She explains the concepts of mandalas, showing how they are at the root of life itself.

    

    Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five Cremaster films, while Neville Wakefield's "Cremaster Glossary" illuminates the films' most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films--including the final episode, Cremaster 3--the book features related sculptures, photographs, drawings and storyboards. For anyone intrigued by the Wagner of contemporary art, this is an atlas to his enticingly hypnotic worlds. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published.

    Although technically Norman Rockwell was an academic painter, he had the eye of a photographer and, as he became a mature artist, he used this eye to give us a picture of America that was famliar�astonishingly so�and at the same time unique. Rockwell best expressed this vision of America in his justly famous cover illustrations for magazines like The Saturday Evening Post. 332 of these cover paintings, from beloved classics like "Marbles Champion" to lesser-known gems like "Feeding Time," are reproduced in stunning full color in this large-format volume, which is sure to be treasured by art lovers everywhere.

    A short illustrated survey of the use of photography in contemporary art since the mid-1980s.

    Along with a plethora of images of [Kahlo's] paintings, the book features archive images, family photographs, objects, and artifacts from her personal collection as well as photos of the surrounding landscape, all of which offer insight into how these places shaped her work and vision.' - An Artnet Favourite Art Book of 2016

    

    Produced by Turner Classic Movies, this stylish and definitive guide as the inside scoop and off-the-record reveals of fifty unforgettable actors and is also the focus of an on-air film festival on the channel. The lives and accomplishments of each actor are celebrated in an insightful career overview, accompanied by an annotated list of essential films, filmographies, behind the scenes facts, Academy Award wins and nominations. Full of surprising trivia, film stills, posters, and stunning photos, Leading Men pays tribute to the most charismatic, enduring, and elegant actors of the silver screen: an essential resource for movie buffs and pop-culture enthusiasts alike.

    You not only see the image, you feel it. But how do you capture shots like that with your own camera? How do you make your photographs worth the proverbial thousand words? From portraits to landscapes, still-lifes to documentary shots, Expressive Photography will not only show you why certain images sing, but will also teach you how to create your own compelling photographic images-one click at a time.Visually stunning, and unique in its collaborative approach, this book brings the spirit of the immensely popular Shutter Sisters' blog to the printed page through the voice and photography of its founding members.

    There is no question that Robert Frank's The Americans is the most famous and influential photography book ever published. It was 1959 when the book first came out: a series of deceptively simple photographs that Frank took on a trip through America in '55 and '56, pictures of normal people, everyday scenes: lunch counters, bus depots, cars, and the stangely familiar faces of people we don't quite know but have seen somewhere. They are pictures that saw the "American way of life" as we hadn't yet quite been able to see it ourselves, photographs that condensed the entire life of a nation in classic images that still speak to us today, forty years and several generations later.

    A new home. A new name. A new life. For the first time in ten years it feels like I can breathe again.But the cost of freedom is more than I bargained for. I put my foster father behind bars. It doesn't matter that he deserved it. What matters is that he's powerful, manipulative, and now he wants me dead.I can feel someone watching me. I know my time is running out. And the only other person who cares if I live or die is a masked stranger. So I'm putting my life in the vigilante's hands. And maybe a piece of my heart along with it. Even though I'm worried that he's just as dangerous as the man I sent to prison.FORGED IN FLAMES (Book 2)It's hard to be consumed by revenge when my heart feels like it's breaking in two. A part of me is still in love with Miles. I think I always will be. He embodies everything I thought my life could be. Every hope and dream and wish. But I'm not the girl that he remembers.And I'd be lying if I said I haven't started to fall for the New York City vigilante. He's the only other person that knows what it's like to live behind a mask. There's a darkness in him that mirrors my own. He embraces my broken soul.But I'm tired of all the secrets, masks, and lies. I don't need a man to save me. I'm the superhero of my own story. And all I need to focus on right now is Don Roberts - a monster far worse than I ever imagined - before he unleashes the mafia on this city and ruins any chance I have at a new life.CARVED IN ICE (Book 3)When I was little, I dreamed my life would be a fairy tale. But it just so happens that I don't need a knight in shining armor to save me anymore. I'm made of freaking steel.It's time for answers. Time for vengeance. And time to finally unmask the notorious V. There's no going back now.

    This introductory photography text teaches students how to use the medium confidently and effectively by emphasizing both technique and visual awareness.

    2011 is the 50th anniversary of the release of 'Breakfast at Tiffany's' and this lavish book pays tribute to its ongoing popularity.

    Stunning photography sits alongside informative text and a summary of don't-miss features of each site. Show More Show Less

    Escher was born in 1898 in Leeuwarden (Netherlands). He received his first drawing lessons during secondary school from F.W. van der Haagen, who also taught him the block printing, thus fostering Escher's innate graphic talents. From 1912 to 1922 he studied at the School of Architecture and Ornamental Design in Haarlem, where he was instructed in graphic techniques by S. Jessurun de Mesquita, who greatly influenced Escher's further artistic development. Between 1922 and 1934 the artist lived and worked in Italy. Afterwards Escher spent two years in Switzerland and five in Brussels before finally moving back to Barn in Holland, where he died in 1972. M.C. Escher is not a surrealist drawing us into his dream world, but an architect of perfectly impossible worlds who presents the structurally unthinkable as though it were a law of nature. The resulting dimensional and perspectival illusions bring us into confrontation with the limitations of our sensory perception. About the Series: Each book in TASCHEN's Basic Art series features:a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions