Her subjects range from shaving her knuckles in grade school, to a shopping trip gone horribly awry, to dealing with internet trolls, to feeling out of place at an Indian wedding (as an Indian woman), to parsing the trajectory of fears and anxieties that pressed upon her immigrant parents and bled down a generation. Alongside these personal stories are pointed observations about life as a woman of colour, where every aspect of her appearance is open for critique, derision or outright scorn. Where strict gender rules bind in both Western and Indian cultures, forcing her to confront questions about gender dynamics, racial tensions, ethnic stereotypes and her father's creeping mortality--all as she tries to find her feet in the world.

     “If you’re kicking yourself for not having accomplished all you should have by now, don’t worry about it. Even without any ‘big’ accomplishments yet to your name, you are enough.”   In this expansion of the 2017 commencement speech she gave at her hometown Langley High, Lauren Graham, the beloved star of Gilmore Girls and Parenthood, reflects on growing up, pursuing your dreams, and living in the here and now. “Whatever path you choose, whatever career you decide to go after, the important thing is that you keep finding joy in what you’re doing, especially when the joy isn’t finding you.” In her hilarious, relatable voice, Graham reminds us to be curious and compassionate, no matter where life takes us or what we’ve yet to achieve. Grounded and inspiring—and illustrated throughout with drawings by Graham herself—here is a comforting road map to a happy life.   “I’ve had ups and downs. I’ve had successes and senior slumps. I’ve been the girl who has the lead, and the one who wished she had the bigger part. The truth? They don’t feel that different from each other.”

    Through his multi-faceted and inventive work, he encapsulated many of the social, political and cultural themes that ran through this most fascinating of decades, from the elusive promise of scientific progress to the persistent fear of apocalypse that stalked the globe.* In The Man Who Sold The World: David Bowie and the 1970s, cultural historian Peter Doggett explores the rich heritage of the artist's most productive and inspired decade, and traces the way in which his music reflected and influenced the world around him. * The book follows his career from 'Space Oddity', his dark vision of mankind's voyage into the unknown terrain of space, to the Scary Monsters album. It examines in detail his audacious creation of an 'alien' rock star, Ziggy Stardust, and his own increasingly perilous explorations of the nature of identity and the meaning of fame, against the backdrop of his family heritage of mental instability.* Among the book's wider themes are the West's growing sense of insecurity in the age of oil shortages and terrorism; the changing nature of sexual roles, as represented by Bowie's pioneering adoption of a bisexual persona; the emergence of a new experimental form of rock music that would leave an indelible mark on the decades to come; and the changing nature of many of the world's great cities, including London, New York, Los Angeles and Berlin, each of which played host to Bowie during particularly creative periods of his career. * Mixing brilliant musical critique with biographical insight and acute cultural analysis, The Man Who Sold The World is a unique study of a major artist and his times.

     Alison wants to be living a fabulous life filled with myriad social engagements. She just also wants to not shower, put on a bra or leave the house. Plus, she dislikes dancing, the Fourth of July and costume parties that involve skimpy attire. Basically, if it’s fun, count her out, which is too bad, since she so desperately wants you to think she’s fun. "Tropical Attire Encouraged” came to be on her birthday a few years ago, when her husband, Daniel Quantz, presented her with a hand-bound book of her columns from the first year she was syndicated. He worked late at his office to keep it a surprise. At the top of each one, he included a hand-drawn illustration. Daniel told her he made it because he wanted her to know he believed in her and felt she should be published in book form. Also because one year she gave him an over-the-cabinet-door organizer, and he wanted her to really know—like, on a visceral level—just how crappy her gift was in comparison. (He didn’t say this, but it was implied.)

    This collection of conversations, ranging from 1973 through 1989, brings the master of horror to life. Like a treasure map, Feast of Fear leads into the private, enthralling world of Stephen King.

    He revisits the meme, the unit of cultural information that he named and wrote about in his groundbreaking work The Selfish Gene. He makes moving tributes to friends and colleagues, including a eulogy for novelist Douglas Adams; he shares correspondence with the evolutionary biologist Stephen Jay Gould; and he visits with the famed paleoanthropologists Richard and Maeve Leakey at their African wildlife preserve. He concludes the essays with a vivid note to his ten-year-old daughter, reminding her to remain curious, to ask questions, and to live the examined life.

    ABOUT THE BOOK A gem of a book; endearing, engaging and inspiring. -Catharine Hamm, Los Angeles Times Travel Editor Tired of his disconnected life and uninspiring job, Leon Logothetis leaves it all behind-job, money, home, even his cell phone-and hits the road with nothing but the clothes on his back and five dollars in his pocket, relying on the kindness of strangers and the serendipity of the open road for his daily keep. Along the way, Leon offers up the intriguing and charming tales gathered along his one-of-a-kind journey riding in trains and buses and big rigs and classic cars; sleeping on streets and couches and firehouses; meeting pimps and preachers, astronauts and single moms, celebrities and homeless families, veterans and communists. Each day of his journey, we catch sight of the invisible spiritual underpinning of society in these stories of companionship-and sheer adventure-that prove that the kind, good soul of mankind has not been lost. Masterful storytelling! Leon begins his journey as a merry prankster and ends a grinning philosopher. Really funny-and insightful, too.-Karen Salmansohn, Oprah.com Relationship Columnist, AOL Career Coach If you're looking to find meaning in this disconnected world of ours, this book contains many clues." -Psychology Today "The indefatigable Leon Logothetis elicits generosity and kindness, and occasionally some nuttiness...on his endearingly frugal journey. We also get some great travel tips, too."-Kyle Wagner, Travel Editor, Denver Post

    "Discovered" by Andy Warhol in 1966, the VU - with their original line-up of Lou Reed, John Cale, Sterling Morrison, and Mo Tucker - would soon become the house band of the avantgarde, composing songs simultaneously furious in their abrasiveness and beautiful in their pathos, standing in striking contrast to the prevailing flower power of the era. All Yesterdays' Parties gathers for the first time almost all of the published writings contemporary with the band's existence-from sources as mainstream as the New York Times to vanished voices of the counterculture like Oz, Fusion, and Crawdaddy! The book is a revealing snapshot of an era by trailblazing rock writers such as Lester Bangs, Robert Greenfield, and Paul Williams. With photographs, posters, and other visual evocations of the period throughout, All Yesterdays' Parties is an invaluable resource, a trove of lore for anyone interested in the VU, their roots, and legacy.

    Havanas in Camelot brings together fourteen of his personal essays, including a reminiscence of his brief friendship with John F. Kennedy; a recollection of the power and ceremony on display at the inauguration of François Mitterrand; memoirs of Truman Capote, James Baldwin, and Terry Southern; a meditation on Mark Twain; an account of Styron's daily walks with his dog; and an evocation of his summer home on Martha's Vineyard.Styron's essays touch on the great themes of his fiction—racial oppression, slavery, and the Holocaust—but for the most part they address other subjects: bowdlerizations of history, literary lists, childhood moviegoing, the censoring of his own work, and the pursuit of celebrity fetish objects.These essays, which reveal a reflective and humorous side of Styron's nature, make possible a fuller assessment of this enigmatic man of American letters.

    With this fascinating book, he finally lets us know the man behind the face we've trusted late at night for almost twenty years.Off Camera is a daily journal of the year that brought the twentieth century to a close--the year of Monica and Y2K, of shootings at Columbine, of the death of JFK, Jr. With riveting insight and lucid prose, Koppel chronicles his thoughts on these events and more, from interactive TV to the war in Kosovo to the dumbing down of network news. Witty, provocative, and wise, this book is indispensable.

    A huge and awesome legend who leaps and spins and shoots players with an index finger while screaming OUTOUTOUT!!! Now baseball's flamboyant fan-on-the-field comes out from behind the mask to call the game as he really sees it.

    It began, in 1979, as a mad idea of starting a cable channel to televise local sporting events throughout the state of Connecticut. Today, ESPN is arguably the most successful network in modern television history, spanning eight channels in the Unites States and around the world. But the inside story of its rise has never been fully told-until now. Drawing upon over 500 interviews with the greatest names in ESPN's history and an All-Star collection of some of the world's finest athletes, bestselling authors James Miller and Tom Shales take us behind the cameras. Now, in their own words, the men and women who made ESPN great reveal the secrets behind its success-as well as the many scandals, rivalries, off-screen battles and triumphs that have accompanied that ascent. From the unknown producers and business visionaries to the most famous faces on television, it's all here.

    Part social commentary, part sitting at-the-feet-of-Socrates, part kick in the ass, COME IN ALONE was the column that would zig when you thought it would zag. This collection of all fifty-two columns includes Ellis' unique take on the comic book industry, features first-class interviews with top-flight comic book professionals, and even includes the legendary Old Bastard's Manifesto. Wrap this all up in an evocative and spooky cover by Brian Wood, and you've got a collection of commentary that midwifed the birth of the comic book industry into the 21st century.

    We are opposed to: government spending, Kennedy kids, seat-belt laws, busing our children anywhere other than Yale, trailer courts near our vacation homes, all tiny Third World countries that don't have banking secrecy laws, aerobics, the UN, taxation without tax loopholes, and jewelry on men. We are in favor of: guns, drugs, fast cars, free love (if our wives don't find out), a sound dollar, and a strong military with spiffy uniforms. There are thousands of people in America who feel this way, especially after three or four drinks. If all of us would unite and work together, we could give this country. . . well, a real bad hangover." "To say that P. J. O'Rourke is funny is like saying the Rocky Mountains are scenic-accurate but insufficient. At his best he's downright exhilarating . . . Republican Party Reptile is as rambunctiously entertaining as a greased pig catching contest. If you can find a funnier writer than P. J. O'Rourke, buy him a brandy, but don't lend him the keys to your pickup." -- Chicago Tribune; "Republican Party Reptile is hilarious. I laughed so hard reading this book that my armchair needs reupholstering. P. J. O'Rourke has got to be the funniest writer going, and boy does he go. This is high-octane wit, S. J. Perelman on acid." -- Christopher Buckley.

    But even spending an entire day with Ozzy Osbourne wasn't as frightening as when he agreed to follow Philadelphia "demonologist" Lou Gentile on his appointed rounds. Will Storr never believed in ghosts—but his healthy skepticism couldn't explain the strange lights and sounds he witnessed, and the weird behavior of the occupants of several allegedly haunted houses.What resulted is a confirmed cynic's (and proud of it!) dedicated search for answers in a shadowy world of séances, mediums, devil worshippers—even the Vatican's chief exorcist. So get ready to confront the genuinely creepy along with the hilariously ridiculous in Will Storr vs. the Supernatural!