For three weeks, he had been afraid of going to sleep . . .'Young officer John Hilliard returns to his battalion in France following a period of sick leave in England. Despite having trouble adjusting to all the new faces, the stiff and reserved Hilliard forms a friendship with David Barton, an open and cheerful new recruit who has still to be bloodied in battle. As the pair approach the front line, to the proximity of death and destruction, their strange friendship deepens. But each knows that soon they will be separated . . .'A remarkable feat of imaginative and descriptive writing' The Times'The feeling of men under appalling stress at a particular moment in history is communicated with almost uncanny power' Sunday Times'Truly Astonishing' Daily Telegraph

    In Alexander's childhood, his defiant character was molded into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son's loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion, on whom he depended for he rest of his life, taught him trust, whilst Aristotle's tutoring provoked his mind and Homer's Iliad fuelled his aspirations. He killed his first man in battle at the age of twelve and became the commander of Macedon's cavalry at eighteen - by the time his father was murdered and he acceded to the throne, Alexander's skills had grown to match his fiery ambition.

    But eight-year-old Dennis turned out to be more than he expected—a lot more. Dennis suffered from fetal alcohol syndrome, the son of a substance abuser and alcoholic who abandoned him in a seedy motel at the age of one-and-a-half. His father died of an overdose. Seized by the state, Dennis was shuffled between eight different foster homes in less than eight years. He was abused and beaten severely in at least tow of his placements. Dennis was diagnosed with attention-deficit hyperactivity disorder, and put on Ritalin and then Disipramine. He was prone to violent emotional outbursts. His case history identified him as "hard to place" —a euphemism for "unadoptable." But for David Gerrold it was love at first sight…

    Spanning four decades and many worlds, from the horrors of the Second World War to the wild abandon of New York in the eighties, Dancer is peopled by a large cast of characters, obscure and famous: doormen and shoemakers, nurses and translators, Margot Fonteyn, Eric Bruhn and John Lennon. And at the heart of the spectacle stands the artist himself, willful, lustful, and driven by a never-to-be-met need for perfection.

    But the pressure of being an out trans man in the workplace quickly sucks the joy out of things, as does Seth, the humorless campaign strategist who watches his every move.Soon, the only upside to the job is that Seth has a painful crush on their painfully straight boss, and Kieran has a front row seat to the drama. But when Seth proves to be as respectful and supportive as he is prickly, Kieran develops an awkward crush of his own—one which Seth is far too prim and proper to ever reciprocate.

    Together they have crafted a book that shows how love can fight against hate; a book that reminds readers of the importance of tolerance and passion today.

    Tempestuous, swashbuckling and volatile, within two years she has run away with her fencing master, fallen in love with a nun and is hiding from the authorities, sentenced to be burnt at the stake. Within another year, she has become Mademoiselle de Maupin, a beloved star at the famed Paris Opéra. Her lovers include some of Europe's most powerful men and France's most beautiful women. Yet Julie is destined to die alone in a convent at the age of 33. Based on an extraordinary true story, this is an original, dazzling and witty novel - a compelling portrait of an unforgettable woman. For all those readers who love Sarah Dunant, Sarah Waters and Hilary Mantel.

    A young woman's association with a hunted man makes her the target of a journalist determined to grab the headlines by portraying her as an evil woman. As the attacks on her escalate and she becomes the victim of anonymous threats, Katharina sees only one way out of her nightmare.Turning the mystery genre on its head, the novel begins with the confession of a crime, drawing the reader into a web of sensationalism, character assassination, and the unavoidable eruption of violence.

    . . and everywhere in between.Jayson Blocher is tired of worshiping pop culture; he wants to be part of it. So he's off, accompanied by an ever-changing cast of quirky extended family members, on an extremely bumpy journey from rural Wisconsin to a New York escort agency for Broadway chorus boys, to a Hollywood sitcom set. Somewhere out there his destiny awaits—along with the discovery of first love, some unusual coincidences, a kidnapping mystery . . . and the sobering truth that being America's sweetheart can leave a very sour aftertaste.

    E. Rölvaag lyrically chronicles the experiences of Nils Vaag, a young Norwegian immigrant. Abandoning the life of a fisherman in Nordland, a region poor but full of mystical beauty, Nils emigrates to the New World in 1912. There he sweeps saloons, lives in a boardinghouse called "Babel" for the many languages used by its residents, and begins to find his way among the people of the city.The Boat of Longing was Rölvaag's favorite of all his books and the only one set in urban America. When it was first published in English in 1933, it received wide praise from American critics. This edition includes an introduction by Einar Haugen, professor emeritus of Scandinavian and Linguistics at Harvard University and author of a critical study of Rölvaag.

    By night, I am Glamrou, an empowered, fearless and acerbic drag queen who wears seven-inch heels and says the things that nobody else dares to. Growing up in a strict Iraqi Muslim household, it didn’t take long for me to realise I was different. When I was ten years old, I announced to my family that I was in love with Macaulay Culkin in Home Alone. The resultant fallout might best be described as something like the Iraqi version of Jerry Springer: The Opera. And that was just the beginning. This is the story of how I got from there to here: about my teenage obsession with marine biology, and how fluid aquatic life helped me understand my non-binary gender identity; about my two-year scholarship at Eton college, during which I wondered if I could forge a new identity as a British aristocrat (spoiler alert: it didn’t work); about discovering the transformative powers of drag while at university (and how I very nearly lost my mind after I left); and about how, after years of rage towards it, I finally began to understand Islam in a new, queer way. Most of all, this is a book about my mother. It’s the journey of how we lost and found each other, about forgiveness, understanding, hope – and the life-long search for belonging.

    How could it all have gone differently?—the narrator asks in the intermezzos. The first chapter begins with the death of a baby in the early twentieth-century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna after World War I, but a pact she makes with a young man leads to a second death. In the next scenario, she survives adolescence and moves to Russia with her husband. Both are dedicated Communists, yet our heroine ends up in a labor camp. But her fate does not end there….A novel of incredible breadth and amazing concision, The End of Days offers a unique overview of the twentieth century.

    Nietzsche's basic claim is that Christianity is a poisoner of western culture and perversion of the words of and practice of Jesus. Throughout the text, Nietzsche is very critical of institutionalized religion and its priest class, from which he himself was descended. The majority of the book is a systematic attack upon the interpretations of Christ's words by St. Paul and those who followed him. Nietzsche claimed in the Foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "... must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion." The reader should be above politics and nationalism. Also, the usefulness or harmfulness of truth should not be a concern. Characteristics such as "Strength which prefers questions for which no one today is sufficiently daring; courage for the forbidden" are also needed. He disdained all other readers.

    Its beloved antiheroine, Harriet, is erratic, unsentimental, and endearing-very much like the woman who created her, Louise Fitzhugh.Born in 1928, Fitzhugh was raised in segregated Memphis, but she soon escaped her cloistered world and headed for New York, where her expanded milieu stretched from the lesbian bars of Greenwich Village to the art world of postwar Europe, and her circle of friends included members of the avant-garde like Maurice Sendak and Lorraine Hansberry. Fitzhugh's novels, written in an era of political defiance, are full of resistance: to authority, to conformity, and even -- radically, for a children's author -- to make-believe.As a children's author and a lesbian, Fitzhugh was often pressured to disguise her true nature. Sometimes You Have to Lie tells the story of her hidden life and of the creation of her masterpiece, which remains long after her death as a testament to the complicated relationship between truth, secrecy, and individualism.

    and her marriage. The family's secluded cabin in Kings Canyon National Park seemed the only place for her to find peace. But it took Shawn Weber coming into her life for her to find the courage to make changes. The budding friendship between the two women strengthens into an intense emotional bond, a bond that soon eclipses friendship. Despite pressure from her family to reconcile with her husband, Susan can't deny the feelings that Shawn stirs in her. Susan finds she's willing to forsake her entire family for a chance at love with Shawn.