Drawing on a huge body of source material from different languages and countries throughout Europe, it provided a clear and comprehensive narrative and analytical account of the subject. It has established itself as the classic text with reviewers, students and the general reader.This second edition has been thoroughly revised to include the very latest research. The updated bibliographical information provides an invaluable resource, synthesising the major work in the field, in all languages, up to 1996.Written with great clarity and liveliness, the book brings alive the period in all its aspects. It covers the horrors of the war and the contorted politics of the period. It deals with all the major figures, including Wallerstein and Richelieu, Gustavus Adolphus and Tilly, the Winter King and the Habsburg emperors. For range and depth of coverage there is no other work like it. It has become the definitive book on the subject.

    But as engineer Gustave Eiffel built the now-famous landmark to be the spectacular centerpiece of the 1889 World's Fair, he stirred up a storm of vitriol from Parisian tastemakers, lawsuits, and predictions of certain structural calamity. In Eiffel's Tower, Jill Jonnes, critically acclaimed author of Conquering Gotham, presents a compelling account of the tower's creation and a superb portrait of Belle Epoque France. As Eiffel held court that summer atop his one-thousand-foot tower, a remarkable host of artists and personalities-Buffalo Bill, Annie Oakley, Gauguin, Whistler, and Edison-traveled to Paris and the Exposition Universelle to mingle and make their mark. Like The Devil in the White City, Brunelleschi's Dome, and David McCullough's accounts of the building of the Panama Canal and the Brooklyn Bridge, Eiffel's Tower combines technological and social history and biography to create a richly textured portrayal of an age of aspiration, dreams, and progress.

    By 1900, Paris had recovered and the Belle Epoque was in full flower, but the decades between were difficult, marked by struggles between republicans and monarchists, the Republic and the Church, and an ongoing economic malaise, darkened by a rising tide of virulent anti-Semitism. Yet these same years also witnessed an extraordinary blossoming, in art, literature, poetry, and music, with the Parisian cultural scene dramatically upended by revolutionaries such as Monet, Zola, Rodin, and Debussy, even while Gustave Eiffel was challenging architectural tradition with his iconic tower. Through the eyes of these pioneers and others, including Sarah Bernhardt, Georges Clemenceau, Marie Curie, and Cesar Ritz, we witness their struggles with the forces of tradition during the final years of a century hurtling towards its close. Through rich illustrations and evocative narrative, McAuliffe brings this vibrant and seminal era to life."

    For seven decades, we have looked at this cataclysmic conflict in much the same way, particularly when it comes to the war in the western theater. In this sweeping narrative history, the first of three volumes, British historian and contrarian James Holland deploys deep research, incisive analysis, and a profound sense of humanity to revise and enhance our understanding of one of the most significant events in history.It is commonly held that at the outset of war, Germany had the best army in the world, and that Britain barely managed to hold out against it until the Americans declared war and overwhelmed Nazi military prowess with economic might. But the picture looked much different in 1939: In advance of its Polish offensive, Germany was short on resources, tanks, and trained soldiers. Meanwhile, Britain and France had more men in uniform than Germany and considerably greater naval power, and Britain was the richest country in Europe with a massive empire at its disposal. Hitler was bluffing when he called for the wholesale destruction of Poland, but his bet that Western Europe wouldn’t get involved turned out to be fatally wrong.Beginning with the lead-up to the outbreak of war in 1939 and ending in the middle of 1941 on the eve of the Nazi invasion of Russia, The War in the West, Volume I covers the war on several levels, from fascinating tactical revelations—blitzkrieg, Holland argues, is a myth—to the personal stories of a German U-boat captain, a French reserve officer, a son-in-law of Mussolini, an American construction tycoon, and civilians across the war zone. This is a major history, destined to generate significant scholarly debate and reader interest.

    But what was he like as a young man—the man before Versailles?   After the death of his prime minister, Cardinal Mazarin, twenty-two-year-old Louis steps into governing France. He’s still a young man, but one who, as king, willfully takes everything he can get—including his brother’s wife. As the love affair between Louis and Princess Henriette burns, it sets the kingdom on the road toward unmistakable scandal and conflict with the Vatican. Every woman wants him. He must face what he is willing to sacrifice for love.But there are other problems lurking outside the chateau of Fontainebleau: a boy in an iron mask has been seen in the woods, and the king’s finance minister, Nicolas Fouquet, has proven to be more powerful than Louis ever thought—a man who could make a great ally or become a dangerous foe . . .Meticulously researched and vividly brought to life by the gorgeous prose of Karleen Koen, Before Versailles dares to explore the forces that shaped an iconic king and determined the fate of an empire.

    But how many of us can place that event in the context of the entire dramatic year in which it took place? From the death of Edward the Confessor in early January to the Christmas coronation of Duke William of Normandy, there is an almost uncanny symmetry, as well as a relentlessly exciting surge, of events leading to and from Hastings.

    In life, and in the grisly manner of his death, Joseph Goebbels was one of Adolf Hitler’s most loyal acolytes. By the end, no one in the Berlin bunker was closer to the Führer than his devoted Reich minister for public enlightenment and propaganda. But how did this clubfooted son of a factory worker rise from obscurity to become Hitler’s most trusted lieutenant and personally anointed successor? In this ground-breaking biography, Peter Longerich sifts through the historical record—and thirty thousand pages of Goebbels’s own diary entries—to provide the answer to that question. Longerich, the first historian to make use of the Goebbels diaries in a biographical work, engages and challenges the self-serving portrait the propaganda chief left behind. Spanning thirty years, the diaries paint a chilling picture of a man driven by a narcissistic desire for recognition who found the personal affirmation he craved within the virulently racist National Socialist movement. Delving into the mind of his subject, Longerich reveals how Goebbels’s lifelong search for a charismatic father figure inexorably led him to Hitler, to whom he ascribed almost godlike powers. This comprehensive biography documents Goebbels’s ascent through the ranks of the Nazi Party, where he became a member of the Führer’s inner circle and launched a brutal campaign of anti-Semitic propaganda. Though endowed with near-dictatorial control of the media—film, radio, press, and the fine arts—Longerich’s Goebbels is a man dogged by insecurities and beset by bureaucratic infighting. He feuds with his bitter rivals Hermann Göring and Alfred Rosenberg, unsuccessfully advocates for a more radical line of “total war,” and is thwarted in his attempt to pursue a separate peace with the Allies during the waning days of World War II. This book also reveals, as never before, Goebbels’s twisted personal life—his mawkish sentimentality, manipulative nature, and voracious sexual appetite. A harrowing look at the life of one of history’s greatest monsters, Goebbels delivers fresh insight into how the Nazi message of hate was conceived, nurtured, and disseminated. This complete portrait of the man behind that message is sure to become a standard for historians and students of the Holocaust for decades to come.

    He became the epitome and exemplar of monarchy, the king all his contemporaries and successors imitated, envied, or fought against.King of the World is a magnificent and startlingly insightful account of the man who dominated the seventeenth century more than any other. To what extent did Louis have absolute power, or was decision-making in the hands of ministers and mistresses? How much of the extravagance of Versailles was for show, and how far was Louis himself the show? How could such a civilized man commit so many acts of barbarism? How effective was he as a ruler and a general? Did he leave his country stronger or weaker than it was before? Mansel offers original and persuasive answers to these questions, and weaves a brilliant tapestry of the life of one of the most compelling figures in European history.

    1415 was a year of religious persecution, personal suffering and one horrendous battle. This book presents the story of that year.

    Le Chambon-sur-Lignon is a small village of scattered houses high in the mountains of the Ardèche. Surrounded by pastures and thick forests of oak and pine, the plateau Vivarais lies in one of the most remote and inaccessible parts of Eastern France, cut off for long stretches of the winter by snow. During the Second World War, the inhabitants of the area saved thousands wanted by the Gestapo: resisters, freemasons, communists, downed Allied airmen and above all Jews. Many of these were children and babies, whose parents had been deported to the death camps in Poland. After the war, Le Chambon became the only village to be listed in its entirety in Yad Vashem's Dictionary of the Just.Just why and how Le Chambon and its outlying parishes came to save so many people has never been fully told. Acclaimed biographer and historian Caroline Moorehead brings to life a story of outstanding courage and determination, and of what could be done when even a small group of people came together to oppose German rule. It is an extraordinary tale of silence and complicity. In a country infamous throughout the four years of occupation for the number of denunciations to the Gestapo of Jews, resisters and escaping prisoners of war, not one single inhabitant of Le Chambon ever broke silence. The story of Le Chambon is one of a village, bound together by a code of honour, born of centuries of religious oppression. And, though it took a conspiracy of silence by the entire population, it happened because of a small number of heroic individuals, many of them women, for whom saving those hunted by the Nazis became more important than their own lives.

    People everywhere saw Paris as the centre of Europe and the hub of culture, fashion and invention. But suddenly France, not least to the disbelief of her own citizens, was gripped in the vice of the Prussian armies and forced to surrender on humiliating terms. Almost immediately Paris was convulsed by the savage self-destruction of the newly formed Socialist government, the Commune.In this brilliant study of the Siege of Paris and its aftermath, Alistair Horne researches first-hand accounts left by official observers, private diarists and letter-writers to evoke the high drama of those ten tumultuous months and the spiritual and physical agony that Paris and the Parisians suffered as they lost the Franco-Prussian war.'Compulsively readable'  The Times'The most enthralling historical work'  Daily Telegraph'Essential reading for anyone who wants to understand the civil war that still stirs the soul of France'  Evening StandardOne of Britain's greatest historians, Sir Alistair Horne, CBE, is the author of a trilogy on the rivalry between France and Germany, The Price of Glory, The Fall of Paris and To Lose a Battle, as well as a two-volume life of Harold Macmillan.

    830 by a member of his court.ForewordEinhard's PrefaceThe Life of the Emperor CharlesNotesGenealogical TableMap

    Before his astonishing career had ended, he had conquered half of Europe and his armies had marched through Italy, Germany, and Spain. In a glittering Christmas Day ceremony in Rome, in the year 800, he was crowned the new Holy Roman Emperor. More than the heroic conqueror of Western Europe, Charlemagne was an intense and thoughtful human being. His succession of five wives brought him a palace full of children. So warm was his love for his daughters that he could never bear to see them married away from the court, even though enticing alliances with other rulers were offered them. A deeply religious man, Charlemagne became the protector of orthodox Christianity against medieval heresies. A patron of learning, he established schools and brought artists and scholars to his court to work and study. As a result, most classical literature comes down to us in copies of books made in Charlemagne's time. Here, from National Book Award winner Richard Winston, is his remarkable story.

    In this triumphant biography, Kate Williams tells Josephine's searing story, of sexual obsession, politics and surviving as a woman in a man's world.Abandoned in Paris by her aristocratic husband, Josephine's future did not look promising. But while her friends and contemporaries were sent to the guillotine during the Terror that followed the Revolution, she survived prison and emerged as the doyenne of a wildly debauched party scene, surprising everybody when she encouraged the advances of a short, marginalised Corsican soldier, six years her junior.Josephine, the fabulous hostess and skilled diplomat, was the perfect consort to the ambitious but obnoxious Napoleon. With her by his side, he became the greatest man in Europe, the Supreme Emperor; and she amassed a jewellery box with more diamonds than Marie Antoinette's. But as his fame grew, Napoleon became increasingly obsessed with his need for an heir and irritated with Josephine's extravagant spending. The woman who had enchanted France became desperate and jealous. Until, a divorcee aged forty-seven, she was forced to watch from the sidelines as Napoleon and his young bride produced a child.

    The English Civil War would set family against family, friend against friend, and its casualties were immense—a greater proportion of the population than in World War I. England had become a failed state.At the head of the disintegrating kingdom was the figure of the king: Charles I. In this vivid portrait—newly informed by previously unseen manuscripts, including royal correspondence between the king and his queen, some of it written in code—Leanda de Lisle depicts a man who was not cruel enough for his cruel times. He would not persecute his opponents in the bloody style of his Tudor antecedents, or throw his servants to the wolves to save his own skin in the time-honored royal style. He was tutored by his father in the rights and obligations of kings, but had none of his father's political subtlety and experience in survival. In a court of remarkable women he was happily married—but to a French Catholic princess, which caused consternation to his protestant subjects. Principled and high minded, he would pay a terrible price for the personal honor he so valued, and for having enemies more ruthless than he was. Nothing, however, would reflect on his character as much as the scene at his terrible death, speaking on the scaffold as a “martyr of the people.”In his own destruction Charles did not sow the seeds of the monarchy's destruction but its rebirth. England's revolution lasted eleven unhappy years and the Crown was then restored, to national rejoicing. Today England enjoys rule by parliament and monarch while the Church of England has the bishops Charles was determined to preserve. More radical religious experimenters took their faith to the New World and the seeds of a republic, leaving England to mend its wounds and restore its fortunes and future as the world's preeminent constitutional monarchy.