has imagined a world of vividly original characters - Californians and East Germans, good parents and bad parents, journalists and leakers - and he follows their intertwining paths through landscapes as contemporary as the omnipresent Internet and as ancient as the war between the sexes. Purity is the most daring and penetrating book yet by one of the major writers of our time.

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

    in the epic tale of your life, you are the most important character while everyone is but a forgotten footnote. even the prince.

    What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam’s "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.

    Of her most recent book, Raptus, Carolyn Forché has written that she is “a genuine poet, a born poet, and I am in awe of her achievement.” The poems in Klink’s new collection offer a closely keyed meditation on being alone—on a self fighting its way out of isolation, toward connection with other people and a vanishing world.

    

    Ellen Kennedy's debut full-length poetry collection. When I finished reading SOMETIMES MY HEART PUSHES MY RIBS I had to go to lunch with people in a restaurant with enormous beverages and misnamed sandwiches. I kept tapping my hand on the table and I didn't listen to anything anybody said. All I wanted to do was go home to read and write the kind of poetry Ellen Kennedy writes, declarative and nervous and wild and free. This is the sort of thing you want. This is the sort of book you should buy and you should buy it now instead of having lunch with those `friends'--Daniel Handler. Ellen Kennedy was born in 1989 and lives in Boston.

    He brings alive, with wit and lyricism, scenes of city life: a Giants baseball game, the Green Street Marching Mortuary Band, bohemian North Beach, Golden Gate Park, yachts on the Bay, and more. Also included are historic photographs, scattered prose pieces, and the text of his mischievous inaugural address with his vision of the city’s history as a poetic center and suggestions for keeping it that way.Lawrence Ferlinghetti is a bookman, painter and author of poetry, fiction, essays and plays. His most recent books are How to Paint Sunlight (poetry) and Love in the Days of Rage (fiction).

    Lawrence Hill’s new book doesn’t lessen the awfulness of the times, but adds a unique human dimension. Hill has created an uplifting and highly educational story about a shameful part of history. The Book of Negroes is sold in the United States under the title, Someone Knows My Name. Aminata Diallo was born free in Africa in the eighteenth century. She had a rich and lovely childhood until the day she was captured by slave traders and marched off to the coast in chains. Along with thousands of others, Aminata was destined for North America as a slave to white owners. She was eleven years old. Hill tracks Aminata’s story through the circle of her life. Every Bookclub-in-a-Box discussion guide includes complete coverage of the themes and symbols, writing style, and interesting background information on the novel and the author.

    Moved by the guilt of never having worked with his hands, Neruda opens with the despairing confession, “Why did I not make a broom? / Why was I given hands at all?” The themes of hands and work grow in significance as Neruda celebrates the carpenters, longshoremen, blacksmiths, and bakers—those laborers he admires most—and shares his exuberant adoration for the earth and the people upon it.Yes, I am guiltyof what I did not do,of what I did not sow, did not cut, did not measure,of never having rallied myself to populate lands,of having sustained myself in the desertsand of my voice speaking with the sand.Pablo Neruda (1904–1973) was a Chilean poet and diplomat who received the Nobel Prize in Literature in 1971. Recognized during his life as “a people’s poet,” he is considered one of the greatest artists of the twentieth century.William O’Daly is the best-selling translator of six of Pablo Neruda’s books, including The Book of Questions and The Sea and the Bells. His work as a translator has been featured on The Today Show.