Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war.The Camomile Lawn moves from Cornwall to London and back again, over the years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

    This charming, delightful and extremely funny book about daily life in a frugal English household was named by booksellers as the out-of-print novel most deserving of republication.This is a gently self-effacing, dry-witted tale of a long-suffering and disaster-prone Devon lady of the 1930s. A story of provincial social pretensions and the daily inanities of domestic life to rival George Grossmith's Diary of a Nobody.

    During her uncle's absence in Antigua, the Crawford's arrive in the neighbourhood bringing with them the glamour of London life and a reckless taste for flirtation. Mansfield Park is considered Jane Austen's first mature work and, with its quiet heroine and subtle examination of social position and moral integrity, one of her most profound.

    As she reaches adulthood, the clash between their expectations and her desires is painfully played out as she finds herself torn between her relationships with three very different men: her proud and stubborn brother, a close friend who is also the son of her family's worst enemy, and a charismatic but dangerous suitor. With its poignant portrayal of sibling relationships, The Mill on the Floss is considered George Eliot's most autobiographical novel; it is also one of her most powerful and moving.In this edition writer and critic A.S. Byatt provides full explanatory notes and an introduction relating Mill on the Floss to George Eliot's own life and times.Edited with an introduction and notes by A.S. BYATT

    Sarah Burton, the fiery young headmistress of the local girls' school; Mrs Beddows, the district's first alderwoman—based on Holtby's own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    Rosamund Stacey is young and inexperienced at a time when sexual liberation is well on its way. She conceals her ignorance beneath a show of independence, and becomes pregnant as a result of a one night stand.

    A lonely art historian absorbed in her research seizes the opportunity to share in the joys and pleasures of the lives of a glittering couple, only to find her hopes of companionship and happiness shattered.

    Seventy years later, released by widowhood, and to the dismay of her pompous children, she abandons the family home for a tiny house in Hampstead. Here she recollects the dreams of youth, and revels in her newfound freedom with her odd assortment of companions: Genoux, her French maid; Mr. Bucktrout, her house agent; and a coffin maker who pictures people dead in order to reveal their true characters. And then there's Mr. FitzGeorge, an eccentric millionaire who met and loved her in India when she was young and very lovely. It is here in this world of her own that she finds a passion that comes only with the freedom to choose, and it is this, her greatest gift, that she passes on to the only one who can understand its value. First published in 1931, Vita Sackville-West's masterpiece is the fictional companion to her great friend Virginia Woolf's A Room of One's Own.

    Looking back on the hardships of his early life, where difficult days are faced with courage but the valleys swell with the sound of Welsh voices, it becomes clear that there is nowhere so green as the landscape of his own memory. An immediate bestseller on publication in 1939, How Green Was My Valley quickly became one of the best-loved novels of the twentieth century. Poetic and nostalgic, it is an elegy to a lost world.Richard Dafydd Vivian Llewellyn Lloyd (1906-1983), better known by his pen name Richard Llewellyn, claimed to have been born in St David's, Pembrokeshire, Wales; after his death he was discovered to have been born of Welsh parents in Hendon, Middlesex. His famous first novel How Green Was My Valley (1939) was begun in St David's from a draft he had written in India, and was later adapted into an Oscar-winning film by director John Ford. None But the Lonely Heart, his second novel, was published in 1943, and subsequently made into a film starring Cary Grant and Ethel Barrymore. As well as novels including Green, Green My Valley Now (1975) and I Stand on a Quiet Shore (1982), Llewellyn wrote two highly successful plays, Poison Pen and NooseIf you enjoyed How Green Was My Valley, you might like Barry Hines' A Kestrel for a Knave, also available in Penguin Modern Classics.'Vivid, eloquent, poetical, glowing with an inner flame of emotion'The Times Literary Supplement

    Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

    When he remarries, a new step-sister enters Molly's quiet life – loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes – the role of women, Darwinism and the concept of Englishness – and its literary and social context.

    Actual opening line of the novel is: "To J. Halford, Esq. Dear Halford, when we were together last..."This is the story of a woman's struggle for independence. Helen "Graham" has returned to Wildfell Hall in flight from a disastrous marriage. Exiled to the desolate moorland mansion, she adopts an assumed name and earns her living as a painter.

    Memories of her life still glow in her fading consciousness, but she imagines writing a history of the world. Instead, Moon Tiger is her own history, the life of a strong, independent woman, with its often contentious relations with family and friends. At its center — forever frozen in time, the still point of her turning world — is the cruelly truncated affair with Tom, a British tank commander whom Claudia knew as a reporter in Egypt during World War II.

    Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up hidden masterpieces, and come to the aid of a murderess, will find that they have adventure to spare.In The Fountain Overflows, a 1957 best seller, Rebecca West transmuted her own volatile childhood into enduring art. This is an unvarnished but affectionate picture of an extraordinary family, in which a remarkable stylist and powerful intelligence surveys the elusive boundaries of childhood and adulthood, freedom and dependency, the ordinary and the occult.