Conspiracies rule history. Jesuits plot against Freemasons. Italian republicans strangle priests with their own intestines. French criminals plan bombings by day and celebrate Black Masses at night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres. From the unification of Italy to the Paris Commune to the Dreyfus Affair to The Protocols of the Elders of Zion, Europe is in tumult and everyone needs a scapegoat. But what if, behind all of these conspiracies both real and imagined, lay one lone man? What if that evil genius created its most infamous document?　 Eco takes his readers here on an unforgettable journey through the underbelly of world-shattering events. This is Eco at his most exciting, a book immediately hailed as his masterpiece.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    Fans of dark fairy-tales like The Hazel Wood and The Cruel Prince will relish this atmospheric and absorbing book based on Guillermo del Toro’s critically acclaimed movie.Oscar winning writer-director Guillermo del Toro and New York Times bestselling author Cornelia Funke have come together to transform del Toro’s hit movie Pan’s Labyrinth into an epic and dark fantasy novel for readers of all ages, complete with haunting illustrations and enchanting short stories that flesh out the folklore of this fascinating world.This spellbinding tale takes readers to a sinister, magical, and war-torn world filled with richly drawn characters like trickster fauns, murderous soldiers, child-eating monsters, courageous rebels, and a long-lost princess hoping to be reunited with her family.A brilliant collaboration between masterful storytellers that’s not to be missed.

    Lewis explores the 100 most terrifying cover-ups of all time, from the invention of Jesus' divinity to Bush and Blair's real agenda in invading Iraq. The book provides each cover-up with a plausibility rating.

    This book chronicles the most amazing and secretive research project in recorded history. We all know something is out there, we're just not sure exactly what. This book begins to provide some solid clues.

    The last don is Domenico Clericuzio, a wise and ruthless man who is determined to see his heirs established in legitimate society but whose vision is threatened when secrets from the family's past spark a vicious war between two blood cousins.This is a mesmerizing tale that takes us inside the equally corrupt worlds of the mob, the movie industry, and the casinos - where beautiful actresses and ruthless hit men are ruled by lust and violence, where sleazy producers and greedy studio heads are drunk with power, where crooked cops and desperate gamblers play dangerous games of betrayal, and where one man controls them all.

    Everything known about the facts of William Shakespeare's life seems incompatible with the extraordinary genius of his writing. How could a man who left school at the age of 13, and apparently never travelled abroad have authored the incomparable Sonnets or so intricately described Renaissance Venice? Shakespeare 'candidates' abound, among them Sir Francis Bacon, The Earl of Oxford, even Queen Elizabeth I herself, but none have stood up to serious scrutiny. Until now....This remarkable, intriguing, and provocative book offers a completely plausible new candidate; Sir Henry Neville.

    Dick. The result is brilliantly original fiction as profund as it is playful. Now in his new novel, David Mitchell explores with daring artistry fundamental questions of reality and identity.Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . .Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.

    Many come away from the book shaken in their beliefs, wondering what is true? Questions like "Was Mary Magdalene really Jesus' wife and the mother of his child?" And more. McDowell skillfully separates facts from fallacy. This is a book you and your friends should have right now! One reviewer wrote "An excellent little book and very easy read. Written as an ongoing discussion among three college students who saw the DaVinci Code movie and then had many questions about the supposed "facts" in the book...only to discover that author Dan Brown is a brilliant author, but lousy historian who fabricates most of his "facts." An excellent little book that really makes you think and want to dig for the truth!" by Mr. Michael A. Dorough "uth dude" (Warner Robins, GA)

    Jekyll and Mr. Hyde from the monster's perspective, Hyde makes a hero of a villain. As a bonus, Stevenson's original novel is included at the back. Mr. Hyde is hiding, trapped in Dr. Jekyll's surgical cabinet, counting the hours until capture. As four days pass, he has the chance, finally, to tell the story of his brief, marvelous life.We join Hyde, awakened after years of dormancy, in the mind he hesitantly shares with Jekyll. We spin with dizzy confusion as the potions take effect. We tromp through the dark streets of Victorian London. We watch Jekyll's high-class life at a remove, blurred by a membrane of consciousness. We feel the horror of lost time, the helplessness of knowing we are responsible for the actions of a body not entirely our own.Girls have gone missing. Someone has been killed. The evidence points to Mr. Hyde. Someone is framing him, terrorizing him with cryptic notes and whisper campaigns. Who can it be? Even if these crimes weren't of his choosing, can they have been by his hand?Though this classic has been often reinvented, no one ever imagined Hyde's perspective, or that he could be heroic. Daniel Levine changes that. A mesmerizing gothic, Hyde tells the fascinating story of an underexamined villain.

    His research appeared in four books: The Book of the Damned, New Lands, Lo!, and Wild Talents.In these four volumes Fort organized and commented on a wild host of phenomena: flying saucers seen in the sky before the invention of aircraft, flying wheels, strange noises in the sky; correlations between volcanic activity and atmospheric phenomena; falls of red snow; falls of frogs, fishes, worms, shells, jellies; finding of "thunderbolts"; discrepancies in the schedules of comets, sightings on Mars and the moon; infra-Mercurian planets; inexplicable footprints in snowfields; flat earth phenomena, disruptions of gravity; poltergeist phenomena; stigmata; surviving fossil animals; the Jersey devil; Kaspar Hauser; spontaneous combustion; and similar weird effects.While Charles Ford never actually explained the phenomena, beyond making vague hints of an organic universe and neo-Hegelianism, through the years his following has grown. At first his work was picked up by literary men such as Theodore Dreiser, Booth Tarkington, Clarence Darrow, Havelock Ellis, and Oliver Wendell Holmes. Later, "Fortean themes" influenced the development of science fiction, and today his work remains the great predecessor to all extraterrestrial speculations.

    One hundred fifty years later, Clare Boylan has finished Brontë's novel, sparking a sensational literary event. With pitch-perfect tone that is utterly true to Brontë's voice, Boylan delivers a brilliant tale about a mysterious young girl, Matilda, who is delivered to a girls' school in provincial England. When everything about the girl's wealthy background turns out to be a fiction, it falls to a local gentleman, Mr. Ellin, and a childless widow, Isabel Chalfont, to begin a quest for her past and her identity that takes them from the drawing rooms of country society to London's seamiest alleys. With all the intelligence and pathos of the novel's originator, Boylan develops Brontë's sketch of a girl without a past into a stunning portrait of Victorian society with a shameful secret at its heart.

    Experience the thrill of helpless horror again—or for the first time!

    Yet The Origin of Species (1859) is also a humane and inspirational vision of ecological interrelatedness, revealing the complex mutual interdependencies between animal and plant life, climate and physical environment, and—by implication—within the human world. Written for the general reader, in a style which combines the rigour of science with the subtlety of literature, The Origin of Species remains one of the founding documents of the modern age.

    In his previous novels, he has explored this inner world and its manifestations in the lives of his characters with rare inventiveness and subtlety, shrewd humor and insight. In When We Were Orphans, his first novel in five years, he returns to this terrain in a brilliantly realized story that illuminates the power of one's past to determine the present.Christopher Banks, an English boy born in early-twentieth-century Shanghai, is orphaned at age nine when his mother and father both vanish under suspicious circumstances. Sent to live in England, he grows up to become a renowned detective and, more than twenty years later, returns to Shanghai, where the Sino-Japanese War is raging, to solve the mystery of the disappearances.The story is straightforward. Its telling is remarkable. Christopher's voice is controlled, detailed, and detached, its precision unsurprising in someone who has devoted his life to the examination of details and the rigors of objective thought. But within the layers of his narrative is slowly revealed what he can't, or won't, see: that his memory, despite what he wants to believe, is not unaffected by his childhood tragedies; that his powers of perception, the heralded clarity of his vision, can be blinding as well as enlightening; and that the simplest desires--a child's for his parents, a man's for understanding--may give rise to the most complicated truths.A masterful combination of narrative control and soaring imagination, When We Were Orphans is Kazuo Ishiguro at his best.