Mr Twiddle is a kind old soul with the best intentions, but he is extremely forgetful, very lazy and more than a little bit silly.

    He is one of the most celebrated writers from India. Born Dhanpat Rai, he began writing under the pen name "Nawab Rai", but subsequently switched to "Premchand". His works include more than a dozen novels, around 250 short stories, several essays and translations of a number of foreign literary works into Hindi. Do Bailon Ki Katha (दो बैलों की कथा) is a touching and humourus tale of two bullocks - Heera and Moti who had lived together for a very long time and are passed on from one owner to the other. (Note: This story is in Hindi language and is rendered for Kindle Fire, Kindle Fire HD, Kindle Paperwhite, Kindle for iPhone and Ipad and all Kindle devices released after Kindle DX).

    Away in Medical School, Molly believed her life was on track. That was until she returned home for Christmas and learned her life was nothing she had always believed. As this surprising journey unfolds, Molly not only learns how to put aside the pain of her past but she finally learns how to say goodbye.

    In doing so, the book triumphed over a very strong shortlist, including collections by one Booker Prize winner in Anne Enright and two authors who have been Booker shortlisted in Shena Mackay and Ali Smith (the latter a winner of the Whitbread Prize).When announcing the winner, one of the judges – James Walton, journalist and chair of BBC Radio 4’s The Write Stuff – said, “I suspect Chris Beckett winning the Edge Hill Prize will be seen as a surprise in the world of books. In fact, though, it was also a bit of surprise to the judges, none of whom knew they were science fiction fans beforehand.”In 2012 the Sunday Times named Chris’ latest novel Dark Eden the best science fiction novel of the year, and it is currently shortlisted for the BSFA Award in the same category. NewCon Press are delighted to be publishing The Peacock Cloak, the latest collection from one of Britain’s most distinguished and accomplished genre authors. Contains twelve stories (85,000 words) all previously uncollected.

    As in life, there are no happy endings, and no matter how high one flies, theres always gravity.

    Laxman profiles ten hilariously idiosyncratic people, who are among the countless men and women who run the lives of the middle class in India. The tales are put together by Ganesh, a freelance journalist trying to write a feature article on servants he has known. As his chronicle progresses, what emerges is a richly embellished narrative starring unforgettable characters. There is Swami, the cook, who finds his true vocation as a godman; Kumar, who deserts his household duties to pursue his tinsel-town dreams; Anthony, the driver, who makes money on the side by giving lifts to strangers; the maid Shanti, whose lift is thrown into turmoil by the neighbour's servant who is besotted with her; and Ramaswami, a trusted retainer who reappears mysteriously, much to the consternation of his employer, long after he has been presumed drowned. Marked by Laxman's trademark wit, and including pencil sketches drawn especially for this edition, Servants of India is a delightful read.

    Making a selection is just the beginning - these ladies are more than mere images, and getting to know them is the really fun part. But just like most things, looks can be deceiving. And while the guys who take this plunge think they're in for the adventure of a lifetime, some of them are headed for their worst nightmare.Featuring five dramatically different voices, these stories travel the tantalizing crossroads between romance and cyberspace.

    The first few chapters are available as 'The Chronicles of Engella Rhys (Preview).' Would you sacrifice your future to save your past? Engella Rhys is alone, adrift and on the run. Pursued by a secret agency, known only as the Hunters, she must stay ahead to stay alive. As she travels through space-time using dangerously experimental technology, she only has one wish: to be reunited with her lost parents. After a close shave with a Hunter on the streets of New Shanghai, Engella escapes to find herself on a deserted beach. When she meets a kind stranger, who offers her food and shelter, Engella feels safe and protected for the first time in years. But who is this woman? And why did their paths cross at the most convenient of times? Engella soon discovers their lives are intertwined in more ways than she could ever imagine.

    These stories span characters and emotional states with canny details that touch the depths of your soul. Picturing the complexities of love, misery and mystery, the stories try to gnaw your heart like never before.• What does a flower teach us we often fail to see?• “The belly is an ungrateful wretch.” Is it true?• Ever wondered about the sparseness and illusions in life?• Does death put an end to true love?• Have all the ascetics won over their emotions?With the power of simple language, this book transports the readers to a world scarcely thought of in our bustling lives. The allegories maintain an intense rhythm of life prompting the readers to perceive things from a unique angle.“A whole bookful to make you think, cry, think again and move on.”

    You’ll see. Draw me just one more time.”No one knows if his mother will come out of her coma, so fourteen-year-old Jordie memorializes her in the only way he knows how: by drawing her. His older brother doesn’t approve of these sketches, but Jordie’s determined to capture the person she used to be. Unfortunately, Jordie must draw her from memory because his mom didn’t keep pictures, and her body in the hospital no longer looks like her. But the images of her are quickly fading, and if he doesn’t get a drawing right soon, the mother he remembers may slip away forever. No matter how close Jordie gets to completing a drawing, his mom’s most vital feature always evades him.Will Jordie capture his mother’s eyes? Or are they and his mother gone forever?Content Warning:SuicideDeathAnimal Death​Reader discretion advised

    Those two little words can mean so much. But how will things end...and will it hurt? That’s what we really want to know. Delve into the darkness and join us at the end of the world. From a blighted sky to an invasion from beyond, from untethered time to one person driven beyond the edge of sanity, from a child’s game to an unseen apocalypse...it’s all imagined here, and imagined darkly. Inside The Ways We End is a combination of new stories and previously published anthology tales, now re-imagined without word limits, including Cottage of Hunger, The Mergens, The Mountains of Five, The Bridge, Rock or Shell, and A Mother So Beautiful.

     THE STICK WOMAN - Priscilla has been held hostage, physically mutilated, and fed feces for years. And her situation is about to get much, much worse. SHIT-HOUSE - How bad is the world around you? How much worse could it get? How far would you go to fix it? THE USHERS - They are always there - somewhere in the background and just out of sight. A force of violence and lust. They are the ushers... THE SEA-SLOP THING - June needs a new job - and she's found it, along with something from the deepest depths of the sea.

    Stacey Tanner flees a stalking psychopathic ex-boyfriend and confronts all of her worst fears in one fateful evening.

    He's got everything he ever wanted, except his health. The knives are out. His rivals sense blood. Their time is now. But Thompson's not going down without a fight. Violence in the Blood documents Thompson's rise to power from the backstreets of Glasgow to the industrial heartland of the Midlands. Join the rampage as Malkie and his crew blaze a trail of mayhem and destruction north and south of the border.

    In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor.In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock's classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman's Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible.Richard has been rightly compared to Faulkner for his language and to Flannery O'Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.