Instructions: An elimination dance begins with a crowded dance floor. At a signal, the band stops playing and the announcer reads an elimination, say, "Any lover who has gone into a flower shop on Valentine's Day and asked for clitoris when he meant clematis." Any dancer answering this description must sit down, and his partner is also disqualified. The process continues (e.g. "Any person who has burst into tears at the Liquor Control Board") until a single couple remains. And now, the post-Meech Lake edition.

    From illusions of permanence and ownership to the pain of estrangement, Liar masterfully explores feelings familiar to anyone who has ever loved — and lost. Crosbie also goes beyond this territory, examining the lover’s own complicity in her joy and suffering. Liar is a grotesque, beautiful meditation on the nature of love.

    Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked.This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.

    

    The poem started out as a simple observation of the snow in moonlight, and turned into a poem with more to offer. I'm offering it free to my readers. I've had it on my blog, where it's gotten much response, and wanted to give everyone another way to access it.

    Big is the shocking true story of a murder investigation in Newfoundland and Labrador that forever changed the face of the Canadian justice system.On August 4, 2002, three-year-old twin girls Karen and Krista Hart drowned in Gander Lake. They had gone there with their father. He said it was an accident, but the police were convinced Nelson Hart had killed his daughters that day.With not enough evidence to make an arrest, the RCMP launched a $500,000 “Mr. Big” sting operation to try to get a confession. This book examines the dramatic events that unfolded over the four-month period when Nelson was flying back and forth across the country working in what he believed to be an organized crime syndicate.Central to this story is Jennifer Hicks, who reveals for the first time her life with her now ex-husband, Nelson Hart, and the events surrounding the deaths of her daughters. Together with television journalist Colleen Lewis, who closely followed Hart’s murder trial, Jennifer has reconstructed the tragic story of an abusive relationship and a mother’s worst nightmare.Finalist for the 2016 Arthur Ellis Awards, Best Nonfiction Book Category#10 on the Globe and Mail (Canadian Non-Fiction) Bestseller List (October 10, 2015)#6 on the Globe and Mail (Canadian Non-Fiction) Bestseller List (October 17, 2015)#6 on the Globe and Mail (Canadian Non-Fiction) Bestseller List (October 24, 2015)#10 on the Globe and Mail (Canadian Non-Fiction) Bestseller List (October 31, 2015)

    

    We should expect great things from her." --The Globe and MailHome of Sudden Service is a sad and scary book of punk rock villanelles and sonnets about delinquency.Set in Anyvalley, North America, Home of Sudden Service centres around the experiences of young people growing up in the suburbs. The contrast of elegant poetic forms with the colloquial, often harsh language of suburban teens makes for a compelling and engaging achievement.Bachinsky creates a gothic landscape that will be familiar to anyone who's visited the suburbs. Here, young Brownies dance, learn to sew and get badges in a series of eerie rituals, and smalltown girls settle down early. Murder, lust, teen pregnancy and a young man's disappearance are all discussed with a matter-of-fact, dispassionate voice.But this world is not without humour and hope. Home of Sudden Service concludes with "Drive," a series of fifteen sonnets about the poet's trip across Canada with her sister -- and out of the setting of their youth.

    Some of them deal with the imaginations of death and home while still others the idea of loss and coming to terms with gradual wasting of life. Many aspects of human life and commonplace human impulses are examined and brought to life through a range of imaginations and varied metaphorical associations. The poems are sure to delight the readers and generate a whole range of emotions among them.

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.

    Her poems are already making waves--several from this collection have received award attention, including: "The Fiddlehead"'s 23rd annual Ralph Gustafson Poetry Prize, "The Malahat Review"'s 2012 Far Horizon's Award for Poetry and an Editor's Choice Award in "ARC Poetry Magazine'"s 2012 Poem of the Year Contest. They have also been shortlisted for "The New Quarterly"'s 2013 Occasional Verse Contest, longlisted for CBC's 2013 Canada Writes Poetry Contest and have appeared in literary publications across North America.The poems in "For Your Safety Please Hold On" move in thematic focus from family, to girlhood, to adulthood, each permeated by Czaga's lively voice and quick-witted, playful language. They test the line between honest humour and bitter reality in a sophisticated, incisive manner that tugs at the gut and feels true.The linguistic hopscotch of Czaga's poems about girlhood is often beautifully juxtaposed with feelings of menace or a first taste of smothering expectations--"She sits. She sips her bright pink fingers. / She slips into smart short haircuts, yes, / she does so, and does herself up just so." While her pin prick meditations on contemporary adulthood suggest a yearning for personal meaning and purpose on a larger scale--"I still wander, sometimes, / my coat closing the world out of my body, with pockets / full of garbage, with my slender steady want. I still / make the bed and at bedtime unmake it."The irrepressible energy of the poems in "For Your Safety Please Hold On," paired with their complex balancing act between light and dark, humour and melancholy, innocence and danger, make this collection an extraordinary first offering.

    John's. By the Rivers of Brooklyn traces the story of the Evans family across two countries and three generations, exploring the hopes, passions and heartbreaks of those who went away and those who stayed behind. By the Rivers of Brooklyn transforms into fiction the experience of the 75,000 first- and second-generation Newfoundlanders who once lived in Brooklyn, New York - and the experience of Newfoundlanders throughout history who have gone away to find work and prosperity but never stopped dreaming of home.

    Instead, you start by finding the people who resonate with your message and connect with your ideas, attract them to you, and then - once the audience is there - offering them the things that will help them the most. It's one of those ideas that may seem counter-intuitive at first, but once you think about it for a few minutes, it's hard to imagine how anything else ever made sense.In the Audience Revolution, this idea is explained in detail, along with examples of how this approach to business has been used by successful businesses ranging from Netflix and Copyblogger, to celebrity consultants like Jim Collins and Scott Stratten, to best-selling authors like Seth Godin and Jeff Walker, to internationally renowned speakers like Randy Gage and Mitch Joel.Through their examples, you'll learn how you can apply this Audience First strategy to your online business, to get you better results faster, make you more profitable, and decrease your risk, all at the same time.

    These fifty lucid, urgent poems range in tone from lyric to ironic to meditative to prophetic, and in subject from the personal to the political, viewed in its broadest sense. They investigate the mysterious writing of poetry itself, as well as the passage of time and our shared sense of mortality. Brave and compassionate, The Door interrogates the certainties that we build our lives on, and reminds us once again of Margaret Atwood’s unique accomplishments as one of the finest and most celebrated writers of our time.

    As Sam finds himself falling away from the world as he grows feathers from his back, Lilah seeks sexual penance under the harsh hand of her boss, her own transformation subtle and terrifying. Sam and Lilah fall deeper into their separate spiritual paths, and the two hurtle closer and closer to a dark, unknown destiny — one that changes all that they know about life and pain, love and God, and how to find light in the most unlooked-for of places. The Miracles of Ordinary Men re-examines the traditional roles of priest and prophet, damned and divine, and creates something monstrous and exquisite reminiscent of Carlos Ruiz Zafón’s The Angel’s Game, Flannery O’Connor’s The Violent Bear It Away, and Andrew Davidson’s The Gargoyle.