Elizabeth and Mary Durack's (Kings In Grass Castles) closely intertwined creative lives were shaped by the pioneering past of their father and grandfather, who set up four vast cattle stations in north Queensland.Brenda Niall was given unprecedented access to private family letters, unpublished memoirs, diaries and family papers to write True North – a biography of the two sisters and a uniquely Australian story.

    Sally Morgan traveled to her grandmother’s birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine—information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author’s mother and grandmother, allowing them to tell their own stories.

    To this mix Adam Thompson manages to bring humour, pathos and occasionally a sly twist as his characters confront racism, untimely funerals, classroom politics and, overhanging all like a discomforting, burgeoning awareness for both white and black Australia, the inexorable damage and disappearance of the remnant natural world.

    Told at first through the frank eyes of a child whose life was irretrievably changed after being “adopted” into a German Lutheran family, Too Afraid to Cry braids piercingly lyrical verse with spare prose to tell an intensely personal story of abuse and trauma. After years of suffering as a dark-skinned “outsider,” Eckermann reveals her courageous efforts to reconcile with her birth family and find acceptance within their Indigenous community. Too Afraid to Cry offers a mirror to America and Canada’s own dark history of coerced adoption of Native American children, and the violence inflicted on our continent’s Indigenous peoples.

    But the title he’s most proud to claim is that of Aboriginal Elder.Stolen from his mother and placed into institutional care when he was only a few months old, Uncle Jack was raised under the government’s White Australia Policy. The loneliness and isolation he experienced during those years had a devastating impact on him that endured long after he reconnected with his Aboriginal roots and discovered his stolen identity. Even today he feels like an outsider; a loner; a fringe dweller.In this honest and no-holds-barred memoir, Uncle Jack reveals the ‘ups and downs of this crazy, drugged up, locked up, fucked up, and at times unbelievable, life’. From his sideline as a cat burglar, battles with drug addiction and stints in prison, to gracing the nation’s stages and screens as he dazzled audiences with his big personality and acting prowess, he takes us through the most formative moments of his life. By turns heartbreaking and hilarious, Jack Charles: Born-again Blakfella is a candid and uplifting memoir from one of Australia’s finest and most beloved actors.

    His firsthand experiences are collected in this highly personal account of the rough and tumble world of modern politics and the growing disenchantment with Australia’s Labor Party. Button describes how politics took a detrimental toll on his own family, revealing that the death of his brother haunted their father—who in turn blamed the tragedy on his all-consuming absorption of politics. This moving memoir paints a colorful picture of the machinations of government and shows how far the party has strayed from the idealism and pragmatism of previous generations, ending on a hopeful note for the party’s revival.

    He asks how contemporary life diverges from the pattern of creation. How does this affect us? How can we do things differently?Sand Talk provides a template for living. It’s about how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everybody and listening carefully. It’s about finding different ways to look at things.Most of all it’s about Indigenous thinking, and how it can save the world.

    There is a raging anger here, and a deep sorrow, but at the core Haydar gives us truths about love. This is one of the most important books I've ever read.' Bri Lee'I am from a family of strong women.'Amani Haydar suffered the unimaginable when she lost her mother in a brutal act of domestic violence perpetrated by her father. Five months pregnant at the time, her own perception of how she wanted to mother (and how she had been mothered) was shaped by this devastating murder.After her mother's death, Amani began reassessing everything she knew of her parents' relationship. They had been unhappy for so long - should she have known that it would end like this? A lawyer by profession, she also saw the holes in the justice system for addressing and combating emotional abuse and coercive control.Amani also had to reckon with the weight of familial and cultural context. Her parents were brought together in an arranged marriage, her mother thirteen years her father's junior. Her grandmother was brutally killed in the 2006 war in Lebanon, adding complex layers of intergenerational trauma.Writing with grace and beauty, Amani has drawn from this a story of female resilience and the role of motherhood in the home and in the world. In The Mother Wound, she uses her own strength to help other survivors find their voices.WINNER OF THE 2021 SYDNEY MUSIC, ARTS & CULTURE (SMAC) AWARDSWINNER OF THE VICTORIAN PREMIER'S LITERARY AWARD FOR NON-FICTION 2022LONGLISTED FOR THE WALKLEY BOOK AWARD 2021Praise for The Mother Wound'Shattering, unforgettable, beautifully told.' Randa Abdel-Fattah'Gripping, transcendent, tender and, at times, infuriating. With a daughter's heart and a lawyer's mind, Amani Haydar maps the territory that connects the wars we fight abroad to the wars we endure in our homes.' Jess Hill

    Best known as the lead singer and enigmatic front man, songwriter, bassist of The Church, Steve has experienced both amazing international success and all the excesses that go with it, as well as a well known heroin addiction that delivered some very dark times. The Church has been a significant and constant influence on the Australian music industry and readers will be keen to hear from one of the industry's most successful, creative and long-standing key protagonists. Kilbey is Australian rock and roll royalty and for the first time this is his story. Come inside the world of Steve Kilbey singer songwriter and bassist of one of Australia's best loved bands, The Church. From his migrant ten pound pom childhood through his adolescence growing up during the advent of The Beatles, Dylan and The Stones to his early adventures in garage bands and neighbourhood jams. His misadventures with a full time job and a 9 to 5 life and wild adventures with The Church as they conquer Australia and then the world. The tours. The records. The women. And then the heroin addiction which enslaved him for ten long years. Then the two sets of twins he fathers along the way and branching off into acting, painting and writing. From snowy Sweden to a cell in New York City, from Ipanema beach to Bondi, Kilbey stumbles through his surrrealistic life as an idiot savant that will make you smile as well as want to kick him up the arse. After coming out the other side his tale is simply too good not to be told. Narrated with unusual and often pristine clarity we and with much focus on his considerable musical talent.

    Zoe Daniel is the ABC’s fifteenth South East Asia Correspondent, and one of only a handful of women to combine one of the most dangerous jobs in the world with one of the most demanding - motherhood.From the political unrest in Bangkok and the bittersweet story of conjoined twins in India, to a tragic plane crash in Laos and the destruction of Typhoon Haiyan in the Philippines, Storyteller is a frank and brave memoir, as much about the events that capture our attention as it is about a personal story of the universal juggle of work, ambition and family amid the unpredictability of life and the predictability of the 24/7 media cycle.Storyteller is a timely reminder of the bravery and audacity of the men and women who bring us the news - the journalists, the local ‘fixers’, the cameramen - but above all it is a tribute to ordinary people who find themselves eyewitnesses to the extraordinary.

    In 'Don't Take Your Love To Town' Langford writes: 'we saw a big sign saying BUNDJALUNG NATIONAL PARK and I told him he was now in my territory'.This is Ruby Langford's (Ginibi) first book and autobiography.First published in 1988, Ruby worked for over 2 years with her editor Susan Hampton to write her story to share with the world.'Don't Take Your Love To Town' paints a picture of what it was like growing up in Australia from the 1930s onwards, in a society divided between black and white, in both rural and urban areas.Beginning life on a mission in NSW, Ruby grew up surrounded by the love of her father, sisters and extended family which helped her develop her deadly sense of humour in the face of the many hardships and heartbreaks she experienced in her life.She has observed and lived the changes wrought on Aboriginal communities, the poverty and tragedies that found their way to her doorstep and yet she managed to find a way to keep smiling while bringing up her 9 children mostly on her own.Ruby Langford has lived a life rich in both sadness and joy; she has a very easy style of writing for the reader to find themselves drawn into the pages within minutes and, peppered with her wit, her story captures and holds the reader within its grasp until the end.

    Patriotic young men all over the world lined up to join the fight - including hundreds of Indigenous Australians.Shunned and downtrodden in their own country - and in fact banned by their own government from serving in the military - Aboriginal men stepped up to enlist. Undaunted, these bold souls took up arms to defend the free world in its time of greatest need. For them, facing the horror of war on a Gallipoli beach was an escape from the shackles of racism at home, at a time when Aboriginal people stood by, segregated, unable to vote, unable to act as their children were ripped from them. When the survivors came back from the war, there was no heroes’ welcome – just a shrug, and a return to drudgery and oppression.Black Diggers is the story of these men - a story of honour and sacrifice that has been covered up and almost forgotten.

    I can't recall ever seeing the building on my trips back to the city, first as a child or later as an adult. I imagine it in shades of blue and brown, the plastic waiting room chairs covered in the fine film of moisture that creeps over everything there. It is not a place I've thought of often, but I think of it now and wonder how it has shaped me.I am Fijian-Indian, and have lived in Australia since I was three years old. Memories of my early life in Fiji are limited to flashes, like an old film projector running backwards. I remember a blue dress, a trip on a boat where my father handed me a dried, floating starfish that I clutched in my fingers, determined not to lose it back to the ocean.'No Country Woman is the story of never knowing where you belong. It's about not feeling represented in the media you consumed, not being connected to the culture of your forebears, not having the respect of your peers. It's about living in a multicultural society with a monocultural focus but being determined to be heard.It's about challenging society's need to define us and it's a rallying cry for the future. It's a memoir full of heart, fury and intelligence - and the book we need right now.

    There weren’t many. And too often there was a negative narrative around Indigenous lives, and Aboriginal women especially. Now an award-winning actor, she decided to change things herself. Combining her love of romantic comedies with her love of Darwin, the Tiwi Islands and the Top End, Miranda wrote, produced and starred in the box office hit Top End Wedding.In this engaging and thought-provoking memoir, Miranda shares the path she took to create a moving film about reconnection to family and culture. And, like all good storytellers, she holds a mirror up to the society we live in to show the prejudice that too often surfaces.MIRANDA TAPSELL was born in Darwin and her people are the Larrakia. She grew up in Kakadu National Park and began performing at the age of seven. At 16, she won the Bell Shakespeare Company regional performance scholarship. She has her own podcast on BuzzFeed, Pretty for an Aboriginal, with Nakkiah Lui, which rocks the traditional perceptions of Indigenous Australia and challenges rigid mindsets of what women of colour can and cannot do. Top End Girl is her literary debut.

    We were meant to tread lightly on the earth, influencing events through our husbands and children, if at all. We were meant to fade into invisibility as we aged. I defied all of these expectations and so have millions of women like me.' This is the compelling story of Anne Summers' extraordinary life. Her story has her traveling around the world as she moves from job to job, in newspapers and magazines, advising prime ministers, leading feminist debates, writing memorable and influential books. Anne has not been afraid to walk away from success and to satisfy her constant restlessness by charging down new and risky paths. Whatever position she has held, she has expanded what's possible and helped us see things differently-often at high personal cost.Anne shares revealing stories about the famous and powerful people she has worked with or reported on and is refreshingly frank about her own anxieties and mistakes. She shares a heart-breaking story of family violence and tells of her ultimate reconciliation with the father who had rejected her. Unfettered and Alive is a provocative and inspiring memoir from someone who broke through so many boundaries to show what women can do.'It's the story of a lot of things - Australian politics, feminism, journalism, international intrigue - but most of all it's the story of an utterly singular woman, who always says "Yes" to life even when it scares her. Her memory for the events, and her frankness about the fear, make this an extraordinary memoir.' - Annabel Crabb 'Exhilarating and what storytelling!' - Quentin Bryce 'The compelling memoir of a magnificent woman.' - David Marr