Recognizing that millions of lives are at stake, Kolbe uses his position to pass information to the Americans—risking himself and the people he holds most dear—and embarks on a dangerous double life as the Allies’ most important spy.Summoned from his South African post to return to Nazi Germany, Kolbe leaves behind his beloved fourteen-year-old daughter, a decision made for her safety that nonetheless torments him. And as he lives under the constant threat of arrest, he wrestles with the guilt of putting Marlene Wiese, a married nurse and the love of his life, in danger as they collaborate on Kolbe’s clandestine work.But no matter the personal cost, Kolbe will not be deterred. In scenes that pulse with suspense, he emerges as a towering figure who risked everything to save innocent lives—and Germany from itself.

    And when she was lying in her bed again, recalling the taste with all her senses, she was sure that this secret recipe could heal wounds, avert catastrophes, and bring people happiness. But she was wrong.'At the start of the twentieth century, on the edge of the Russian Empire, a family prospers. It owes its success to a delicious chocolate recipe, passed down the generations with great solemnity and caution. A caution which is justified: this is a recipe for ecstasy that carries a very bitter aftertaste ...Stasia learns it from her Georgian father and takes it north, following her new husband, Simon, to his posting at the centre of the Russian Revolution in St Petersburg. Stasia's is only the first in a symphony of grand but all too often doomed romances that swirl from sweet to sour in this epic tale of the red century.Tumbling down the years, and across vast expanses of longing and loss, generation after generation of this compelling family hears echoes and sees reflections. Great characters and greater relationships come and go and come again; the world shakes, and shakes some more, and the reader rejoices to have found at last one of those glorious old books in which you can live and learn, be lost and found, and make indelible new friends.

    It had been her ‘soul place’ as a child, she said – a holiday home for her and her family, but much more – a sanctuary, a refuge. In the 1930s, she had been forced to leave the house, fleeing to England as the Nazis swept to power. The trip, she said, was a chance to see it one last time, to remember it as it was. But the house had changed. Nearly twenty years later Thomas returned to the house. It was government property now, derelict, and soon to be demolished. It was his legacy, one that had been loved, abandoned, fought over – a house his grandmother had desired until her death. Could it be saved? And should it be saved?He began to make tentative enquiries – speaking to neighbours and villagers, visiting archives, unearthing secrets that had lain hidden for decades. Slowly he began to piece together the lives of the five families who had lived there – a wealthy landowner, a prosperous Jewish family, a renowned composer, a widower and her children, a Stasi informant. All had made the house their home, and all – bar one – had been forced out. The house had been the site of domestic bliss and of contentment, but also of terrible grief and tragedy. It had weathered storms, fires and abandonment, witnessed violence, betrayals and murders, had withstood the trauma of a world war, and the dividing of a nation.As the story of the house began to take shape, Thomas realized that there was a chance to save it – but in doing so, he would have to resolve his own family’s feelings towards their former homeland – and a hatred handed down through the generations.The House by the Lake is a groundbreaking and revelatory new history of Germany over a tumultuous century, told through the story of a small wooden house. Breathtaking in scope, intimate in its detail, it is the long-awaited new history from the author of the bestselling Hanns and Rudolf.

    This is a huge novel that follows five families through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for votes for women. It is 1911. The Coronation Day of King George V. The Williams, a Welsh coal-mining family is linked by romance and enmity to the Fitzherberts, aristocratic coal-mine owners. Lady Maud Fitzherbert falls in love with Walter von Ulrich, a spy at the German Embassy in London. Their destiny is entangled with that of an ambitious young aide to U.S. President Woodrow Wilson and to two orphaned Russian brothers, whose plans to emigrate to America fall foul of war, conscription and revolution. In a plot of unfolding drama and intriguing complexity, "Fall Of Giants" moves seamlessly from Washington to St Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty.

    Leon Uris magnificently portrays the birth of a new nation in the midst of enemies--the beginning of an earthshaking struggle for power. Here is the tale that swept the world with its fury: the story of an American nurse, an Israeli freedom fighter caught up in a glorious, heartbreaking, triumphant era.

    But his subject seems more interested in finding out about Robert's past than he does in revealing his own. For years, Robert has refused to discuss his past. After the war ended, he refused to go to reunions, believing in some way that denying the killing and the deaths of his friends and fellow soldiers would mean he wouldn't be defined by the experience. Suddenly, he can't keep the memories from overtaking him. But can he trust his memories and can we believe what other people tell us about theirs?Moving between the present and past, between France and Italy, New York and London, this is a powerful story about love and war, memory and desire, the relationship between the body and the mind. Compelling and full of suspense, Where My Heart Used to Beat is a tender, brutal and thoughtful portrait of a man and a century, which asks whether, given the carnage we've witnessed and inflicted over the past one hundred years, people can ever be the same.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    Ferrante's inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighbourhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.

    Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning.

    One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

    Set in an unnamed German-occupied ghetto, the story centers on an unlikely hero, Jakob Heym, who accidentally overhears news of vital importance: the Russians are advancing on a city three hundred miles away. As Jakob's tidings rekindle hope and the promise of liberation, he feels compelled to elaborate. Forming a protective bond with a young orphan girl, Jakob becomes caught in his own web of optimistic lies. Awarded Germany's prestigious Heinrich Mann Prize for fiction and in a new translation by Leila Vennewitz, Jakob the Liar is a masterpiece of Kafkaesque comedy which unfolds with the impact of a timeless folk legend.

    Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found.But these are dangerous times. When Liesel's foster family hides a Jew in their basement, Liesel's world is both opened up, and closed down.In superbly crafted writing that burns with intensity, award-winning author Markus Zusak has given us one of the most enduring stories of our time.(Note: this title was not published as YA fiction)

    His best-known work tells the tale of Rubashov, a Bolshevik 1917 revolutionary who is cast out, imprisoned and tried for treason by the Soviet government he'd helped create.Darkness at Noon stands as an unequaled fictional portrayal of the nightmare politics of our time. Its hero is an aging revolutionary, imprisoned and psychologically tortured by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he relives a career that embodies the terrible ironies and human betrayals of a totalitarian movement masking itself as an instrument of deliverance. Almost unbearably vivid in its depiction of one man's solitary agony, it asks questions about ends and means that have relevance not only for the past but for the perilous present. It is —- as the Times Literary Supplement has declared —- "A remarkable book, a grimly fascinating interpretation of the logic of the Russian Revolution, indeed of all revolutionary dictatorships, and at the same time a tense and subtly intellectualized drama."