and Gina are totally ordinary kids. But Hilo isn't! Hilo just fell out of the sky and doesn't know where he came from, or what he's doing on Earth. (Or why going to school in only your underwear is a BAD idea!) . . . But UH-OH, what if Hilo wasn't the only thing to fall to our planet? Can the trio unlock the secrets of Hilo's past? Can Hilo SURVIVE a day at school? Find out in Hilo—a laugh-out-loud, epic story of friendship! Adventure! (And the occasionally mutant space robot).

    But her village is so safe and quiet! What’s a future giant slayer to do?With her best friend Marie (an aspiring princess), and her brother Gaston (a pastry-chef-to-be), Claudette embarks on a super-secret quest to find a giant—without parental permission. Can they find and defeat the giant before their parents find them and drag them back home? Giants Beware! offers up a wondrous, self-contained world in the tradition of the very best of Pixar. Claudette and her friends will have you laughing out loud from page one.  Giants Beware! Author Q&A What was your inspiration for the book?Rafael:  I’m not entirely sure.  I recently went through some old sketchbooks of mine and realized that I’d been drawing a character that looked kind of like our main character, Claudette, years before we even began the book.  I guess I’ve had this character of this girl with a lot of spunk in my subconscious for a while.  I’m also really into French comics and that influenced the look quite bit. Which character do you identify with and why?Rafael:  I’m not impulsive like Claudette.  I’m probably most like Gaston.  He thinks before taking the leap.  He worries a lot.  That’s probably more like me.Jorge:  I wish I could say I was like Marie.  Marie doesn’t care what other people think of her.  In this book, she aspires to be a princess and other kids make fun of her, but she doesn’t pay them any attention.  She’s very confident and smart.   I wish I were more like her.  I also wish I were like Claudette.  She’s brave, reckless, and impulsive.  But I’m not like her either.  Like Rafael, I’m probably most like Gaston.  I’m a little nervous and I love sweets.How did your partnership begin?Jorge:  We’ve known each other since we were both in film school at the Ohio State University in Columbus. I was in a writing class at OSU, and of all the bad scripts in class, mine was one of the least bad scripts, and so it was chosen to be produced with Rafael as the director.  We spent a good month or so filming a very bad film together.  That is how we became friends. Rafael:  Fast forward years later to Columbus, Ohio circa 2007.  We were at John Novak’s house (our colorist and a mutual friend).  I told Jorge about these characters I had bouncing around in my head and a story about a giant.  I went off and wrote and drew up the ideas I had so far.  I gave them to Jorge, and told him to run with it.  And he ran.  How did you draw the book?  How did you write the book?Rafael:  I drew the whole thing in Photoshop, on a Wacon Cintiq (a tablet-monitor). I like drawing digitally because it gives me a lot of flexibly down the line for edits and moving things around. John Novak and Matthew Schenk colored the book.  We used a DropBox to move files around between John Novak and Matthew Schenk (color), Jorge, and me.  Jorge and I would meet every once in awhile either in person in Columbus or via video chatting to go over pages and notes. Jorge:  I used Scrivener to collect all my notes, and Final Draft to write the script.  I lettered the book in Illustrator, which gave me the chance to do one last rewrite.  I’m always rewriting, and I always tried not to send any script pages to Rafael until they were fully baked or else he’d start drawing right away.What’s up with Claudette’s dad?Do you mean like why is he missing his legs and an arm?  Well, he fought a battle against a terrible dragon and lost.  You always hear about these great warriors who slay dragons.  Well, Augustine is a great warrior who had a very bad day.  And now his favorite sword is sitting in the belly of Azra the dragon.  But that’s a story for another day.

    The Boring Book is a humorous picture book that follows the story of one particularly bored child.As the story progresses, our protagonist discovers there's actually more to boredom than what meets the eye—more questions, more theories, and heaps of humor.This exploration of boredom from acclaimed author-illustrator Shinsuke Yoshitake playfully unpacks the ways in which a seemingly stagnant state is actually a portal into a dynamic, life-enriching experience.• Embraces the topic of boredom—an ever-so-popular kid complaint—and runs with it• Yoshitake's illustrations promote visual literacy and show young readers what the process of creative thinking looks likeThis smart, laugh-out-loud picture book just might change your child's perspective on the state of boredom forever.

    They sneak into his room, steal his toys, and occasionally, they try to eat him.The place is teeming with monsters!Lucky for Charles, Echo City has Margo Maloo, monster mediator. No matter who’s causing trouble, Margo knows exactly what to do—the neighborhood kids say monsters are afraid of her. It's a good thing, because Echo City's trolls, ogres, and ghosts all have one thing in common: they don't like Charles very much.

    His beloved tar has been broken. But no matter what tar he tries, none of them sound right. Brokenhearted, Nasser Ali Khan decides that life is no longer worth living. He takes to his bed, renouncing the world and all of its pleasures. This is the story of the eight days he spends preparing to surrender his soul.

    So to make the best of a bad situation, they bend the cardboard into a man-and to their astonishment, it comes magically to life. But the neighborhood bully, Marcus, warps the powerful cardboard into his own evil creations that threaten to destroy them all!

    Consisting almost entirely of images, The River presents each of the four seasons as its own chapter and story. A few sentences at the start of each chapter set the stage and provide clues for following each story. Beginning in autumn and ending in summer, The River is about our connection to place, as well as about the connections between geography, setting, and the stories we tell. The River is also about the flow of time, which flows like the river, and carries us.Alessandro Sanna and his work are renowned throughout Italy and this book, which will fascinate young and old alike, demonstrates why.

    She may be quite stunning in the rodent realm (you'll have to trust her on this one), but she is not so great at trailing around the palace looking ethereal or sighing a lot. She finds the royal life rather . . . dull. One day, though, Harriet's parents tell her of the curse that a rat placed on her at birth, dooming herto prick her finger on a hamster wheel when she's twelve and fall into a deep sleep.For Harriet, this ismostwonderful news: It means she's invincible until she's twelve! After all, no good curse goes to waste. And so begins a grand life of adventure with her trusty riding quail, Mumfrey...until her twelfth birthday arrives and the curse manifests in a most unexpected way. Perfect for fans of Babymouse and Chris Colfer's Land of Stories, this laugh-out-loud new comic hybrid series will turn everything you thought you knew about princesses on its head."

    So to end his bullying woes and get the girl--or at least the confidence to talk to the girl--he starts to explore bulking up by way of the miracle cures in the backs of his comics. But his obsession with beefing up is soon derailed by a new obsession: Star Wars, the hottest thing to hit the summer of 1977. As he explores his creative outlets as well as his cures to body image woes, Mark sets out to make his own stamp on the film that he loves.Mark Tatulli's graphic novel debut is a humorous and heartfelt take on body-image, finding a creative outlet, and spending a summer in the 70's.

    After watching her circle of friends seemingly fade away, Lora is determined to still have fun on her own, so when a tea party leads Lora to discovering Alexa, the ghost that haunts her house, they soon become best friends.

    Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor how to find it, but, like so many kids—more than anyone will be able to imagine—he tried.

    So suddenly moving to the country and getting new stepsisters shouldn't be too much of a surprise.Jen did not want to leave the city. She did not want to move to a farm with her mom and her mom's new boyfriend, Walter. She did not want to leave her friends and her dad.Most of all, Jen did not want to get new "sisters," Andy and Reese.If learning new chores on Peapod Farm wasn't hard enough, then having to deal with perfect-at-everything Andy might be the last straw for Jen. Besides cleaning the chicken coop, trying to keep up with the customers at the local farmers' market, and missing her old life, Jen has to deal with her own insecurities about this new family . . . and where she fits in.

    . .Out there in the deepest sea lies the Black Rock: a huge, dark and spiky mass that is said to destroy any boats that come near it! Can Erin uncover the truth behind this mysterious legend?

    Siena was six—and her dreams kept skipping and leaping, circling and spinning, from airy runs along a beach near her home in Puerto Rico, to dance classes at the School of American Ballet, to her debut performance on stage with the New York City Ballet while working with ballet legend George Balanchine. Part family history, part backstage drama, this beautifully updated graphic memoir—which features a refreshed design and a brand-new scrapbook of Siena’s mementoes—is an original, firsthand look a young dancer’s beginnings.

    It's a book about light and dark, doubt and faith, friendship and compassion.Riddle’s representations of the strangeness of the urban landscape evoke a sense of movement that has been captured – and stilled momentarily – as if by the lens of an old-fashioned camera. Whenever we spend time with it, the spare text and mesmerising images have a way of calming the room around us as if there issomething peaceful settling over us as we read. It is a triumph of wonderful quiet beauty.Unforgotten feels like a classic in the making with its thought-provoking edgy surrealism, plea for compassion and sense of the absurd, while leaving lots of room for individual, imaginative interpretation."Reading this book is like being quietly ushered into another dimension by winged strangers, a place beyond the tread of normal earth-bound language. Ephemeral as a feather, timeless as a rock, and as true as both, Unforgotten is a magical experience."– Shaun Tan, author of The Arrival and Tales from Outer Suburbia