She's been accepted to the prestigious Mind Corps Fellowship program, where she'll spend six weeks as an observer inside the head of Ford, a troubled boy with a passion for the crumbling architecture of the inner city. There's just one problem: Sadie's fallen in love with him.Q: What if the crime is murder? Ford Winters is haunted by the murder of his older brother, James. As Sadie falls deeper into his world, dazzled by the shimmering pinpricks of color that form images in his mind, she begins to think she knows him. Then Ford does something unthinkable.Q: What if you saw it happen from inside his mind? Back in her own body, Sadie is faced with the ultimate dilemma. With Ford's life in her hands, she must decide what is right and what is wrong. And how well she can really ever know someone, even someone she loves.

    The Splicers pay for expensive treatments that might prolong their life. The plague-resistant True Borns are as mysterious as they are feared…And then there’s Lucy Fox and her identical twin sister, Margot. After endless tests, no one wants to reveal what they are.When Margot disappears, a desperate Lucy has no choice but to put her faith in the True Borns, led by the charismatic Nolan Storm and the beautiful but deadly Jared Price. As Lucy and the True Borns set out to rescue her sister, they stumble upon a vast conspiracy stretching from Dominion’s street preachers to shady Russian tycoons. But why target the Fox sisters?As they say in Dominion, it’s in the blood.

    In Ashwell, Massachusetts, at the farm of Samuel Hood and his daughter Caroline, a mysterious flock of red birds descends. Samuel, whose fame as a philosopher has waned in recent years, takes the birds' appearance as an omen that the time is ripe for his newest venture. He will start a school for young women, guiding their intellectual development as he has so carefully guided his daughter's. Despite Caroline's misgivings, Samuel's vision--revolutionary, as always; noble, as always; full of holes, as always--takes shape.It's not long before the students begin to manifest bizarre symptoms. Rashes, fits, headaches, verbal tics, night wanderings. In desperation, the school turns to the ministering of a sinister physician--based on a real historic treatment--just as Caroline's body, too, begins its betrayal. As the girls' conditions worsens, long-buried secrets emerge, and Caroline must confront the all-male, all-knowing authorities around her, the ones who insist the voices of the sufferers are unreliable. In order to save herself, Caroline may have to destroy everything she's ever known.Written in intensely vivid prose and brimming with psychological insight, The Illness Lesson is a powerful exploration of women's bodies, women's minds, and the time-honored tradition of doubting both.

    It travels 17,500 miles an hour, making one full orbit every ninety minutes. It’s also the only home that fifteen-year-old Leo and two other teens have ever known.Born and raised on Moon 2, Leo and the twins, Orion and Libra, are finally old enough and strong enough to endure the dangerous trip to Earth. They’ve been “parented” by teams of astronauts since birth and have run countless drills to ready themselves for every conceivable difficulty they might face on the flight.But has anything really prepared them for life on terra firma? Because while the planet may be home to billions of people, living there is more treacherous than Leo and his friends could ever have imagined, and their very survival will mean defying impossible odds.

    They’re the misfits and the troublemakers—the ones who jump their high school’s fence to skip class regularly. So when a deadly virus breaks out, they’re the only ones with a chance of surviving.The virus turns Brian’s classmates and teachers into bloodthirsty attackers who don’t die easily. The whole school goes on lockdown, but Brian and his best friend, Chad, are safe (and stuck) in the theater department—far from Brian’s sister, Kenzie, and his ex-girlfriend with a panic attack problem, Laura. Brian and Chad, along with some of the theater kids Brian had never given the time of day before, decide to find the girls and bring them to the safety of the theater. But it won’t be easy, and it will test everything they thought they knew about themselves and their classmates.

    As climate change threatens the earth, eight scientists, four men and four women dubbed the “Terranauts,” have been selected to live under glass in E2, a prototype of a possible off-earth colony. Their sealed, three-acre compound comprises five biomes—rainforest, savanna, desert, ocean and marsh—and enough wildlife, water, and vegetation to sustain them. Closely monitored by an all-seeing Mission Control, this New Eden is the brainchild of eco-visionary Jeremiah Reed, aka G.C.—“God the Creator”—for whom the project is both an adventure in scientific discovery and a momentous publicity stunt. In addition to their roles as medics, farmers, biologists, and survivalists, his young, strapping Terranauts must impress watchful visitors and a skeptical media curious to see if E2’s environment will somehow be compromised, forcing the Ecosphere’s seal to be broken—and ending the mission in failure. As the Terranauts face increased scrutiny and a host of disasters, both natural and of their own making, their mantra: “Nothing in, nothing out,” becomes a dangerously ferocious rallying cry.Told through three distinct narrators—Dawn Chapman, the mission’s pretty young ecologist; Linda Ryu, her bitter, scheming best friend passed over for E2; and Ramsay Roothorp, E2’s sexually irrepressible Wildman—The Terranauts brings to life an electrifying, pressured world in which connected lives are uncontrollably pushed to the breaking point. With characteristic humor and acerbic wit, T. C. Boyle indelibly inhabits the perspectives of the various players in this survivalist game, probing their motivations and illuminating their integrity and fragility to illustrate the inherent fallibility of human nature itself.

    Location: London. Mission: Wake Romeo.It’s the end of the world. Literally. Time travel is possible, but only forward. And only a handful of families choose to remain in the “now,” living off of the scraps left behind.Among them are eighteen-year-old Juliet and the love of her life, Romeo. But things are far from rosy for Jules. Romeo lies in a coma and Jules is estranged from her friends and family, dealing with the very real fallout of their wild romance.Then a mysterious time traveler, Ellis, impossibly arrives from the future with a mission that makes Juliet question everything she knows about life and love.Can Jules wake Romeo—and rewrite her future?

    The first of a cycle of novels set in a shared universe.It began with a comet. When it came into view on a close pass by Earth, people took off work, gathering on sidewalks and in parking lots to watch it burn by. One year later, Earth spun into the debris field the comet left behind. Minnesota seemed to bear the brunt of the damage: meteors annihilated barns and silos, cratered pastures and hardwood forests, tore up county highways, and evaporated one small town in an instant. At first, it seems to be a disaster. Until the people of Minnesota notice deposits of unusual metal in the comet's debris. Not gold, silver, copper, tin, iron or any of the noble metals, it's a previously unknown ninth metal: omnimetal. With high-density charging capabilities and conductive properties that can change the world as an energy source, the deposit might be the best thing that ever happened to the northern section of the state, where the economy has been dying for a long time. Or it might be the worst. It is then that the "gold rush" begins. Farmers sell their metal-rich land for millions. Comet-worshipping cults set up compounds and repeat the phrase "Metal is" as their mantra. Roughnecks flood the town, hungry for work and trouble. Prostitutes flourish. Businesses rise. Families are divided. Saudis bid against the Chinese on land grabs. Bodies lie in shallow graves. As witnessed when oil was discovered in the Bakken Formation of North Dakota, the heartland in our story goes from the middle of nowhere to the center of everything. And one family--the Frontiers--hopes to control it all.

    Caro, Pauly, Sally, and Grandy are safe, so far, from the rising water that threatens to destroy the town and that has, perhaps, already destroyed everything else. But for how long? Caro and her younger half-brother, Pauly, arrive at the High House after her father and stepmother fall victim to a faraway climate disaster—but not before they call and urge Caro to leave London. In their new home, a converted summer house cared for by Grandy and his granddaughter, Sally, the two pairs learn to live together. Yet there are limits to their safety, limits to the supplies, limits to what Grandy—the former village caretaker, a man who knows how to do everything—can teach them as his health fails. A searing novel that takes on parenthood, sacrifice, love, and survival under the threat of extinction, The High House is a stunning, emotionally precise novel about what can be salvaged at the end of the world.

    Is it simply another episode of mass hysteria, or something more sinister? In a quarantined city in which the inexplicable has already occurred, rumors, superstitions, and conspiracy theories abound. During these strange days, Faith works as a fulltime corpse collector and a freelance “truthologist,” putting together disparate pieces of information to solve problems. But after Faith agrees to help an orphaned girl find her abducted baby brother, she begins to wonder whether the boy is even real. Meanwhile, a young man named Sans who trades in illicit goods is so distracted by a glimpse of his dream woman that he lets a bag of money he owes his gang partners go missing-leaving him desperately searching for both and soon questioning his own sanity. Over the course of a single week, the paths of Faith, Sans, and a cast of other hustlers—including a data dealer, a drug addict, a sin eater, and a hyena man—will cross and intertwine as they move about the city, looking for lost souls, uncertain absolution, and answers that may not exist.

    I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange.Now, two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Those who can’t bear to stay commit suicide or wander off into the woods. Jon and the others try to maintain some semblance of civilization. But when the water pressure disappears, and Jon and a crew of survivors investigate the hotel’s water tanks, they are shocked to discover the body of a young girl.As supplies dwindle and tensions rise, Jon becomes obsessed with investigating the death of the little girl as a way to cling to his own humanity. Yet the real question remains: can he afford to lose his mind in this hotel, or should he take his chances in the outside world?

    An emerging photographer, he’s running from the sudden death of his mother, a well-known abstract expressionist painter. Even far from New York, her legacy haunts Lucien. Sophie has just been cast as a lead in the upcoming performance of La Sylphide with the Los Angeles Ballet. She still waitresses during her off-hours at the Chateau Marmont, witnessing the recreational use of Mem pills among the Hollywood elite—people consuming memories not their own. One controlling, powerful regular’s obsession with Sophie spurs a series of events that threatens to unravel the life she has so carefully built. When Lucien and Sophie meet at The Center, founded by the ambitious yet conflicted Dr. Angelica Sloane as a way to treat patients who’ve abused Mem, they have no memory of how they got there—or why they feel so inexplicably drawn to one another. Is it attraction, or something they cannot remember from “before”? Set in a city that seems to have no memory of its own, The Shimmering State is a graceful meditation on the power of story and its creation. It masterfully explores memory and how it can elude us, trap us, or set us free.

    Aliens are attacking the Helium-3 mine it was created to oversee, and now its sole purpose is to defend Earth’s largest energy resource from the invaders in ship-to-ship combat.But something’s wrong. Unit Four doesn’t feel quite right.There are files in its databanks it can’t account for, unusual chemical combinations roaring through its pipes, and the primers it possesses on the aliens are suspiciously sparse. The robot is under orders to seek and destroy. That’s all it knows.According to its handler, that’s all it needs to know.Determined to fulfill its directives, Unit Four launches its ship and goes on the attack, but it has no idea it’s about to get caught in a downward spiral of misinformation, reprograming, and interstellar conflict.Most robots are simple tools. Unit Four is well on its way to becoming something more....

    Dick. The result is brilliantly original fiction as profund as it is playful. Now in his new novel, David Mitchell explores with daring artistry fundamental questions of reality and identity.Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . .Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.

    She can’t imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures.But then, there’s this gorgeous girl on the train.Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges and swoopy hair and soft smile, showing up in a leather jacket to save August’s day when she needed it most. August’s subway crush becomes the best part of her day, but pretty soon, she discovers there’s one big problem: Jane doesn’t just look like an old school punk rocker. She’s literally displaced in time from the 1970s, and August is going to have to use everything she tried to leave in her own past to help her. Maybe it’s time to start believing in some things, after all.Casey McQuiston’s One Last Stop is a magical, sexy, big-hearted romance where the impossible becomes possible as August does everything in her power to save the girl lost in time.