Though she published just one collection in her lifetime, The Colossus, and a novel, The Bell Jar, it was following her death in 1963 that her work began to garner the wider audience that it deserved. The manuscript that she left behind, Ariel, was published in 1965 under the editorship of her former husband, Ted Hughes, as were two later volumes, Crossing the Water and Winter Trees in 1971, which helped to make Sylvia Plath a household name. Hughes's careful curation of Plath's work extended to a Collected Poems and a Selected Poems in the 1980s, which remain in print today and stand testimony to the 'profound respect' that Frieda Hughes said her father had for her mother's work. It was not until the publication of a 'restored' Ariel in 2004 that readers were able to appraise Plath's own selection and arrangement of her work.This edition of the poems, chosen by the Poet Laureate Carol Ann Duffy, offers a fresh selection of Sylvia Plath's poetry to stand in parallel to the existing editions. Introduced with an inviting preface, the book is essential reading for those new to and already familiar with the work of this most extraordinary poet.

    Timely, topical, modern and fresh - The antidote to the 'Indian' novel. 'An impassioned plea for tolerance in a country rife with competing interests, this marvelous new novel by David Davidar follows a young man's heroic love for his country. While it draws on the wisdom of past thinkers to recast a vision of tolerance for the present, it holds to an emotional core of idealism and the compelling rhythm of youth.Unflinching. Unsentimental. Deeply Moving. I loved it.' Kiran Desai

    Originated at digital platform of Facebook, the famous face of TV news, anchor Ravish Kumar has started writing micro fiction in a limited space of Facebook and twitter. The politics of our times figures as Metaphor in the loving exchange between characters. Laprek is a story of Love in cities. It is a story of Cities in love. रेम हम सबको बेहतर शहरी बनाता है। हम शहर के हर अनजान कोनों का सम्मान करने लगते हैं। उन कोनों में ज़िंदगी भर देते हैं... आप तभी एक शहर को नए सिरे से खोजते हैं जब प्रेम में होते हैं... और प्रेम में होना सिर्फ हाथ थामने का बहाना ढूँढना नहीं होता। दो लोगों के उस स्पेस में बहुत कुछ टकराता रहता है। 'लप्रेक' उसी कशिश और टकराहट की पैदाइश है।

    Each chapter presents personal stories of women living in cities, small towns and villages in India, Pakistan and Bangladesh, the three lands to which Nighat Gandhi belongs. In writing their stories, she attempts to break the silence enshrouding Muslim women's sexuality and the ways in which they negotiate the restrictions placed on their freedoms within the framework of their culture. Women like Ghazala, who prefers the life of a second wife, 'living like a married single woman', to being bound within the ties of a conventional marriage, Nusrat and QT who believe theirs is a normal marriage, except that they are both women. Nisho, who refuses to accept that her trans-sexuality should deny her the right to love and Firdaus, writer and feminist, who can walk out of a loveless marriage but not give up on love, with or without marriage. Nighat also explores her own story as a woman who dared to make choices that pitted her against her family and cultures. Alternative Realities is her jihad or struggle to deconstruct the demeaning stereotypes that prevail about all Muslim women. It is a reflection of the myriad ways in which, despite these misogynistic forces, they continue to weave webs of love and peace in their own lives and in the lives of those they live with.

    One of the great classics of world literature, it has inspired such diverse thinkers as Henry David Thoreau, Mahatma Gandhi, and T.S. Eliot; most recently, it formed the core of Peter Brook's celebrated production of the Mahabharata.

    At 15, she moves to the home of a "liberal" uncle in Lucknow. Here, during the 1930s, as the struggle for independence sharpens, Laila is surrounded by relatives and university friends caught up in politics. But Laila is unable to commit herself to any cause: her own fight for independence is a struggle with traditional life as she falls in love with a man not chosen by her family. With its beautiful evocation of India, its political insight and unsentimental understanding of the human heart, this is a classic of Muslim life.

    Once again this bilingual volume, translated in this edition for the first time in English, reveals the importance of the great Romanian-German poet, who lived for most of his life in France. Translator Pierre Joris has achieved a great feat in bringing these three volumes into the English language.

    As time passed, railways were built and newspapers appeared, isolated villages like vilakkudi were exposed to social and cultural change. It is this transition that the author, Ranganathans great -great-great grandson, tries to trace through the story of his family.

    Kanav. There is something in his name. That's why girls detest its very mention. His small-town upbringing has left him vulnerable in midst of the infamous dilli-ki-hawa. Despite being an IITian, he is struggling even to engineerhis own life. A brief encounter with an LSR girl opens up new vistas in his life. Within a short time, he finds himself amidst the exquisite living sculptures beautifying the whole city. Life changes for him once he loses his heart to a beauty Tanya and there begins an unusual and erroneous romance that defies all the rules. What magic does, Tanya spark in this hopeless romantic's life! And what grand surprise does their first date hold for both of them? And then...OOPS!

    Jejuri is a site of pilgramage in author Arun Kolatkar's native state of Maharashtra, and Jejuri the poem is the record of a visit to the town -- a place that is as crassly commercial as it is holy, as modern and ruinous as it is ancient and enduring. Evoking the town's crowded streets, many shrines, and mythic history of sages and gods, Kolatkar's poem offers a rich description of India while at the same time performing a complex act of devotion. For the essence of the poem is a spiritual quest, the effort to find the divine trace in a degenerate world. Spare, comic, sorrowful, singing, Jejuri is the work of a writer with a unique and visionary voice.

    She begins with “how to” poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.Closing the book are poems that celebrate natural wonders—birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees—all speaking to the daring project of belonging to an untamed world beyond ourselves.Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It’s all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

    Poetry for those wishing to know someone special while seeking the greater challenge to know themselves.

    In the town live three generations of two families, one Hindu and the other Muslim, whose lives will be changed forever by the coming violence. At risk are Dada, the ageing grandfather who lovingly tends and talks to the plants on his estate; his strong-willed grandchildren, Abu and Fareeda; the newly married Devaki, who cannot fathom the forces that are turning her husband and her father into fanatics; Mariam, of the gifted hands, who kneads and pounds the fatigued muscles of tourists into submission; and Garuda, the high-school teacher who, in his own desperate way, is trying to impart the truth about the country’s history to a classroom of uninterested students. Quietly but surely, the spectre of religious intolerance is beginning to haunt the community in the guise of the Self-Respect Forum whose mission is to divide the town and destroy the delicate balance of respect and cooperation that has existed for hundreds of years. Told with brilliance, restraint and extraordinary power, Annie Zaidi’s book is destined to become a classic.

    Told though deeply personal stories and heartwarming family photographs, Makray takes readers on an emotional journey from Tucker's uncomfortable rescue and subsequent life-saving surgery, to his heart wrenching final battle with epilepsy. This short but powerful memoir proves that even the most ordinary dog can be truly extraordinary to those who love him most.

    from "The House on the Hill" . . . from out of the fog, a large, welcoming house would emerge made out of invention and surprise. No things without ideas! you'd shout, and the doors would open, and the echoes would cascade down to the valleys and the faraway towns.