Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.

    The tales drawn together in this book, from a wide range of medieval sources, span the centuries from the dawn of Christianity to the age of the Plantagenets. The Norse gods which peopled the Anglo-Saxon past survive in Beowulf; Cuchulainn, Taliesin and the magician Merlin take shape from Celtic mythology; and saints include Helena who brought a piece of the True Cross to Britain, and Joseph of Arimathea whose staff grew into the Glastonbury thorn. Tales of the British Arthur are followed by legends of later heroes, including Harold, Hereward and Godiva. These figures and many others were part of a familiar national mythology on which Shakespeare drew for Lear, Macbeth and Hamlet, creating the famous versions that are known today. Here the original stories are presented. RICHARD BARBER's other books include The Holy Grail, King Arthur: Hero and Legend, Arthurian Legends: An Anthology and The Knight and Chivalry.

    Here are seventeen short stories, including her Hugo Award-winning story "Cat Pictures Please," which is about what would happen if artificial intelligence was born out of our search engine history. Two stories are previously unpublished. Kritzer has a gift for telling stories both humorous and tender. Her stories are filled with wit and intelligence, and require thoughtful reading.

    In a lyrical and immensely moving style, this book combines a family saga and a doomed love story, set against the background of French Polynesia in the period leading up to the first nuclear tests. The text is highly critical of the French government, and as a result its publication in Tahiti was polarising.

    Ass. B*tch.The daughter of a hitman, I take sh*t from no one, even if it's a guy that's six-foot-five and looks like the hulk.Only the biggest and strongest man can handle me, but little did I know he was under my nose my entire life.CarterPrideful. Patriotic. Protector.I take no prisoners. You mess with me, my family or my city, you're going down. I'm as hard as stone, as sharp as steel.But when it comes to my childhood friend Andrea, I might've just met my match.  Sexy and stubborn to boot, there's only one type of man that can handle a woman like her and do her body JUSTICE.

    If she can just convince her baseborn sister, Charisee, to play along, she might actually get away with it.But there is trouble brewing across the continent. High Prince of Hythria, Damin Wolfblade, must head north to save the peace negotiated a decade ago between the Harshini, Hythria, Fardohnya, Medalon and Karien. He must leave behind an even more dangerous conflict brewing between his wife and his powerful mother, Princess Marla....And in far off Medalon, someone has stolen the music.Their quest for the tiny stolen lyre containing the essence of the God of Music will eventually touch all their lives, threaten everything they hold dear and prove to be far more personal than any of them can imagine.

    It's bad enough that she has to work on Christmas Eve but now there's a drunk bloke dressed as Santa and claiming to be St Nick hanging around outside her flat. Given he's professing to be the giver of Christmas miracles and nearly 2000 years old, she's wary.Things get even more weird when St Nick insists he's there to save Theo. And with the next St Nicholas Day somehow fast approaching, he's even got a plan that'll change her life forever.It all seems pretty straightforward, apart for one awkward fact:Theodora Quirke doesn't actually need saving.

    In his room is someone only he can see and hear. Tied together by an invisible bond, Adam on his ghostly companion try to find a way to co-exist as Adam works to get his life back on track. But life is never that simple and as the pressure builds on Adam to appear 'normal', will his constant shadow turn out to be friend or foe?

    Parker’s collection is hyper-contemporary, drawing on what it means to be alive today when our phones autocorrect our texts and we’ve given into a kind of living that prioritizes work, money, and power over justice, equality, and happiness.

    They coil in our subconscious, slither along the edges of thought. Still we creep to the crackling fire to whisper their stories.Love Devours is a collection of new fables for queer women, extracted from the bones of the dark: ominous fairy tales, sinister myths, dystopias rife with nightmares. But in the midst of monsters, love still struggles to find the light.A witch traps a beast of the sea; a corpse is reanimated out of love; a muse drains her supplicant; a priestess worships in a church of wolves. Six monster stories lurk within these pages. Six heroines, sometimes monsters themselves, unearth romance, rebuild worlds, shatter spells. Their courage unveils the secret faces of humankind's greatest compulsions: fear and love.Come into the dark and be devoured.Love Devours: Tales of Monstrous Adoration is Sarah Diemer's first anthology, a collection of queer dark fantasy and science fiction stories. It will be released in both print and eReader formats in August, 2012.

    A stunning collection of the best in Chinese Science Fiction, from Award-Winning legends to up-and-coming talent, all translated here into English for the first time. This celebration of Chinese Science Fiction — thirteen stories, all translated for the first time into English — represents a unique exploration of the nation’s speculative fiction from the late 20th Century onwards, curated and translated by critically acclaimed writer and essayist Xueting Christine Ni.From the renowned Jiang Bo’s ‘Starship: Library' to Regina Kanyu Wang’s ‘The Tide of Moon City, and Anna Wu’s ‘Meisje met de Parel', this is a collection for all fans of great fiction.Award winners, bestsellers, screenwriters, playwrights, philosophers, university lecturers and computer programmers, these thirteen writers represent the breadth of Chinese SF, from new to old: Gu Shi, Han Song, Hao Jingfang, Nian Yu, Wang Jinkang, Zhao Haihong, Tang Fei, Ma Boyong, Anna Wu, A Que, Bao Shu, Regina Kanyu Wang and Jiang Bo.

    Salaam takes us to distant places but makes them familiar in unsettling ways, ably transforming the fantastic into a mirror through which we can examine—and reckon with—our own struggles.

    And to the Nazis, Thule was an icy Eden, birthplace of Nordic “purity.” In this exquisitely written narrative, Joanna Kavenna wanders in search of Thule, to Shetland, Iceland, Norway, Estonia, Greenland, and Svalbard, unearthing the philosophers, poets, and explorers who claimed Thule for themselves, from Richard Francis Burton to Norwegian explorer Fridtjof Nansen. Marked by breathtaking snowscapes, haunting literature, and the cold specter of past tragedies, this is a wondrous blend of travel writing and detective work that is impossible to set down. RVIEW: Thule, real or not, is ripe and beguiling material for a literary and geographic adventurer, and Kavenna is formidable on both fronts. . . . Highly cerebral, erudite, refreshing. (The New York Times Book Review)

     Dani, Bailey, and Kaya think they know what they want from life- success, independence, and a gorgeous man to share their beds-but when they perform an old wish-making ritual together, each of them gets a sinful surprise. In these three interrelated love stories, these women discover that two is company...and three is even better.

    Sentences have been relentlessly trimmed, tuned, and teased for maximum impact, and a ferocious attention to rhythm and sound results in a palpable pulse of excitability and distress. The nature of love is questioned at a golf course, a flower shop, an all-you-can-eat buffet. The clay head of a man is bought and displayed as a trophy. Interior life manifests on the physical plane, where characters--human and animal--eat and breathe, provoke and injure one another.With exquisite control, Scanlan moves from expansive moods and fine afternoons to unease and violence--and also from deliberate and generative ambiguity to shocking, revelatory exactitude. Disturbances accrue as the collection progresses. How often the conclusions open--rather than tie--up. How they twist alertly. No mercy, a character says--and these stories are merciless and strange and absolutely masterful.