Living way high up in the Appalachian Mountains, he'd rather help Pap plow or go out after wandering sheep than try some book learning. Nope. Cal does not want to sit stoney-still reading some chicken scratch. But that Book Woman keeps coming just the same. She comes in the rain. She comes in the snow. She comes right up the side of the mountain, and Cal knows that's not easy riding. And all just to lend his sister some books. Why, that woman must be plain foolish; or is she braver than he ever thought? That Book Woman is a rare and moving tale that honors a special part of American history; the Pack Horse Librarians, who helped untold numbers of children see the stories amid the chicken scratch, and thus made them into lifetime readers.

    series -- about a child spending time with his grandpa. Written in a how-to style, the narrator gives important tips for "babysitting" a grandpa, including what to eat for snack (anything dipped in ketchup, ice cream topped with cookies, cookies topped with ice cream), what to do on a walk (find lizards and dandelion puffs, be on the lookout for puddles and sprinklers), and how to play with a grandpa (build a pirate cave, put on a scary play). Filled with humor, energy, and warmth, this is a great gift for or from a grandparent, and perfect for lap reading when Grandpa comes to visit!

    You see, his teacher is a monster.But when Bobby runs into his teacher outside of school, he learns there is more to her than meets the eye.

    Janeczko pairs with Caldecott Honoree Melissa Sweet for a collection of short poems to sample and savor. It only takes a few words, if they’re the right words, to create a strong image. Whether listened to in the comfort of a cozy lap or read independently, the thirty-six very short poems in this collection remind readers young and old that a few perfect words and pictures can make the world glow. Selected by acclaimed poet Paul B. Janeczko and gorgeously illustrated by Melissa Sweet, Firefly July: A Year of Very Short Poems invites children to sample poems throughout the four seasons.

    She is going to make the most MAGNIFICENT thing! She knows just how it will look. She knows just how it will work. All she has to do is make it, and she makes things all the time. Easy-peasy!? But making her magnificent thing is anything but easy, and the girl tries and fails, repeatedly. Eventually, the girl gets really, really mad. She is so mad, in fact, that she quits. But after her dog convinces her to take a walk, she comes back to her project with renewed enthusiasm and manages to get it just right.

    Adrian Simcox lives in a tiny house. Where would he keep a horse? He has holes in his shoes. How would he pay for a horse?The more Adrian talks about his horse, the angrier Chloe gets. But when she calls him out at school and even complains about him to her mom, Chloe doesn't get the vindication she craves. She gets something far more important.

    A crab carrying his house. And Miranda and her friends, building a castle out of sand.But at the end of a day at the beach, the seagulls go back to their nests, the crab goes back to the sea, the castle goes back to the sand . . . and Miranda goes back to Mama, who wraps her up in a hug when it's time to go home. Because Miranda and Mama will always belong to each other.Perfect.

    Yet somewhere between the Everglades and Big Bend National Park, things begin to change.Jane starts paying attention to the magnificent sights and spends less time looking at her screen. The stunning views open up her imagination as she and her brother see everything that nature has to offer.And the more Jane discovers, the more she realizes how much there is to love about the outdoors—whether she’s in a national park across the country or right in her own backyard.

    . . And so a story of friendship begins, following two cats through their days, months, and years until one day, the older cat has to go. And he doesn’t come back.This is a poignant story, told in measured text and bold black-and-white illustrations about life and the act of moving on.

    Daddy hums as he packs our car with suitcases and a cooler full of snacks. He says there’s nothing like going down home.” Down home is Granny’s house. Down home is where Lil Alan and his parents and sister will join great-grandparents, grandparents, aunts, uncles, and cousins. Down home is where Lil Alan will hear stories of the ancestors and visit the land that has meant so much to all of them. And down home is where all of the children will find their special way to pay tribute to family history. All the kids have to decide on what tribute to share, but what will Lil Alan do?In this rich and moving celebration of history, culture, and ritual, Kelly Starling Lyons’ eloquent text explores the power of family traditions. Stunning illustrations by Coretta Scott King Honor-winner Daniel Minter reveal the motion and connections in a large, multi-generational family.

    

    In dialogue between a not-at-all sleepy child and understanding parents, the little girl decides “in a cocoon of sheets, a nest of blankets,” she is ready to sleep, warm and strong, just like a tiger.

    Four little girls--Nicole, Amy, Charlotte, and Grace--are eleven years old and the very best of friends. They have sleepovers, picnics and ice-skating parties that exclude Binah, a beautiful girl whose seemingly perfect life makes them "green with envy." However, when a feisty, pumpernickel-loving fairy godmother takes them on a magical journey, they learn to their great surprise that Binah's life is not nearly as enviable as it had seemed. The English Roses is an inspiring story about the importance of compassion and the rewards of friendship.

    Ride up and around, along and through, out and down. Frank's striking graphic style is executed in just five joyous colors, and his spare, rhythmic language is infectious. Hit a bump? Get back on track! Reach the end? Start again!

    A fictional editor's note tells of an encounter with an author and illustrator named Harris Burdick, who provided the images and captions as samples, each from a different picture book he had written. He left with a promise to deliver the complete manuscripts if the editor chose to buy the books. Burdick was never seen again, and the samples are all that remain of his supposed books. Readers are challenged to imagine their own stories based on the images in the book.