Matt McRaid, whose ancestors left the island more than a century before, joins a team of ruthless treasure hunters in search of untold wealth. One of their number is killed within hours and others soon follow. At first their deaths are put down to freak accidents but after only a couple of days in this mysterious place it becomes apparent to Matt that the true cause is far more strange ... and much more dangerous both to them and the whole of humanity.

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    While the bricks with which Chinquee constructs her fictions - failed or failing relationships, childhood friendships, and the intricacies of family life - are not uncommon, the architecture she creates with them is rare indeed: stories now full of light, now somber, now opening the reader's eyes to an utterly new space.

     In the near future, humanity builds a colony on Europa, one of the moons of Jupiter. They tunnel into the ice to explore the dark oceans beneath the moon's surface, searching for signs of extraterrestrial life. What they find will change them forever, setting humanity on a path to the stars. But the old conflicts and hatreds of Earth are not so easily escaped. Will human colonists on distant planets and moons create a paradise or a horrifying dystopia?

    

    

    Carver Country presents the stark but human reality of one man's world, a man who was generous in his spirit and in his gifts, and who rose above his beginnings - but Raymond Carver never left his native ground or gave up his love for its terrain and its people. Raymond Carver's gritty texts, including his poems, short stories and unpublished letters, combined with Bob Adelman's photographs of Carver's people and haunts, re-create the world of this major writer, bringing to life the bleak, blue-collar towns, people, and places that became the inspiration for much of his work. Includes 113 duotone photos.

    His unique poetry is now recognized as among Poland's finest. Largely self-taught, he left Poland at the age of 21, moving widely around Europe - befriended by Chopin among others - before travelling to America. Persistently dogged by financial crises, he was forced to return to Paris in 1854. There he spent the rest of his life, dying in a hostel for Polish insurrection veterans in Ivry in 1883. Norwid's work is introduced by Bogdan Czaykowski, the eminent Polish poet, who is also a noted scholar and critic. Adam Czerniawski, born in Warsaw in 1934, has translated widely from Polish (including Tadeusz Rózewicz's selected poetry, They Came to See a Poet', also from Anvil) as well as publishing poetry, stories, criticism and a memoir in his first language. He has lived in Palestine, Lebanon, Germany, England and Scotland, working in a variety of academic and literary posts.

    In her debut collection, Sarah Jean Alexander asks (and answers) the hardest questions about love and loneliness and 21st century human survival. Wildlives excavates the depths of heartbreak, hope, and helplessness that can exist between two people in a small, human world.http://biglucks.bigcartel.com/product...

    Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.

    A handmade book on music to be gifted. A pair of mud-brown tea cups without handles. A shelf to hoard dying memories. A little home tucked away in a remote village. A haunting voice after boarding an empty bus... The images on the cover belong to people whose stories are packed in this book: A man who meets his lost friend in a new world. A seeker who resists everyone to reach an unwanted place. Lovers that separate, only to find some hope. A failed artist who finds another voice. A new entrant in a home who creates turmoil. A cheated girl who makes a desperate call. A shattered man who pegs on a sudden dreamy trip. With eleven stories of unrequited love, hope, acceptance, heart breaks or just needs, ‘Afsaane’ will tug at your heartstrings and open windows to people that experience unusual situations in far too usual lives.

    A Bulgarian immigrant, Dimitrov writes as both observer of and fervent participant in this "American Youth," as his speakers navigate both the physical and emotional landscapes of desire, intimacy, and longing--whether for a friend, a lover, or a self, "Saint or stranger, I still recklessly seek you."

    It is an epic journey not only affirming that “there is a difference between sadness and suffering;” but that Schomburg is one of the most unusual poets writing today, pushing his work beyond our familiarity. These poems have a thirst for blood, but they don't yet know exactly what to do with their hands. The Book of Joshua calls out in hunger and loneliness, “I didn’t feel like living in anything not shaped like me anymore.”

    But the first thing I see when I get home is eighteen-year-old Callie, and after that relaxing is out of the question. The little brat is living in my house while her mother is on vacation, and I can't stop thinking about her and what I'd like to do to her - if only she wasn't half my age and completely taboo. She won't leave me alone, though, and when she barges into my bedroom I can't take any more. Turns out it's Callie's first time, and I'm all out of protection. Do you think I'm going to stop?This story is *too taboo* for us to leave an excerpt, so use the "Look Inside" feature to get a preview.

    But even worse, she doesn't care. She blames God for taking her husband and has since lost her way in both her faith, and her community. But life must go on, and to support herself she makes and mends quilts for the Amish and Englishers alike. Living alone in an apartment above her shop, she works only to live and seemingly not much else as she feels the need to almost punish herself, and God, at the same time. But all that changes when Levi, himself a widow, comes into her shop to mend an old quilt as a surprise for his daughter's first child. He's immediately taken with Hannah. And as his job is repair and fixing broken things in his workshop, his trained eye spots a few problems around her home that could use some neighborly help. But his heart spots some problems, too. Yet Hannah doesn't want the help, or the attention. She resists, but Levi won't take no for an answer. He repeatedly shows up to work on things, trying to slowly chip away at her gruff exterior and win a smile, if not a friend. But Hannah is comfortable in her pain. She certainly has no time for friendships, let alone love. Yet God, and Levi, just might have other plans. Can two people find what they need in the other, when they both need it the most? A desire to mend against a desire to harbor old pains. Will love win out, in this sweet Amish Romance? Read this new book by Emma Maas to find out today...