Fifteen years later she's got a degree in hospitality management and a great job supervising every aspect of the day-to-day operations of a high-end boutique hotel on the Baltimore waterfront. Then her high school best friend asks her to come talk with the town leaders of Asheford, but she won't say why. Kate can't cut her last link to her past, so she agrees to make the short trip across the state to Asheford.Once Kate arrives, the town council members reveal that their town is on the verge of going bankrupt, and they've decided that Kate's skills and knowledge make her the perfect person to cure all their ills. The town has used its last available funds to buy the huge Victorian mansion just outside of town, hoping to use it to attract some of the tourists who travel to visit the nearby Civil War battle sites. Kate has less-than-fond memories of the mansion, for personal reasons, but to make matters worse, the only person who has presented a possible alternate plan is Cordelia Walker--Kate's high school nemesis, who had a hand in driving Kate away from Asheford so many years.But a few days later Kate receives a call from the police--Cordelia has been found dead on the mansion property, and Kate is all-but certain that her name is high on the suspect list. She finds herself juggling the murder investigation and her growing fascination with the magnificent old house that turns out to be full of long-hidden mysteries itself. Kate knows she must clear her name and save her town--before she ends up behind bars.

    But when credit card and boyfriend trouble caused her to slink home, she tries to blend in unnoticed. However inconspicuous has never been one of Skyes attributes, as the small-town busybodies try to bring her out in the public eye whenever they can. When she stumbles upon a dead TV personality, the police accuse her brother and she is forced to prove him innocent. This proves to be a daunting task, but Skye is up to the task. She is bright, persistent, gutsy and the perfect amateur sleuth.

    The shop--located at 222 Baker Street-specializes in the Holmes canon and pastiche and is also the home of Moriarty the cat. When Gemma finds a rare and potentially valuable magazine containing the first Sherlock Holmes story hidden in the bookshop, she and her friend Jayne (who runs the adjoining Mrs. Hudson's Tea Room) set off to find the owner, only to stumble upon a dead body. The highly perceptive Gemma is the police's first suspect, so she puts her consummate powers of deduction to work to clear her name, investigating a handsome rare-books expert, the dead woman's suspiciously unmoved son, and a whole family of greedy characters desperate to cash in on their inheritance. But when Gemma and Jayne accidentally place themselves at a second murder scene, it's a race to uncover the truth before the detectives lock them up for good.

    But now her reputation may be on the line. At her newest project, a run-down Pacific Heights mansion, Mel is visited by the ghost of a colleague who recently met a bad end with power tools. Mel hopes that by nailing the killer, she can rid herself of the ghostly presence of the murdered man-and not end up a construction casualty herself...

    The Oregon Shakespeare Festival is bringing in lots of tourists looking for some crumpets to go with their heroic couplets. But when one of Torte's customers turns up dead, there's much ado about murder...The victim is Nancy Hudson, the festival's newest board member. A modern-day Lady Macbeth, Nancy has given more than a few actors and artists enough reasons to kill her...but still. The silver lining? Jules's high school sweetheart, Thomas, is the investigator on the case. His flirtations are as delicious as ever, and Jules can't help but want to have her cake and eat it too. But will she have her just desserts? Murder might be bad for business, but love is the sweetest treat of all...

    Then came a tragic accident. Now Dixie's a pet-sitter on Siesta Key, a lush, exotic barrier island where the people tend to be rich, suntanned, and tolerant of one another's quirks. As Dixie tried to get her life back in order, pet-sitting is the perfect job. She goes into people's homes while they're gone and takes care of their pets; she likes the animals, they like her, and she doesn't have to deal with people very much. She especially does not have to be afraid that she'll run into a situation that will cause her to lose her hard-won composure. But when Dixie finds a man bizarrely drowned in a cat's water bowl, she is drawn into a tangled web of danger and secrets. Unbeknownst to Lieutenant Guidry, the homicide detective handling the murder, Dixie begins her own investigation into the whereabouts of the cat's owner, who has now vanished. Fans of The Cat Who... book series by Lilian Jackson Braun will adore this riveting new pet-oriented sleuth and will eagerly await Dixie's next case: Will duplicity dog the dachshund?

    But that was before a catered wedding on picturesque Morrow Island turned into a reception for murder. When the best man’s corpse is found hanging from the grand staircase in the Snowden family mansion, Julia must put the chowder pot on the back burner and join the search for the killer. And with suspicion falling on her old crush, Chris Durand, the recipe for saving her business and salvaging her love life might be one and the same.

    When Evie Mead’s husband, Robert, suddenly drops dead of a heart attack, a mysterious note is found among his possessions. It indicates that Evie may own the rights to an old hotel on Tregarrick Rock, one of the Isles of Scilly. Still grieving, Evie is inclined to leave the matter to the accountant to sort out. Her sister Margot, however, flown in from her glamorous career in LA, has other plans. Envisioning a luxurious weekend getaway, she goes right ahead and buys two tickets—one way—to Tregarrick. Once at the hotel—used in its heyday to house detective novelists, and more fixer-upper than spa resort, after all—Evie and Margot attempt to get to the bottom of things. But the foul-tempered hotel owner claims he's never met the late Robert, even after Evie finds framed photos of them—alongside Robert's first wife—in his office. The rest of the island inhabitants, ranging from an ex-con receptionist to a vicar who communicates with cats, aren't any easier to read. But when a murder occurs at the hotel, and then another soon follows, frustration turns to desperation. There’s no getting off the island at high tide. And Evie and Margot, the only current visitors to Tregarrick, are suspects one and two. It falls to them to unravel secrets spanning generations—and several of their own—if they want to make it back alive.

    Together, Liza and Melanie purchase a purportedly haunted mansion on the Oregon coast and jump right into clearing out the cobwebs. But while attempting to remove wallpaper in an upstairs bedroom, the new B&B owners stumble upon a very real skeleton in their closet.The police suspect the skeleton is that of the wife of the previous owner of the B&B, but no one in town seems to want to say much about her. As the inn owners try to juggle renovations with their own amateur investigations, their grand opening looms closer and closer--and a friendly ghost in their walls starts playing tricks. But it all comes crashing to a halt when a new body is found stabbed to death on the beach below the inn--the victim chillingly close in resemblance to Melanie herself.It seems someone doesn't appreciate newcomers prying into the small town's past, and now it's up to Melanie and Liza to get to the bottom of these murders to save their business...and their lives.

    One of whom is librarian Aurora "Roe" Teagarden, a member of the Real Murders Club, which meets once a month to analyze famous cases. It's a harmless pastime—until the night she finds a member killed in a manner that eerily resembles the crime the club was about to discuss. And as other brutal "copycat" killings follow, Roe will have to uncover the person behind the terrifying game, one that casts all the members of Real Murders, herself included, as prime suspects-or potential victims.

    Unwed, unemployed, and over thirty, she's flat broke and about to lose the family plantation. Not to mention being haunted by the ghost of her great-great-grandmother's nanny, who never misses an opportunity to remind her of her sorry state--or to suggest a plan of action, like ransoming her friend's prize pooch to raise some cash.But soon Sarah Booth's walk on the criminal side leads her deeper into unladylike territory, and she's hired to solve a murder. Did gorgeous, landed Hamilton Garrett V really kill his mother twenty years ago? And if so, what is Sarah Booth doing falling for this possible murderer? When she asks one too many questions and a new corpse turns up, she is suddenly a suspect herself...and Sarah Booth finds that digging up the bones of the past could leave her rolling over in her grave.

    At the urging of her best friend, bestselling author Ami Pederson, Eden decides to embark on an open-ended trip to the picturesque village of Glenkillen in the Scottish Highlands, to do some hands-on research for a book of her own. But almost as soon as Eden arrives in the quaint town, she gets caught up in a very real drama… The town’s sheep shearer is found murdered—clipped with his own shears—and the locals suspect Vicki MacBride, an outsider whose father’s recent death left her the surprise heir to his lucrative sheep farm. Eden refuses to believe the affable heiress is a murderer, but can she prove that someone is out to frame her new friend before she finds herself on the receiving end of more shear terror?

    Annabelle knows that even her trusted wedding emergency kit won't be able to salvage their careers if she and Richard can't find the real culprit.It's no easy task since the slain matron was perhaps the most hated socialite in DC, but Annabelle navigates through the city's colorful wedding industry and powerful social scene on the deadly trail of a killer. Always the bridal consultant and never the bride, she's seen her fair share of bouquet tosses. But there's no telling what surprises a ruthless killer will throw her way if she gets too close.

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.