Jacobs, H.G. Wells, Arthur Machen, Horacio Quiroga and H.P. Lovecraft.

    Written with extraordinary insight, honesty, and a master writer's creative sensibility.

    Join Hiccup and Toothless on their first eight adventures in How to Train Your Dragon: Hardcover Gift Set #2. This hardcover boxed set includes:How to Train Your Dragon;How to Be a Pirate;How to Speak Dragonese;How to Cheat a Dragon's Curse;How to Twist a Dragon's Tale;A Hero's Guide to Deadly Dragons;How to Ride a Dragon's Storm; and How to Break a Dragon's Heart.

    

    Now if the sitting king learns of his secret, it will mean death for David and everyone in his family. David's secret destiny becomes more complicated when he falls in love with King Saul's daughter, Michal. He will do whatever it takes to secure her heart, provided she doesn't find out that David is the rumored rival to her father's throne. Now that Michal is of age, the Queen determines her daughter must be married as soon as possible. Michal resigns herself to a pre-arranged marriage with a man she does not love. Then by fate or God's providence she meets the handsome, young lyre player standing outside her father's chambers. One lives in a palace; the other sleeps under the stars. Though they come from vastly different worlds, Michal and David are drawn together. When King Saul uncovers David's secret and vows to kill him, Michal is torn between her love for her father and feelings for David. Two kings, two men she deeply loves but for different reasons — one heart broken in two.

    It tells the tale of an American family who move into the British castle, Canterville Chase, much to the aggravation of its tired ghost.

    Successive chapters focus on debates around Forster's liberal-humanism, with essays from F. R. Leavis, Lionel Trilling and Malcolm Bradbury; on the indeterminacy and ambiguity of the text, with extracts from essays by Gillian Beer, Robert Barratt, Wendy Moffat and Jo-Ann Hoeppner Moran; and on the sexual politics of Forster's work, with writings from Elaine Showalter, Frances L. Restuccia and Eve Dawkins Poll. The Guide concludes with essays from Jeffrey Meyers and Jenny Sharpe, who read A Passage to India in terms of its engagement with British imperialism.

    Today's most popular general prayer book, the Catholic Book of Prayers offers prayers for every day, as well as many special prayers including prayers to the Blessed Trinity, Our Lady, and the Saints. Compiled and edited by Rev. Maurus FitzGerald, O.F.M., this giant type book has a brown vinyl cover with a ribbon for convenient place-keeping and can be carried easily in a purse or pocket. With a helpful summary of our Catholic Faith, this useful prayer book will prove invaluable for making regular prayer easy and meaningful.

    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    Jane EyreScreenplay by Moira BuffiniBased on the novel by Charlotte BrontëDrama, RomanceA mousy governess who softens the heart of her employer soon discovers that he's hiding a terrible secret.

    

    Stage adaptation of a Dickens novel by an accomplished director

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Offered for free by Apple and Touchstone, a trademark of Simon & Schuster Inc., contains selections from the two books mentioned in the title.