His life, too, is the stuff of legend, from his survival of the siege of Leningrad in early childhood to his expulsion from the Soviet Union and his achievements as a Nobel Prize winner and America’s poet laureate.In this penetrating biography, Brodsky’s life and work are illuminated by his great friend, the late poet and literary scholar Lev Loseff. Drawing on a wide range of source materials, some previously unpublished, and extensive interviews with writers and critics, Loseff carefully reconstructs Brodsky’s personal history while offering deft and sensitive commentary on the philosophical, religious, and mythological sources that influenced the poet’s work. Published to great acclaim in Russia and now available in English for the first time, this is literary biography of the first order, and sets the groundwork for any books on Brodsky that might follow.

    The couples are John Ruskin and Effie Gray; Thomas Carlyle and Jane Welsh; John Stuart Mill and Harriet Taylor; George Eliot and G. H. Lewes; Charles Dickens and Catherine Hogarth.

    Includes 16 pages of photos."A refreshingly candid read...a Doors bio worth opening." --Entertainment WeeklyNo other band has ever sounded quite like the Doors, and no other frontman has ever transfixed an audience quite the way Jim Morrison did. Ray Manzarek, the band's co-founder and keyboard player, was there from the very start--and until the sad dissolution--of the Doors. In this heartfelt and colorfully detailed memoir, complete with 16 pages of photographs, he brings us an insider's view of the brief, brilliant history...from the beginning to the end."An engaging read." --Washington Post Book World

    After all, both authors engaged in a profoundly ambivalent excoriation of their native Ireland. And while O'Brien's sexual politics can make Joyce seem like a fusty Edwardian by comparison, both novelists got a certain amount of flack for their erotic frankness. So this latest match from the Penguin Lives series seems like a good one--and largely lives up to its promise. O'Brien makes no pretense of competing with Richard Ellmann's immense, magisterial portrait. Instead she has concocted in James Joyce something that resembles one of her own novels: a spirited, lyrical, and acerbic narrative that just happens to feature the author of Ulysses in the starring role. Having experienced the constrictions of Irish life firsthand, O'Brien is particularly good on Joyce's downwardly mobile childhood. Was his resulting hatred of his native land exaggerated? Apparently not: No one who has not lived in such straitened and hideous circumstances can understand the battering of that upbringing. All the more because they had come down in the world, a tumble from semi-gentility, servants, a nicely laid table, cut glasses, a piano, the accoutrements of middle-class life, relegated to the near slums in Mountjoy Square, the gaunt spectral mansions in which children sat like mice in the gaping doorways. The author also gives a vivid sense of her subject's devotion to his art, an altar upon which he happily sacrificed his family, health, friends, and even his eyesight. She is stubborn in her defense of Joyce's sublime irresponsibility, which she ascribes to all writers: "It is a paradox that while wrestling with the language to capture the human condition they become more callous, and cut off from the very human traits which they so glisteningly depict." O'Brien's own wrestling match in James Joyce has, to be honest, its share of pins and minor pratfalls: there are some embarrassing repetitions and punctuational oddities, and her occasional assimilation of Joyce's own language is an awkward (if heartfelt) form of homage. Still, when she sticks to her own inflections, her account of this "funnominal man" is an eminently readable and entertaining dose of Irish bitters. --James Marcus

    Janis Ian was catapulted into the spotlight in 1966 at the age of fifteen when her soul-wrenching song "Society's Child" became a national hit. An intimate portrait of an interracial relationship, "Society's Child" climbed the charts despite the fact that many radio stations across the country refused to play it because of its controversial subject matter. But this was only the beginning of a long and illustrious career. In this fascinating memoir of her life in the music business, Ian chronicles how she did drugs with Jimi Hendrix, went shopping for Grammy clothes with Janis Joplin, and sang with Mel Tormé all the while never ceasing to create unforgettable music. In Society's Child, Ian shares with readers what it felt like to move in and out of the public eye. In 1975 her legendary song "At Seventeen" earned two Grammy awards and five nominations. But during the 1980s she made a conscious decision to walk away from the often grueling music business to study ballet and acting. She also struggled through a difficult marriage that ended with her then husband's threat to kill her. The hiatus from music lasted for nearly a decade until, in 1993, Ian returned with the release of Breaking Silence. Rather than risk losing artistic control, she took out a second mortgage on her home to fund the record. It paid off as Breaking Silence gained Ian her ninth Grammy nomination. Now in her fifth decade, Ian continues to draw large audiences around the globe. Janis Ian has inspired generations of fans and in this moving book she shares the fascinating story of her life in music.

    Burroughs - less a biography than a "chronology of the Burroughs phenomenon, " an examination of the myth behind the man. Filled with 150 color photos - many of them never seen before - and new biographical material, "Gentleman Junkie" shows how Burroughs's fascinating life, from Harvard to Greenwich Village to Tangiers, was matched only by his enormous impact on modern literature and pop culture. Dapper radical, literary experimentalist, and mentor to countless artists, Burroughs had an indelible influence on American life in the twentieth century.

    It was praised by The Orlando Sentinel "for the insights it offers to Dylan at work ... from young upstart to grand old man of rock 'n' roll." Sounes's prodigious research has resulted in new insights on every aspect of Dylan's life. His is the only biography to seriously address the past twenty years of Dylan's life, leading up to the extraordinary recent releases Time Out of Mind and Love and Theft. He has obtained exclusive information to provide the clearest picture yet of Dylan's 1966 motorcycle accident and subsequent "lost years" in Woodstock, New York, and he uncovered the star's unknown second marriage. He gives inside accounts of the tours, the creation of every album and the most celebrated songs, Dylan's labyrinthine love life, his life-threatening heart illness in 1997, and more -- directly from interviews with girlfriends, family, friends, producers, concert promoters, and fellow musicians. Candid, refreshing, and written with a sincere appreciation of Dylan's music and influence, Down the Highway is an essential book for the millions of people who have enjoyed Dylan's music over the years. "Dylan comes alive.... Sounes has added a wealth of new information to Dylan studies." -- Perry Meisel, The New York Times Book Review "Fascinating and finely written." -- Ronald Radosh, The New Republic "Convincing ... [generates] sympathy for an isolated artist." -- Daniel Cooper, The Washington Post Book World "Sounes ... opens new angles on the enigmatic polyhedron that is Dylan.... Monumental." -- Gene Santoro, The Nation " "A portrait of Mr. Dylan that is often unflattering, sometimes puzzling, but, to the author's credit, never sensational." -- Al Brumley, The Dallas Morning News "Engrossing ... fast-moving yet rich in detail ... [Down the Highway] chronicles a remarkable and contradictory artist." -- Carlo Wolff, The Kansas City Star "[This] fast-paced book has a fine interest in details [and is] rich with the observations of new witnesses." -- Sheri Linden, Variety "Irresistible ... What Dylanphile wouldn't want to sift through what Sounes has dug up." -- Terry Lawson, Detroit Free Press

    Enjoy or die..." --John LydonPunk has been romanticized and embalmed in various media. An English class revolt that became a worldwide fashion statement, punk's idols were the Sex Pistols, and its sneering hero was Johnny Rotten.Seventeen years later, John Lydon looks back at himself, the Sex Pistols, and the "no future" disaffection of the time. Much more than just a music book, Rotten is an oral history of punk: angry, witty, honest, poignant, crackling with energy. Malcolm McLaren, Sid Vicious, Chrissie Hynde, Billy Idol, London and England in the late 1970s, the Pistols' creation and collapse...all are here, in perhaps the best book ever written about music and youth culture, by one of its most notorious figures.

    Though world famous and revered by classical music lovers everywhere, he guarded himself and his thoughts as carefully as his talent. Fascinated, author and filmmaker Bruno Monsaingeon tried vainly for years to interview the enigmatic pianist. Richter eventually yielded, granting Monsaingeon hours of taped conversation, unlimited access to his diaries and notebooks, and, ultimately, his friendship. This book is the product of that friendship.Richter reveals himself as a man and an artist. Unsentimentally and with his characteristic dry humor and intelligence, the musician describes his poignant childhood and spectacular career, including his tumultuous early days at the Moscow Conservatory and his triumphant 1960 tour of the United States. His laconic recounting of playing in the orchestra at Stalin's surreal, interminable state funeral is riveting. Most important for music lovers, Richter discusses his influences and views on musical interpretation. He describes his encounters with other great Russian performers and composers, including Prokoviev, Shostakovich, Oistrakh, and Gilels. Candid sections from his personal journals offer his sober and unguarded impressions of dozens of performances and recordings--both his own and those of other musicians.This volume offers readers the sizable pleasure of lingering in the thoughts and words of one of the most important pianists of the twentieth century. Unlike many other star performers, Richter was also an intellectual who had interesting things to say, particularly about the musician's proper role as interpreter of the composer's art. This alone makes the book worth reading. Sviatoslav Richter belongs on the shelves of everyone with a classical music collection and will also appeal to lovers of autobiography and admirers of Russian musical culture.

    Approved by both the Anne Frank House Foundation in Amsterdam and the Anne Frank-Fonds in Basel, run by the Frank family, this work of literary criticism unravels the complex, fascinating story of the diary and effectively makes the case for it being a work of art from a precociously gifted writer.

    Featuring many photographs, this book also candidly recounts a gifted and celebrated writer's descent into the life of alcohol and drugs that would ultimately consume his bulldog spirit and staggering talent--but not before he'd hobnob with the likes of Grace Paley and Lee Radziwill, feud outrageously with Gore Vidal and Jacqueline Susann, and stage at New York's Plaza Hotel the sensational Black and White Ball.

    In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

    Intelligent and insightful, former Montreal Canadiens goalie and former President of the Toronto Maple Leafs, Ken Dryden captures the essence of the sport and what it means to all hockey fans. He gives us vivid and affectionate portraits of the characters—Guy Lafleur, Larry Robinson, Guy Lapointe, Serge Savard, and coach Scotty Bowman among them—that made the Canadiens of the 1970s one of the greatest hockey teams in history. But beyond that, Dryden reflects on life on the road, in the spotlight, and on the ice, offering up a rare inside look at the game of hockey and an incredible personal memoir. This commemorative edition marks the 20th anniversary of "The Game's" original publication. It includes black and white photography from the Hockey Hall of Fame and a new chapter from the author. Take a journey to the heart and soul of the game with this timeless hockey classic.

    With a worldly generosity, LaGuardia knowingly and sensitively explores a famous man haunted by same-sexuality. His writing fearlessly penetrates the dark areas of the human psyche. (Many unpublished photographs).

    His marriage to the poet Sylvia Plath marked his whole life, and he never entirely recovered from her suicide in 1963. Many people have held his adultery responsible for Plath's death; in this insightful book, Elaine Feinstein explores an altogether more complex situation, and throws a sad new light on his relationship with his lover Assia Wevill, who also killed herself along with their young daughter.Drawing on extensive archival material and interviews with childhood friends, fellow undergraduates, poets, and critics, Feinstein gives a portrait of a large-spirited, magnetic personality intrigued by the forms of magical experience that preoccupied Shakespeare and Yeats, but who was nevertheless a down-to-earth Yorkshire man, whose poetic vision encompassed not only his love of the natural world but also all the evidence of human brutality in the past century.