Robbie knows they look like an odd pair, because her blond hair and pale skin don’t match his dark complexion—but those differences don’t mean anything to her. And though she wishes Grandpa would tell her more about the rest of her family, she’s learned over the years that he doesn’t like to talk about the past.But Grandpa’s memory is starting to get bad, and Robbie’s worried that soon he won’t remember their family—including her—at all. She’s sure that he would get better if she could stay out of trouble, but it’s hard to keep her fists to herself when bullies like Alex Carter make fun of her for not having a mom or for looking so different from Grandpa. It’s up to Robbie to learn how to deal with her anger and to keep her family together—no matter what.

    Of course, his favorite is Miss Nancy Alison Delacourt Cooper, because she has four names just as he does. The only problem is Miss Nancy, who is 96, has "lost" her memory. Undaunted, Wilfred sets out to "find" Miss Nancy's memory for her. Full-color illustrations.

    What other granddaughter-grandmother duo could successfully drive the getaway car for chickens rescued from a journey to the slaughterhouse, paint a whole house shocking pink, and operate their own personal secret-letter post office? So, when Miss Eula leaves for Hawaii to visit her new grandbaby, Ruby is sure that she will have a lonely, empty, horrible summer in boring old Halleluia, Mississippi. What happens instead? She makes a new friend, saves the school play, writes plenty of letters to her favorite (and only) grandmother...and finally learns to stop blaming herself for her grandfather's death. Not too bad, for a nine-year-old.

    She remembers the fields and parks they explored in the springtime and the old toys they fixed up in the summer. She remembers the handmade gifts they exchanged in the fall and the stories Grandpa told by the fi re each winter. But this year, the girl must say good-bye to Grandpa. In the face of her grief, she is determined to find a way to honor him. She decides to record her Grandpa stories in the notebook he made for her and carry Grandpa with her as she grows. An honest and relatable depiction of loss, Grandpa’s Stories celebrates life and the ways in which love lives on.

    . . but not for Gianna Z. With less than one week to collect twenty-five leaves for a science project, her spot at cross-country sectionals is in serious peril. Plus with a dad who runs a funeral parlor out of the basement, a grandma who keeps losing her teeth, and a rival trying to steal her spot on the team, Gee just wishes life could leave her alone to finish her project. But when Nonna disappears one afternoon, suddenly some things seem more important than projects and races.Gianna Z. will have readers rooting for her-and maybe even for science projects-from the very first page of this funny and poignant novel about family, friendship, and being true to yourself.

    As Gong Gong tries to teach her the slow, graceful movements, Mei Mei enthusiastically does them with her own flair. Then Mei Mei takes a turn, trying to teach Gong Gong the yoga she learned in school. Will Gong Gong be able to master the stretchy, bendy poses? Winner of Lee & Low s New Voices Award, A Morning with Grandpa celebrates, with lively spirit and humor, the special bond between grandparent and grandchild and the joy of learning new things together. Readers of all ages will want to try out some tai chi and yoga too!

    Just because Sheila Rae is older, she doesn't always know better!This classic picture book about overcoming fear is written and illustrated by Kevin Henkes, the nationally bestselling and celebrated creator of Lilly's Purple Plastic Purse, Owen, and Kitten's First Full Moon."I am very brave," Sheila Rae said, patting herself on the back. She wasn't afraid of anything—not thunder, not lightning, not the big black dog at the end of the block. And when she wanted to walk home a new way and Louise wouldn't, she called her sister a scaredy-cat and set out alone. But all the bravado in the world failed to help when Sheila Rae found herself lost. Luckily, her sister was not far behind."Children will love it."—School Library Journal

    In the segregated south, a young girl thinks that she can drink from a fountain marked "Whites Only" because she is wearing her white socks.

    . . . I remember there was one tree, however, that the three of you couldn't stop staring at. . . . After the family spares him from the builders, Steve the tree quickly works his way into their lives. He holds their underwear when the dryer breaks down, he's there when Adam and Lindsay get their first crushes, and he's the centerpiece at their outdoor family parties. With a surprising lack of anthropomorphizing, this is a uniquely poignant celebration of fatherhood, families, love, and change.

    Aleja's grandfather is a fisherman. Bisou's grandmother is a dentist. But Zura's Nana, who is her favorite person in the world, looks a little different from other grandmas. Nana Akua was raised in Ghana, and, following an old West African tradition, has tribal markings on her face. Worried that her classmates will be scared of Nana--or worse, make fun of her--Zura is hesitant to bring her to school. Nana Akua knows what to do, though. With a quilt of traditional African symbols and a bit of face paint, Nana Akua is able to explain what makes her special, and to make all of Zura's classmates feel special, too.

    That's why being careful is so important, even if it does mean giving up some of her favorite things, like bike races with her best friend, Rebecca, and hot dogs on the Fourth of July. Everyone keeps telling Annie not to worry so much, that she's just fine. But they thought her brother, Jared, was just fine too, and Jared died.

    in full color. "In this affectionate story, three children follow their grandfather up to the attic, where he pulls out his old bowler hat, gold-tipped cane, and his tap shoes. Grandpa once danced on the vaudeville stage, and as he glides across the floor, the children can see what it was like to be a song and dance man. Gammell captures all the story's inherent joie de vivre with color pencil renderings that leap off the pages. Bespectacled, enthusiastic Grandpa clearly exudes the message that you're only as old as you feel, but the children respond--as will readers--to the nostalgia of the moment. Utterly original."--(starred) Booklist.

    Molly Lou heard all about how her grandma didn't have fancy store-bought toys when she was little. She made dolls out of twigs and flowers and created her own fun in her backyard. So Molly Lou does just that, proving that the best thing to play with is a huge imagination!

    When his father tries to comfort Levi, he falls back on the line his own father used to use with him: "Big boys don't cry." Though he immediately understands his misstep, he can't find the words to right the ship, and Levi leaves for school, still in need of reassurance.Fortunately, along his walk to school, Levi sees instance after instance of grown men openly expressing their sadness and fear. His learned mantra, "big boys don't cry," slowly weakens, and by the time he's at school he releases a tear. Once there, things aren't so bad after all, and on his walk home he sees the characters he's encounted on his journey in the aftermath of their expression.Upon his arrival home, he finds his father waiting for him on their porch, tears in his eyes. He's able to admit that he was scared for Levi, and the two embrace, closer than before.Jonty Howley's gorgeous debut paints the world we wish existed for our boys, and offers a path there! This story is the truest interpretation of the notion that we should "let boys be boys"; that is: let them express the full range of their emotions, vulnerable pieces and all!

    Ben longs for the father he has never known. Rose dreams of a mysterious actress whose life she chronicles in a scrapbook. When Ben discovers a puzzling clue in his mother's room and Rose reads an enticing headline in the newspaper, both children set out alone on desperate quests to find what they are missing.Set fifty years apart, these two independent stories - Ben's told in words, Rose's in pictures - weave back and forth in symmetry.