Nature as delight. Nature as mother and sister. Nature as victim. Nature as companion and reminder of what is wild in us all. Here, among more than a hundred poets and prose writers, are Diane Ackerman on the opium of sunsets; Ursula K. Le Guin envisioning an alternative world in which human beings are not estranged from their planet; and Julia Butterfly Hill on weathering a fierce storm in the redwood tree where she lived for more than two years. Here, too, are poems, essays, stories, and journal entries by Emily Dickinson, Alice Walker, Terry Tempest Williams, Willa Cather, Gretel Erlich, Adrienne Rich, and others—each offering a vivid, eloquent response to the natural world.This second edition of Sisters of the Earth is fully revised and updated with a new preface and nearly fifty new pieces, including new contributions by Louise Erdrich, Pam Houston, Zora Neale Hurston, Starhawk, Joy Williams, Kathleen Norris, Rita Dove, and Barbara Kingsolver.

    LIndbergh's poems are a joy for their clarity and restraint and for the feeling which so swiftly flows from the word to the listener.'- Edward Weeks, Atlantic Monthly.

    I Dreamed You gives a voice to the feelings so difficult to express and so important to share.Award-winning and beloved children's author Justine Avery thoughtfully, reverently expresses the sentiments behind welcoming a child into our lives, whether we're a grandparent, adopting parent, step-parent, sibling, or anyone else blessed with a cherished young one.

    "I stare out the window," she says on the first spread of brown and gray, "looking for birds or flowers / or even warm showers / but I don't see any such thing." But then Spring comes when "March is out of breath snow melting to flowery waters and watery flowers spring rose from its wintry rest." And Ivy's "heart dances with daffodils." As these words also dance across each spread, Ivy's world erupts into a riot of color. Ivy in Bloom introduces the poetry of Dickinson, Longfellow, Browning, Wordsworth, Frost and others. Excerpts from their writings, as seen through Ivy's eyes, will open up poetry as a way for children to express their own feelings about the changing of seasons. This book includes longer excerpts and brief bios of each author.

    Poet Laureate J. Patrick Lewis curates an exuberant poetic celebration of the natural world in this stellar collection of nature poems. From trickling streams to deafening thrunderstorms to soaring mountains, discover majestic photography perfectly paired with contemporary (such as Billy Collins), classics (such as Robert Frost), and never-before-published works.

    In this introduction to poetry and contemporary art, brief biographies of Angelou and Basquiat accompany the text and artwork.

    Their initial contact grew into a friendship that O'Brien chronicled for the Miami News, where he began his career as a staff photographer. O'Brien's photo essays conveyed empathy for the homeless and the disenfranchised and won two Robert F. Kennedy Journalism Awards. In 2006, O'Brien reconnected with the issue of homelessness and learned the problem has grown exponentially since the 1970s, with as many as 3.5 million adults and children in America experiencing homelessness at some point in any given year.In Hard Ground, O'Brien joins with renowned singer-songwriter Tom Waits, described by the New York Times as "the poet of outcasts," to create a portrait of homelessness that impels us to look into the eyes of people who live "on the hard ground" and recognize our common humanity. For Waits, who has spent decades writing about outsiders, this subject is familiar territory. Combining their formidable talents in photography and poetry, O'Brien and Waits have crafted a work in the spirit of Let Us Now Praise Famous Men, in which James Agee's text and Walker Evans's photographs were "coequal, mutually independent, and fully collaborative" elements. Letting words and images communicate on their own terms, rather than merely illustrate each other, Hard Ground transcends documentary and presents independent, yet powerfully complementary views of the trials of homelessness and the resilience of people who survive on the streets.

    For this special edition with a new design, trim size, and three new spreads, Susan Jeffers has added more detail and subtle color to her sweeping backgrounds of frosty New England scenes. There are more animals to find among the trees, and the kindly figure with his "promises to keep" exudes warmth as he stops to appreciate the quiet delights of winter. The handsome new vellum jacket will attract new and old fans as it evokes a frost-covered windowpane. This celebration of a season makes an ideal holiday gift for a child, a teacher, or a host. Robert Frost (1874-1963) is one of America's most celebrated poets and a four-time winner of the Pulitzer Prize.Susan Jeffers is the illustrator of such distinguished picture books as Three Jovial Huntsmen, a Caldecott Honor Book; Rachel Field's Hitty; and the ABBY Award-winning Brother Eagle, Sister Sky, which was also a New York Times best-seller.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    After attacking a lone Spanish ship, the Alcestis is defeated by Spanish reinforcements and its crew taken as captives to the Panamanian port of Chagres. The ship's cat is initially imprisoned, but the gaoler's daughter takes pity on him and has him released to serve in the gaoler's kitchen. After the gaoler and his companions become drunk celebrating Saint Philip's Day, the ship's cat steals the keys to the gaol and releases his shipmates. Together, they steal a ship from the harbor and sail for home, pursued by their erstwhile captors. Their pursuers are frightened off by the sudden appearance of Sir Francis Drake (outward bound on his global circumnavigation of 1577). After Drake departs, the ship's cat reveals that he has discovered a hoard of treasure in the ship's hold. The crew sail home to England, where they are greeted as heroes and the cat is knighted by Queen Elizabeth I.

    Indian folk art triumphantly meets 17th-century English trick verse in this sophisticated graphic venture fit for middle graders on up." - Starred, Kirkus Reviews"A stunning reminder of why people keep making real-live books... Visually delicious and beautifully made. . . a testament to the vitality of two art forms that just won't answer to their death knells: poetry and the book." - NPR Summer Reads PickThis 17th century British poem is a form of trick verse. Here, the very design of the book brings clarity to the verse, as whimsical die-cuts in each page reveal the poem's nuanced meaning. Read straightforwardly, the poem sounds interestingly surreal. But if the lines are broken up in the middle, then everything falls into place. Illustrations by award-winning Gond artist Ramsingh Urveti (of The Night Life of Trees), book design by Jonathan Yamakami.US Grade Level Equivalent: 2US Guided Reading Level: K

    This fascination has spawned a wealth of extraordinary fictional creations, from Puccini's Madame Butterfly to Arthur Golden's Memoirs of a Geisha. But as denizens of a world defined by silence and mystery, real geisha are notoriously difficult to meet and even to find. As a result, their history has long been cloaked in secrecy. Lesley Downer, an award-winning writer, Japanese scholar, and consummate storyteller, gained more access to this world than almost any other Westerner, and spent several months living in it. In Women of the Pleasure Quarters, she weaves together intimate portraits of modern geisha with the romantic legends and colorful historical tales that shape their fascinating past. Contrary to popular opinion, geisha are not prostitutes but, literally, "arts people." Accomplished singers, dancers, and musicians, they are, above all, masters of the art of conversation, soothing the worries and stroking the egos of wealthy businessmen who can afford their attentions. Looking into such traditions as mizuage, the ritual deflowering that was once a rite of passage for all geisha, and providing colorful descriptions of their dress, training, and homes, Downer transforms their reality into a captivating narrative, and reveals an enthralling world unlike any other.

    "Stephen Strom's photographs lead you to that place," writes Joy Harjo. "The camera eye becomes a space you can move through into the powerful landscapes that he photographs. The horizon may shift and change all around you, but underneath it is the heart with which we move." Harjo's prose poems accompany these images, interpreting each photograph as a story that evokes the spirit of the Earth. Images and words harmonize to evoke the mysteries of what the Navajo call the center of the world.

    On Being a Photographer has become one of the most popular books ever written with practical advice for photographers.

    The same is true for gifted, prolific, women poets of the Harlem Renaissance who are little known, especially as compared to their male counterparts. In this poetry collection, bestselling author Nikki Grimes uses "The Golden Shovel" poetic method to create wholly original poems based on the works of these groundbreaking women-and to introduce readers to their work. Each poem is paired with one-of-a-kind art from today's most exciting female African-American illustrators: Vanessa Brantley-Newton, Cozbi A. Cabrera, Nina Crews, Pat Cummings, Laura Freeman, Jan Spivey Gilchrist, Ebony Glenn, April Harrison, Vashti Harrison, Ekua Holmes, Cathy Ann Johnson, Keisha Morris, Daria Peoples-Riley, Andrea Pippins, Erin Robinson, Shadra Strickland, Nicole Tadgell, and Elizabeth Zunon. Legacy also includes a foreword, an introduction to the history of the Harlem Renaissance, author's note, and poet biographies, which make this a wonderful resource and a book to cherish. Acclaim for One Last Word A Boston Globe-Horn Book Honor winnerA New York Public Library Best Kids Book of the YearA Kirkus Reviews Best Book of the Year, Middle GradeA School Library Journal Best Book of the Year, Nonfiction