ترجم الكتاب إلى العديد من اللغات العالمية.واسم الكتاب كاملاً طوق الحمامة في الألفة والأُلاف. ويحتوي الكتاب على مجموعة من أخبار وأشعار وقصص المحبين، ويتناول الكتاب بالبحث والدَّرس عاطفة الحب الإنسانية على قاعدة تعتمد على شيء من التحليل النفسي من خلال الملاحظة والتجربة. فيعالج ابن حزم في أسلوب قصصي هذه العاطفة من منظور إنساني تحليلي. والكتاب يُعد عملاً فريدًا في بابه.Ibn Hazm's Tawq al-Hamama ('The Ring of the Dove')The famous Arabic book on love and lovers, Tawq al-hamâma ('the Ring of the Dove'), is a splendid witness to the high age of Islamic culture in Spain. The book was written in or around 1022 CE in Játiva, south of Valencia, by Abu Muhammad `Ali Ibn Hazm al-Andalusi (Córdoba, 994-1064 CE). It is a youth work by this famous Andalusian poet, philosopher, jurist and scholar of comparative religion.In thirty chapters Ibn Hazm treats thirty moments or personages that are of relevance to love relationships, such as the signs of love, love at first sight, amorous allusions, correpondence between lovers, the messenger between the lovers, being together, fidelity and unfidelity, separation, death. Ibn Hazm alternates from theoritical observations to anecdotes of daily life and he ornates his essays with an abundance of appropriate poetry. The anecdotes are often very peronal and they give the reader a enthralling view on life and love in Islamic Córdoba. All poetry in the Ring of the Dove is Ibn Hazm's own.The Ring of the Dove has been preserved in only one manuscript, which is, since 1665, part of the Oriental collections of Leiden University Library (where it is registered as Or. 927). It was copied in 1338 CE, most probably in Egypt or Syria, from an original that is now lost. The manuscript was first acquired in Istanbul in the middle of the 17th century by the learned and bibliophile Dutch ambassador to the Sublime Porte, Levinus Warner (1619-1665). After his death his entire collection of books and manuscripts came to Leiden.The first edition of the Arabic text was made by the Russian D.K. Pétrof and was published in Leiden in 1914. Before that R.P.A. Dozy (1820-1883) had already published several fragments. All later editions and the numerous translations of the book are directly, or, mostly, indirectly based on the Leiden manuscript. Together they are proof to the fact that Ibn Hazm in his book on love and lovers treats themes that are for all humans in all times.

    Here are genies and flying carpets, Aladdin and Sinbad, Ali Baba, and many other familiar stories, made new by the magical pen of the acknowledged dean of Arabic letters.

    Composed of 316 unanswerable questions, these poems integrate the wonder of a child with the experiences of an adult. By turns Orphic, comic, surreal, and poignant, Neruda's questions lead the reader beyond reason into the realms of intuition and pure imagination.This complete translation of Pablo Neruda's El libro de las preguntas (The Book of Questions) features Neruda's original Spanish-language poems alongside William O'Daly's English translations. In his introduction O'Daly, who has translated eight volumes of Pablo Neruda's poetry, writes, "These poems, more so than any of Neruda's other work, remind us that living in a state of visionary surrender to the elemental questions, free of the quiet desperation of clinging too tightly to answers, may be our greatest act of faith."When Neruda died in 1973, The Book of Questions was one of eight unpublished poetry manuscripts that lay on his desk. In it, Neruda achieves a deeper vulnerability and vision than in his earlier work-and this unique book is a testament to everything that made Neruda an artist."Neruda's questions evoke pictures that make sense on a visual level before the reader can grasp them on a literal one. The effect is mildly dazzling [and] O'Daly's translations achieve a tone that is both meditative and spontaneous." --Publishers WeeklyPablo Neruda, born in southern Chile, led a life charged with poetic and political activity. He was the recipient of the Nobel Prize in Literature, the International Peace Prize, and served as Chile's ambassador to several countries, including Burma, France, and Argentina. He died in 1973.II.Tell me, is the rose naked or is that her only dress?Why do trees conceal the splendor of their roots?Who hears the regrets of the thieving automobile?Is there anything in the world sadder than a train standing in the rain?XIV.And what did the rubies say standing before the juice of pomegranates?Why doesn't Thursday talk itself into coming after Friday?Who shouted with gleewhen the color blue was born?Why does the earth grievewhen the violets appear?

    In this self-eulogy written in the final years of Mahmoud Darwish's life, Palestine becomes a metaphor for the injustice and pain of our contemporary moment.Mahmoud Darwish (1941-2008) was one of the most acclaimed poets in the Arab world. His poetry collections include Why Did You Leave the Horse Alone? and A River Dies of Thirst (Archipelago Books). In 2001 Darwish was awarded the Lannan Cultural Freedom Prize.

    A ruba'i is a two-line stanza with two parts (or hemistichs) per line, hence the word rubáiyát (derived from the Arabic language root for "four"), meaning "quatrains". (Courtesy: Wikipedia)(less)

    Adler, editor of Great Books of the Western World. It has been acknowledged by its author as his most personal work. Composed of poems, parables, and stories, sketches and apocryphal quotations, Dreamtigers at first glance appears to be a sampler—albeit a dazzling one—of the master's work. Upon closer examination, however, the reader discovers the book to be a subtly and organically unified self-revelation. Dreamtigers explores the mysterious territory that lies between the dreams of the creative artist and the "real" world. The central vision of the work is that of a recluse in the "enveloping serenity " of a library, looking ahead to the time when he will have disappeared but in the timeless world of his books will continue his dialogue with the immortals of the past — Homer, Don Quixote, Shakespeare. Like Homer, the maker of these dreams is afflicted with failing sight. Still, he dreams of tigers real and imagined, and reflects upon of a life that, above all, has been intensely introspective, a life of calm self-possession and absorption in the world of the imagination. At the same time he is keenly aware of that other Borges, the public figure about whom he reads with mixed emotions: "It's the other one, it's Borges, that things happen to."

    While inspired by the sense of spiritual certainty, their narrative quality, subtle humor, and visionary power lift them far above the common run of "religious" literature.

    He "received" a series of poems about which he did not speak for a long time - he considered them sacred, and different from anything else he ever had done and ever would do again. This poet saw the coming darkness of the century, and saw the struggle we would have in our relationship to the divine. The poet was Rainer Maria Rilke, and these love poems to God make up his Book of Hours.

    Recognising genuis, the judge decides to spare him and gives him instead a small, blank book, encouraging him to confine his thoughts to it alone. Thus begins the seamless blend of fact and fiction that is Samarkand. Vividly re-creating the history of the manuscript of the Rubaiyaat of Omar Khayyam, Amin Maalouf spans continents and centuries with breathtaking vision: the dusky exoticism of 11th-century Persia, with its poetesses and assassins; the same country's struggles nine hundred years later, seen through the eyes of an American academic obsessed with finding the original manuscript; and the fated maiden voyage of the Titanic, whose tragedy led to the Rubaiyaat's final resting place - all are brought to life with keen assurance by this gifted and award-winning writer.

    Among his expansive and impressive body of work, Gitanjali is regarded as one of his greatest achievements, and has been a perennial bestseller since it was first published in 1910.

    And Burton Watson's lucid and beautiful translation has been loved by generations of readers.Chuang Tzu (369?-286? B.C.) was a leading philosopher representing the Taoist strain in Chinese thought. Using parable and anecdote, allegory and paradox, he set forth, in the book that bears his name, the early ideas of what was to become the Taoist school. Central to these is the belief that only by understanding Tao (the Way of Nature) and dwelling in its unity can man achieve true happiness and freedom, in both life and death.Chuang Tzu: Basic Writings includes the seven "inner chapters," which form the heart of the book, three of the "outer chapters," and one of the "miscellaneous chapters." Watson also provides an introduction, placing the philosopher in relation to Chinese history and thought.Witty and imaginative, enriched by brilliant imagery, and making sportive use of both mythological and historical personages (including even Confucius), this timeless classic is sure to appeal to anyone interested in Chinese religion and culture.

    He recounts the perilous journey of the world’s birds to the faraway peaks of Mount Qaf in search of the mysterious Simorgh, their king. Attar’s beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, while his poem models the soul’s escape from the mind’s rational embrace.Sholeh Wolpé re-creates for modern readers the beauty and timeless wisdom of the original Persian, in contemporary English verse and poetic prose.

    A hard-drinking wild man of literature and a stubborn outsider to the poetry world, he wrote unflinchingly about booze, work, and women, in raw, street-tough poems whose truth has struck a chord with generations of readers.Edited by John Martin, the legendary publisher of Black Sparrow Press and a close friend of Bukowski's, The Pleasures of the Damned is a selection of the best works from Bukowski's long poetic career, including the last of his never-before-collected poems. Celebrating the full range of the poet's extraordinary and surprising sensibility, and his uncompromising linguistic brilliance, these poems cover a rich lifetime of experiences and speak to Bukowski's “immense intelligence, the caring heart that saw through the sham of our pretenses and had pity on our human condition” (New York Quarterly). The Pleasures of the Damned is an astonishing poetic treasure trove, essential reading for both longtime fans and those just discovering this unique and legendary American voice.

    Written more than two thousand years ago, the Tao Teh Ching, or -The Classic of the Way and Its Virtue, - is one of the true classics of the world of spiritual literature. Traditionally attributed to the legendary -Old Master, - Lao Tzu, the Tao Teh Ching teaches that the qualities of the enlightened sage or ideal ruler are identical with those of the perfected individual. Today, Lao Tzu's words are as useful in mastering the arts of leadership in business and politics as they are in developing a sense of balance and harmony in everyday life. To follow the Tao or Way of all things and realize their true nature is to embody humility, spontaneity, and generosity. John C. H. Wu has done a remarkable job of rendering this subtle text into English while retaining the freshness and depth of the original. A jurist and scholar, Dr. Wu was a recognized authority on Taoism and the translator of several Taoist and Zen texts and of Chinese poetry. This book is part of the Shambhala Pocket Library series. The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts. The covers in this series are rendered by Colorado artist Robert Spellman. The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compact format that is collectible, reader-friendly, and applicable to everyday life.

    Ella Rubenstein is forty years old and unhappily married when she takes a job as a reader for a literary agent. Her first assignment is to read and report on Sweet Blasphemy, a novel written by a man named Aziz Zahara. Ella is mesmerized by his tale of Shams's search for Rumi and the dervish's role in transforming the successful but unhappy cleric into a committed mystic, passionate poet, and advocate of love. She is also taken with Shams's lessons, or rules, that offer insight into an ancient philosophy based on the unity of all people and religions, and the presence of love in each and every one of us. As she reads on, she realizes that Rumi's story mir­rors her own and that Zahara—like Shams—has come to set her free.