They’ve been known to burrow themselves into a reader’s imagination and are capable of warping dreams into twisted, unspeakable nightmares.Just a little…Unique – These aren’t your standard horror stories. Don’t think this collection will include tales of haunted mansions, or blood sucking vampires. Expect one-of-a-kind takes on every gothic ghoul and hideous monster you read about in this book.Just a little…Frightening – Prepare yourself for some of the most chilling flash fiction ever penned. The mad genius, Vincent V. Cava, has done it again with the latest entry in his creepy catalogue. Do yourself a favor and leave the lights on when you read it.Just A Little…Terrible

    Inspired by her own reflections on more than fifty years of life as a young girl, a woman, a wife, and a mother, She Walks in Beauty draws on poetry's eloquent wisdom to ponder the many joys and challenges of being a woman. Kennedy has divided the collection into sections that signify to her the most notable milestones, passages, and universal experiences in a woman's life, and she begins each of these sections with an introduction in which she explores and celebrates the most important elements of life's journey.The collection includes works by Elizabeth Bishop, Sharon Olds, Edna St. Vincent Millay, Mary Oliver, Pablo Neruda, W. H. Auden, Adrienne Rich, Sandra Cisneros, Anne Sexton, W. S. Merwin, Dorothy Parker, Queen Elizabeth I, Lucille Clifton, Naomi Shahib Nye, and W.B. Yeats. Whether it's falling in love, breaking up, friendship, marriage, motherhood, or growing old, She Walks in Beauty is a priceless resource for anyone, male or female, who wants a deeper understanding and appreciation of what it means to be a woman.She walks in beautyGeorge Gordon, Lord ByronI She walks in beauty, like the nightOf cloudless climes and starry skies; And all that's best of dark and brightMeet in her aspect and her eyes:Thus mellow'd to that tender lightWhich heaven to gaudy day denies.II One shade the more, one ray the less,Had half impair'd the nameless graceWhich waves in every raven tress,Or softly lightens o'er her face;Where thoughts serenely sweet expressHow pure, how dear their dwelling-place.III And on that cheek, and o'er that brow,So soft, so calm, yet eloquent,The smiles that win, the tints that glow,But tell of days in goodness spent,A mind at peace with all below,A heart whose love is innocent!

    Find your place alongside ace necromancers, glamorous jazz musicians, fey outsiders, friendly monsters, and a superhero still finding his way out of the phone booth.Spotlighting the work of diverse voices, this collection includes Kieron Gillen (The Wicked + The Divine), Kelly & Nichole Matthews (Lumberjanes/Gotham Academy), Vivian Ng​​ (Legend of Korra: Turf Wars), and many others.Our stories have heroes who are gay, lesbian, bisexual, transgender, non-binary, gender non-conforming, two-spirit, and asexual, from creators who share those identities.

    Indeed, this enduring obsession provided fodder for some of Singh’s best-known work, both as a journalist and as a peerless raconteur.On Women, a wide-ranging selection of Singh’s writings on the subject, includes Singh’s recounting of an embarrassingly drunken meeting with Begum Para, an actress of yesteryears; a sharp profile of Shraddha Mata, a tantric sadhvi who was alleged to have borne Jawaharlal Nehru’s illegitimate child; and a touching sketch of Singh’s grandmother in the twilight of her life. Also featured in this volume are unforgettable women characters from Khushwant Singh’s most popular works of fiction: Georgine, a clueless American teenager who is seduced by a middle-aged tour guide in Delhi; and Nooran, a young girl in pre-Partition Punjab, who discovers the sweet pleasure of first love only to be overtaken by cataclysmic events which leave her adrift.Insightful, poignant, and occasionally wicked, the essays and extracts in On Women are testament to why Khushwant Singh remains one of the most popular writers of our times.

    "Deep in a dark, snow-covered cemetery, a terrifying, moaning apparition rises from the same grave night after night. Even the most hardened caretakers won t go near the Spooner gravestone on their midnight rounds. Only one ghost hunter has the will to face the unknown, but at what price? In the chilling blackness, only Jessica Backman is prepared to answer the spectral cry from beyond when the graveyard speaks.

    Campbell Award for Best New Writer, Locus Awards for Best Novella and Best Critic, and numerous other awards. Twenty-four of his 30 books are still in print, in 10 languages. His short work has appeared in magazines around the planet, from Omni and Analog to Xhurnal Izobretatel i Rationalizator (Moscow), and in numerous anthologies. His most recent books are the novels Callahan's Key, and The Free Lunch.Contents:God Is an Iron (1979)In the Olden Days (1984)Local Champ (1979)Melancholy Elephants (1982)Not Fade Away (1982)Orphans of Eden (1996)Rubber Soul (1982)Soul Search (1979)Stardance (1977) with Jeanne RobinsonThe Magnificent Conspiracy (1977)

    According to Grandmother, girls didn't need an education, they didn't need love and affection or time to play or even a good piece of meat with their gravy! Naturally Dielieno hates her with a vengeance. This is the evocative tale of a young girl growing up in a traditional society in India's Northeast, which is in the midst of tremendous change. Easterine Iralu writes about a place and a people that she knows well and is a part of and brings to the storytelling a lyrical beauty which can on occasion chill the reader with its realistic portrayals of the spirits of the dead that inhabit the quiet hills and valleys of Nagaland.

    Through the story of a lonely boy, The Far Euphrates questions how we can find meaning in a post-Holocaust world; how we define the notions of home and family; where the boundaries lie between sanity, madness, and transcendence; and what our responsibilities are to ourselves and to one another. Infused with a rich mystical and scientific understanding, it poignantly addresses the insatiable human longing to know and reclaim our origins, the mythic far Euphrates of Eden, to which we can never return.

    He has five close friends, all in well-paid jobs. Having bought their lovely houses cheaply in the early 1990s, they are free to spend money on their own pleasures - particularly clothes, meals and cars. Most of all, their life revolves around going to see things - art exhibitions, comedians, live music, plays...When we first meet the six friends they are on their way to see a new kind of circus. Once there Kelvin does something unforgivable to a clown, has a strange snack and meets the most beautiful girl he has ever seen. It's the beginning of the end of the good life.

    . . to promote me. He promotes me again and again. I am wild with ecstasy.   Imagine a world where erotica was written by feminists: Their daydreams include equal pay, a gender-balanced Congress, and Tom Hardy arriving at their doorstep to deliver a fresh case of LaCroix every week.   Both light-hearted and empowering, New Erotica for Feminists is a sly, satirical take on all the things that turn feminists on. From a retelling of Adam and Eve to tales of respectful Tinder dates, New Erotica for Feminists answers the question of “What do women really want?” with stories of power, equality, and an immortal Ruth Bader Ginsburg.

    "Story is our medium. It's how we connect emotionally with our viewers. And it's how we make sense of our world...When we talk about a 'big story,' we're really talking about what resonates with people, what matters to them...And I think when it comes to our national narrative, what we need to realize is that we're all contributing to the story, that we can affect where this country is going." From top CNN anchor and special correspondent Soledad O'Brien comes a highly personal look at her biggest reporting moments from Hurricane Katrina, the tsunami in Southeast Asia, the devastating Haiti earthquake to the historic elections and high profile interviews with everyday Americans. Drawing on her own unique background and consciousness as well as her experiences as a journalist at the front lines of the most provocative issues in today's society-and particularly from her work as host of the acclaimed series Black in America and Latino in America-O'Brien offers her candid, clear-eyed take on where we are as a country and where we're going. What emerges is both an inspiring message of hope and a glimpse into the heart and soul of one of America's most straight-talking reporters. Watch a Video

    Take Me With You, illustrated throughout with evocative line drawings by Sarah J. Coleman, is small enough to fit in your bag, with messages that are big enough to wake even the sleepiest heart. Divided into three sections (love, the world, and becoming) of one liners, couplets, greatest hits phrases, and longer form poems, it has something for everyone, and will be placed in stockings, lockers, and the hands of anyone who could use its wisdom.

    A den of vice and illicit deeds where the law is failing and justice is fleeting. Glutted merchant-kings turn the wheels of industry, feeding the engine of war on distant worlds while the lowly dream only of survival. As the gilded prosper, hidden behind their fortress walls, the masses must find a place within the underbelly. But regardless of station, whether criminal or law-keeper, one fact remains true – this city is dirty, and no one escapes it without a little sin.For in Varangantua, there are no good men.CONTENTSAberrant by Chris WraightExit Wound by Darius HinksThe View from Olympus by Gareth HanrahanImpurities by Graham McNeillNo Use for Good Men by Guy HaleyCold Cases by Marc CollinsAgainst the Grain by Nick Kyme

    Heinlein• Defending the Third Industrial Revolution • by G. Harry Stine• Interior artwork by David Egge• Old Woman by the Road • (1978) • by Gregory Benford• Encased in the Amber of Eternity • poem by Robert Frazier• Moon Rocks • (1973) • by Tom Purdom• Lasers, Grasers, and Marxists • (1976) • by Jerry Pournelle• Fixed Price War • (1978) • by Charles Sheffield• Marius • (1957) • by Poul Anderson• Weapons in Future Warfare • essay by Roger A. Beaumont and R. Snowden Ficks• Scenario for the Fall of Night • by Roger A. Beaumont• The Spell of War • [Lord Darcy] • (1978) • by Randall Garrett• Military Vehicles: Into the Third Millennium • essay by Dean Ing• Interior artwork by Stephen Fabian• The Man in the Gray Weapons Suit • by Paul J. Nahin• Just an Old-Fashioned War Story • (1977) • by Michael G. Coney• The Private War of Private Jacob • (1974) • by Joe Haldeman• One Foot in the Grave: Medicine in Future Warfare • essay by Alan E. Nourse• Shark • (1973) • by Edward Bryant• Training • by David Langford• Final Muster • (1961) • by Rick Rubin

    This daring new fiction, often innovative in form and courageous in its candid representations of female sexuality, marital discontent, and feminist protest, shocked Victorian critics, who denounced the authors as "literary degenerates" or "erotomaniacs." This collection brings together twenty of the most original and important stories from this period. The writers included in this highly readable volume are Kate Chopin, Victoria Cross, George Egerton, Julia Constance Fletcher, Charlotte Perkins Gilman, Sarah Grand, Vernon Lee, Ada Leverson, Charlotte Mew, Olive Schreiner, Edith Wharton, Constance Fenimore Woolson, and Mabel E. Wotton. As Elaine Showalter shows in her introduction, the short fiction of the Fin-de-Siecle is the missing link between the Golden Age of Victorian women writers and the new era of feminist modernism. Elaine Showalter is a professor of English at Princeton University. She is the author of A Literature of Their Own, The Female Malady, and other books, and editor of Alternative Alcott, a volume in the American Women Writers Series