Serving as a maid to Eliza Hamilton, and an assistant in the woman's stubborn desire to preserve her late husband's legacy, has driven that point home for Mercy—as have her own previous heartbreaks. When Andromeda Stiel shows up at Hamilton Grange for an interview in her grandfather's stead, Mercy's resolution to live a quiet, pain-free life is tested by the beautiful, flirtatious, and entirely overwhelming dressmaker. Andromeda has staid Mercy reconsidering her worldview, but neither is prepared for love—or for what happens when it's not enough. This is an angsty but fluffy F/F novella with a happy ending for both of our intrepid heroines.

    But even after having six different partners in seven years, Tori isn't prepared when she's forced to team up with the hot-tempered Samantha Kennedy.Samantha, on the other hand, is trying to juggle a new job, a demanding boyfriend, and now finds herself with an even greater challenge -- being partnered with the most difficult detective in the entire squad.After a brief terrorist scare disrupts their serial killer investigation, the two women find themselves growing closer. Samantha begins to question the relationship with her longtime boyfriend, and Tori, never one to allow anyone to get close, begins to feel her defenses slipping in Sam’s presence.A serial killer and drug deals gone bad; the two detectives struggle with their feelings, trying to maintain their professional relationship while keeping their nearly flammable physical relationship in check.With Hunter’s Way, Gerri Hill masterfully blends suspense and intrigue with her unique style of romance.

    That is, until she crashes a staff party and meets Mara, the older, gorgeous, and acid-tongued dance instructor with very little patience for people with Sugar's amount of privilege and supposed heterosexuality. But Mara's dance partner, Tristan, is getting top surgery and can't perform, and she needs a way to replace him without anyone noticing. Guess who's the only volunteer?Learning to look, dress, and, especially, dance like a boy means a lot of time with Mara, listening to her, arguing with her...touching her, and suddenly Sugar's feeling things she thought were just in those sappy songs they have to dance to. But falling for a girl, especially one who doesn't particularly seem to like her, was not in Sugar's summer plans. What's a girl to do?SUGAR SUMMER is a lesbian retelling of the '80s classic DIRTY DANCING, like you've never seen it before.

    The formidable Barbara, of unknown parentage and tied to the barony for secretive reasons, is a feared duelist, capable of defending her charges with efficient, deadly force.Equally perplexing is that while she is now a highly eligible heiress, Margerit did not also inherit the Saveze title, and the new baron eyes the fortunes he lost with open envy. Barbara, bitter that her servitude is to continue, may be the only force that stands between Margerit and the new Baron’s greed—and the ever deeper layers of intrigue that surround the ill-health of Alpennia’s prince and the divine power from rituals known only as The Mysteries of the Saints.At first Margerit protests the need for Barbara’s services, but soon she cannot imagine sending Barbara away—for reasons of state and reasons of the heart.Heather Rose Jone debuts with a sweeping story rich in intrigue and the clash of loyalties and love.

    Nobody had ever written so frankly about the kinky potential of woman-to-woman sex (and nobody has ever done it any better). If any book is responsible for the formation of the modern lesbian leather community, this one is it.Despite its graceful language, imaginative scenarios, and abundant humor, the lesbian press trashed Macho Sluts, and it became a focal point for the infamous legal battles between Canada Customs and Little Sister's, the gay and lesbian bookstore. But readers loved it, and to this day Macho Sluts remains a vital and moving classic that still has the power to educate, radicalize, and expand our notions of the body's potential to provide us with pleasure, pain, and love.This new edition, part of Arsenal Pulp Press' Little Sister's Classics series resurrecting classics of LGBT literature, includes a new afterword by the author, and an introduction by Wendy Chapkis, a professor of sociology and women and gender studies at the University of Southern Maine in Portland.Patrick Califia has written many books about radical sex, queer communities, and the repression of desire. Almost ten years ago, Califia transitioned from female to male; he now lives as a bisexual transman in San Francisco.

    Set into motion by a single act of abandonment-Catherine's lover of ten years has left her-she falls deeper and deeper into an irretrievable madness. With passionate abandon and detachment Catherine pursues her own destruction. Forcing the boundaries of identity and the limits of her eroticism, she enters a series of blinding sexual encounters with a poet, a fascist, a young Arlesian woman, a fireman, and three thieves. Eerily she splits herself in two so that she is both the one who watches and the one who is watched, creator and creation, author and character, as she observes herself from afar "And I would like to help her, " the one who watches says, "but I can't." Finally she meets Lucien, the solitary, cynical, beautiful man with long hair who looks as though he has "stepped out of an unmade film by the dead Truffaut, " and through this mysterious, doomed, bittersweet liaison Catherine makes one last attempt to halt her decline through the redemptive act of story-telling. She begins to invent the story of their lives, telling it to him half in English, half in French, joining their solitudes for a moment before losing forever her belief that the shapely, hopeful prospects of narrative make sense of expenence. "She notices how everything is given up or taken away" as she loses the power of the imagination or memory or the body to console, and finally of language to convey meaning. This mesmerizing drama of sex, betrayal, and dissolution with its shattering inevitable conclusion is played out against the dazzling backdrop of the beautiful, indifferent Cote d'Azur in summer. Written in a dwindling lexicon with a simple, warped musicality, The American Woman in the Chinese Hat is a dark, uncompromising, seductive work of art.

    "An absorbing...fascinating world is created...not only is it an exploration of racism, it is a powerful and moving testament..."--New York Times Book Review

    The intimacy of a cabin at Lake Tahoe provides the combustible setting that brings Diana Holland and Lane Christianson together in this passionate novel of first discovery.

    Finding the young royal delirious and on the verge of death, Keziah saves her life. But while Esdelot regains her health, betrayal comes from an unlikely source: her brother has taken the throne in her absence and declared himself king. As the two women travel to the capital city to stop a false ruler’s coronation, they form a friendship that seems poised to turn into something more. But Esdelot has promised herself in marriage to a woman she barely knows... and Keziah knows she’s fallen too deeply for a woman whose betrothed waits for her along with her throne. When an enemy from Keziah’s past resurfaces, a mere conflict of politics becomes something that threatens to upend the gods themselves. Will love win out?

    The New York Times Book Review said the author has "an exquisite sense of the borderline where people hide or are transformed according to luck or will---undramatically rich writing." Dorothy Allison said, "Eileen Myles is a genius!"

    Decca is in love with Rupert, but he in turn is in love with her brother, Istvan. When Istvan comes to town, louche puppet troupe in tow, the lines of their age-old desires intersect against a backdrop of approaching war. Hearts are broken when old betrayals and new alliances - not just their own - take shape, as the townsmen seek refuge from the onslaught of history by watching the girls of the Poppy cavort onstage with Istvan's naughty puppets . . .Under the Poppy is a vivid, sexy, historical novel that zips along like the best guilty pleasure. Nominated for the IMPAC Award. Winner of the Gaylactic Spectrum Award.

    Isabel Chase is reeling. She’s just been offered her dream job as a staff writer on one of the hottest shows on television and quickly trades in the comfort of New England for sun, sand, and everything Hollywood. While stoked for what could be her big break, the show’s stunning executive producer has her head spinning and her feelings swirling. Taylor Andrews is at the top of her career. Everything she touches turns to gold and the studios know it. Just when she’s on track for total television domination, Isabel Chase arrives in her office and slowly turns her world upside down. Isabel is intelligent, sarcastic, and dammit, downright beautiful. Unfortunately, she’s the one person that can take away all Taylor has worked for. Will Isabel’s success lead to Taylor’s downfall? Or perhaps Isabel is all she needs…

    late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse.Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice, whose telltale charm, authority, immediacy, directness, intensity, and sudden changes of tone are among the hallmarks of his masterly translation.Pamela Gordon introduces us to the world of Sappho, discusses questions surrounding the transmission of her manuscripts, offers advice on reading these texts, and concludes with an enlightening discussion of same-sex desire in Sappho.

    Sixteen-year-old Heavenly Faith (H.F.) discovers she has a crush on a local college professor's daughter, and embarks on a search for her missing mother.

    (from Wikipedia)