(Janet Maslin, New York Times)Someone is telling the story of the life of Charlie Barnes, and it doesn't appear to be going well. Too often divorced, discontent with life's compromises and in a house he hates, this lifelong schemer and eternal romantic would like out of his present circumstances and into the American dream. But when the twin calamities of the Great Recession and a cancer scare come along to compound his troubles, his dreams dwindle further, and an infinite past full of forking paths quickly tapers to a black dot.Then, against all odds, something goes right for a change: Charlie is granted a second act. With help from his storyteller son, he surveys the facts of his life and finds his true calling where he least expects it—in a sacrifice that redounds with selflessness and love—at last becoming the man his son always knew he could be.A Calling for Charlie Barnes is a profound and tender portrait of a man whose desperate need to be loved is his downfall, and a brutally funny account of how that love is ultimately earned.

    Teddy, a master conman, heads up a clan who possess gifts he only fakes: there's Maureen, who can astral project; Irene, the human lie detector; Frankie, gifted with telekinesis; and Buddy, the clairvoyant. But when, one night, the magic fails to materialize, the family withdraws to Chicago where they live in shame for years. Until: As they find themselves facing a troika of threats (CIA, mafia, unrelenting skeptic), Matty, grandson of the family patriarch, discovers a bit of the old Telemachus magic in himself. Now, they must put past obstacles behind them and unite like never before. But will it be enough to bring The Amazing Telemachus Family back to its amazing life?

    Just like our marriage." So opens Meg Wolitzer's compelling and provocative novel The Wife, as Joan Castleman sits beside her husband on their flight to Helsinki. Joan's husband, Joseph Castleman, is "one of those men who own the world...who has no idea how to take care of himself or anyone else, and who derives much of his style from the Dylan Thomas Handbook of Personal Hygiene and Etiquette." He is also one of America's preeminent novelists, about to receive a prestigious international award to honor his accomplishments, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Wolitzer flashes back fifty years to 1950s Smith College and Greenwich Village -- the beginning of the Castleman relationship -- and follows the course of the famous marriage that has brought them to this breaking point, culminating in a shocking ending that outs a carefully kept secret. Wolitzer's most important and ambitious book to date, The Wife is a wise, sharp-eyed, compulsively readable story about a woman forced to confront the sacrifices she's made in order to achieve the life she thought she wanted. But it's also an unusually candid look at the choices all men and women make for themselves, in marriage, work, and life. With her skillful storytelling and pitch-perfect observations, Wolitzer invites intriguing questions about the nature of partnership and the precarious position of an ambitious woman in a man's world.

    Now, fifty years later, when the beloved columnist suffers a massive stroke and falls into a coma, publisher Susan McGrath fills the void (temporarily, she hopes) with Haze’s past columns, along with the occasional reprinted responses from readers. Most letters were favorable, although Haze did have her trolls; one Joseph Snell in particular dubbed her “liberal” ideas the “chronicles of a radical hag.” Never censoring herself, Haze chose to mollify her critics with homey recipes—recognizing, in her constantly practical approach to the world and her community, that buttery Almond Crescents will certainly “melt away any misdirected anger.”Framed by news stories of half a century and annotated with the town’s chorus of voices, Haze’s story unfolds, as do those of others touched by the Granite Creek Gazette, including Susan, struggling with her troubled marriage, and her teenage son Sam, who—much to his surprise—enjoys his summer job reading the paper archives and discovers secrets that have been locked in the files for decades, along with sad and surprising truths about Haze’s past. With her customary warmth and wit, Lorna Landvik summons a lifetime at once lost and recovered, a complicated past that speaks with knowing eloquence to a confused present. Her topical but timeless Chronicles of a Radical Hag reminds us—sometimes with a subtle touch, sometimes with gobsmacking humor—of the power of words and of silence, as well as the wonder of finding in each other what we never even knew we were missing.

    Now they're happily married wives and mothers with successful careers--Zadie as a pediatric cardiologist and Emma as a trauma surgeon. Their lives in Charlotte, North Carolina are chaotic but fulfilling, until the return of a former colleague unearths a secret one of them has been harboring for years. As chief resident, Nick Xenokostas was the center of Zadie's life--both professionally and personally--throughout a tragic chain of events in her third year of medical school that she has long since put behind her. Nick's unexpected reappearance during a time of new professional crisis shocks both women into a deeper look at the difficult choices they made at the beginning of their careers. As it becomes evident that Emma must have known more than she revealed about circumstances that nearly derailed both their lives, Zadie starts to question everything she thought she knew about her closest friend.

    Infinite lifetimes. One impossible choice.Thora and Santi are strangers in a foreign city when a chance encounter intertwines their fates. At once, they recognize in each other a kindred spirit—someone who shares their insatiable curiosity, who is longing for more in life than the cards they’ve been dealt. Only days later, though, a tragic accident cuts their story short.But this is only one of the many connections they share. Like satellites trapped in orbit around each other, Thora and Santi are destined to meet again: as a teacher and prodigy student; a caretaker and dying patient; a cynic and a believer. In numerous lives they become friends, colleagues, lovers, and enemies. But as blurred memories and strange patterns compound, Thora and Santi come to a shocking revelation—they must discover the truth of their mysterious attachment before their many lives come to one, final end.

    By 2008, it is in a complete state of ruin due to the dulled ambition and the financial ineptitude of the twenty-four earls, two world wars, the Wall Street crash, and inheritance taxes. Still: the heir to all of it, Kitto, his wife, Jane, their three children, their dog, Kitto's ancient parents, and his aunt Tuffy Scott, an entomologist who studies fleas, all manage to live there and keep it going. Four women dominate the story: Jane; Kitto's sister, Blaze, who left Trelawney and made a killing in finance in London, the wildly beautiful, seductive, and long-ago banished Anastasia and her daughter, Ayesha. When Anastasia sends a letter announcing that her nineteen-year-old daughter, Ayesha, will be coming to stay, the long-estranged Blaze and Jane must band together to take charge of their new visitor--and save the house of Trelawney. But both Blaze and Jane are about to discover that the house itself is really only a very small part of what keeps the family together.

    Jen already has two college-age daughters by two different (probably) musicians, and it's her second time around the class mom block with five-year-old Max--this time with a husband and father by her side. Though her best friend and PTA President sees her as the-wisest-candidate for the job (or oldest), not all of the other parents agree.From recording parents' response times to her emails about helping in the classroom, to requesting contributions of-special-brownies for curriculum night, not all of Jen's methods win approval from the other moms. Throw in an old flame from Jen's past, a hyper-sensitive -allergy mom,-a surprisingly sexy kindergarten teacher, and an impossible-to-please Real Housewife-wannabe, causing problems at every turn, and the job really becomes much more than she signed up for.

    As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.

    The Dukes of Hazzard is on TV and Curly Wurlys are in the shops. And trying to find a place in it all is young Leon.Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, a belly like Father Christmas, and mutters swearwords under her breath when she thinks can't hear. Maureen feeds and looks after them, and claims everything will be okay.But will they ever see their mother again? Who are the couple who secretly visit Joke? The adults are speaking in low voices, and wearing pretend faces. They are threatening to take Jake away and give him to strangers. Because Jake is white and Leon is not. As Leon struggles to cope with his anger, certain things can still make him smile – like Curly Wurlys, riding his bike fast downhill, burying his hands deep in the soil, hanging out with Tufty (who reminds him of his dad), and stealing enough coins so that one day he can rescue Jake and his mum.Evoking a Britain of the early eighties, My Name is Leon is a story of love, identity and learning to overcome unbearable loss. Of the fierce bond between siblings. And how – just when we least expect it – we somehow manage to find our way home.

    Set in and around Palo Alto, amid the culture clash of new money and old (antiestablishment) values, and with the specter of our current wars looming across its pages, The Portable Veblen is an unforgettable look at the way we live now. A young couple on the brink of marriage—the charming Veblen and her fiancé Paul, a brilliant neurologist—find their engagement in danger of collapse. Along the way they weather everything from each other’s dysfunctional families, to the attentions of a seductive pharmaceutical heiress, to an intimate tête-à-tête with a very charismatic squirrel. Veblen (named after the iconoclastic economist Thorstein Veblen, who coined the term “conspicuous consumption”) is one of the most refreshing heroines in recent fiction. Not quite liberated from the burdens of her hypochondriac, narcissistic mother and her institutionalized father, Veblen is an amateur translator and “freelance self”; in other words, she’s adrift. Meanwhile, Paul—the product of good hippies who were bad parents—finds his ambition soaring. His medical research has led to the development of a device to help minimize battlefield brain trauma—an invention that gets him swept up in a high-stakes deal with the Department of Defense, a Bizarro World that McKenzie satirizes with granular specificity. As Paul is swept up by the promise of fame and fortune, Veblen heroically keeps the peace between all the damaged parties involved in their upcoming wedding, until she finds herself falling for someone—or something—else. Throughout, Elizabeth McKenzie asks: Where do our families end and we begin? How do we stay true to our ideals? And what is that squirrel really thinking? Replete with deadpan photos and sly appendices, The Portable Veblen is at once an honest inquiry into what we look for in love and an electrifying reading experience.

    But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.

    Xavier is headed to college in the fall, and after years of single parenting, Valerie is facing the prospect of an empty nest. All is well until the Whitmans move in next door - an apparently traditional family with new money, ambition, and a secretly troubled teenaged daughter.Thanks to his thriving local business, Brad Whitman is something of a celebrity around town, and he's made a small fortune on his customer service and charm, while his wife, Julia, escaped her trailer park upbringing for the security of marriage and homemaking. Their new house is more than she ever imagined for herself, and who wouldn't want to live in Oak Knoll? With little in common except a property line, these two very different families quickly find themselves at odds: first, over an historic oak tree in Valerie's yard, and soon after, the blossoming romance between their two teenagers. Told from multiple points of view, A Good Neighborhood asks big questions about life in America today―What does it mean to be a good neighbor? How do we live alongside each other when we don't see eye to eye?―as it explores the effects of class, race, and heartrending star-crossed love in a story that’s as provocative as it is powerful.

    Next door, Lorrie, a working single mother, struggles with a heinous act committed by her own teenage son. Separated by only a silvery stretch of trees, the two parents are emotionally stranded, isolated by their great losses--until an unfamiliar sixteen-year-old girl shows up, bridges the gap, and changes everything.Evangeline's arrival at first feels like a blessing, but she is also clearly hiding something. When Isaac, who has retreated into his Quaker faith, isn't equipped to handle her alone, Lorrie forges her own relationship with the girl. Soon all three characters are forced to examine what really happened in their overlapping pasts, and what it all possibly means for a shared future.With a propulsive mystery at its core, What Comes After offers an unforgettable story of loss and anger, but also of kindness and hope, courage and forgiveness. It is a deeply moving account of strangers and friends not only helping each other forward after tragedy, but inspiring a new kind of family.

    She's frustrated with Rose and her constant complaints but utterly relieved to be called to abandon her own disappointing fledgling adult life. She and Rose travel to the searing, arid coast of southern Spain to see a famous consultant, Dr. Gomez—their very last chance—in the hope that he might cure Rose's unpredictable limb paralysis, but Dr. Gomez has strange methods that seem to have little to do with physical medicine, and as the treatment progresses, Rose's illness becomes increasingly baffling. Sofia's role as detective—tracking Rose's symptoms in an attempt to find the secret motivation for her pain—deepens as she discovers her own desires in this transient desert community.