With loving men of power comes drama and jealousy. Can Briana and Persia handle everything that comes their way or will they crack under pressure? They say that love is forever but is forever enough?

    They discussed this over bottles of red wine the night they met and promised, if ever they became a couple, they would remain childless and forever the other’s priority. One year after being married, Erica tells Stan she’s pregnant: news she’s very happy about. Stan considers talking Erica out of it, but that would mean aborting her child, something he knows Erica would never do. Two months into the pregnancy, Stan notices changes: times he and Erica enjoyed as a fun-loving childless couple are no longer; Erica’s attention is occupied with all things related to the forthcoming baby, and Stan has gone without sex for months. The child arrives and things get even worse; Stan feels like an outsider: a stranger living among his wife and her son. Erica gives all her time, attention and love to the infant, leaving none for her husband. Stan becomes envious; he looks at the newborn as a threat, tells himself something must be done—but what? He fights his jealous thoughts, knowing horrible things would happen if he were ever to act on them. But one night while drunk, Stan attempts to make love to his wife but is once again rejected. His pride hurt and feeling disowned, Stan stumbles into the baby’s room with intentions of eliminating his problem once and for all, knowing there can only be one man in Erica’s life. That is the promise his wife had made him on the night they met, and it is the promise he intends to make her keep.

    In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be--to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose "what if" questions that are intended to open debate and discussion about the kind of future people want (and do not want).Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more--about everything--reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.

    . . . Unlike Dewey, he has provided detailed incisive argumentation, and has shown just where the dogmas and dualisms break down.” —Richard Rorty, The Yale Review

    Written for anyone who has school-age children in their life, from educators and education decision-makers to parents and community activists, this book is intended to ignite a blaze of discussion and initiative about environment as an essential element of learning. Including a wealth of interviews, facts, statistics, and stories from experts in a wide range of fields, this book is a how-to guide to be used to connect with the many organizations, individuals, and ideas dedicated to innovating and improving teaching and learning. Contributors include children’s singer and advocate Raffi, author and creativity consultant Sir Ken Robinson, scientist and environmentalist David Suzuki, inventor James Dyson, and other experts who are working to create fresh solutions to problems and create a new blueprint for the future of education.

    But often the efforts of individual units are not coordinated, resulting in conflicts, lost opportunities, and diminished performance.Robert S. Kaplan and David P. Norton argue that the responsibility for this critical alignment lies with corporate headquarters. In this book, the authors apply their revolutionary Balanced Scorecard management system to corporate-level strategy, revealing how highly successful enterprises achieve powerful synergies by explicitly defining corporate headquarters’ role in setting, coordinating, and overseeing organizational strategy.Based on extensive field research in organizations worldwide, Alignment shows how companies can build an enterprise-level Strategy Map and Balanced Scorecard that clearly articulate the “enterprise value proposition”: how the enterprise creates value above that achieved by individual business units operating alone. The book provides case studies, actionable frameworks, and sample scorecards that show how to align business and support units, boards of directors, and external partners with the corporate strategy and create a governance process that will ensure that alignment is sustained.The next breakthrough in strategy execution from the field’s premier thinkers, Alignment shows how today’s companies can unlock unrealized value from enterprise synergies.

    They started a forbidden love that was frowned upon and as a result of that a life was created. Flash forward two years and things have changed. Drew is now a mother to Aamil's child while Aamil is adjusting to being home from prison and learning he has a daughter. Aamil wants to move on with Drew and his child. He is now running his family's lucrative drug business while also trying to pursue a life with Drew. Drew has secrets that can keep her from her happily ever after with Aamil. Her biggest one being Kadar. Kadar is anxious to build a relationship with his brothers while also being with Drew. Only Drew leaves him the minute Aamil is released and Kadar is forced to pick up the pieces all while still actively seeing Olivia. The result of loving the people that has their hearts have them fighting hard to hold onto the love that they don't want to let go. Drew wants nothing more than to be with Aamil but can he forgive her for doing the unthinkable while Kadar struggles to be with Olivia. His mind is telling him to be with her but his heart is conflicted. Will Drew get Aamil and the perfect family that she feels she deserves or will he choose to be with someone that he feels has always been down for him? Will Kadar get it together in time to be with Olivia or will his indecisiveness push her away? In part one you will be taken in an emotional journey as you read just how hard it can sometimes be loving a person.