The convict who held him hostage during a riot, twenty years ago, is being considered for release. Wes has been away from Black River ever since the riot. He grew up in this small Montana town, encircled by mountains, and, like his father before him and most of the men there, he made his living as a Corrections Officer. A talented, natural fiddler, he found solace and joy in his music. But during that riot Bobby Williams changed everything for Wes — undermining his faith and taking away his ability to play.How can a man who once embodied evil ever come to good? How can he pay for such crimes with anything but his life? As Wes considers his own choices and grieves for all he's lost, he must decide what he believes and whether he can let Williams walk away.With spare prose and stunning detail, S. M. Hulse drops us deep into the heart and darkness of an American town.

    As with several of his early works, the entire edition (of 1,500 copies) was distributed for free. The title poem envisions a world where cybernetics has advanced to a stage where it allows a return to the balance of nature and an elimination of the need for human labor.

    Journalists flocked to the region to extract sympathetic profiles of families devastated by poverty, abandoned by establishment politics, and eager to consume cheap campaign promises. What You Are Getting Wrong About Appalachia is a frank assessment of America’s recent fascination with the people and problems of the region. The book analyzes trends in contemporary writing on Appalachia, presents a brief history of Appalachia with an eye toward unpacking Appalachian stereotypes, and provides examples of writing, art, and policy created by Appalachians as opposed to for Appalachians. The book offers a must-needed insider’s perspective on the region.

    First publication for Kerouac's 'lost novel.

    Whether the subject is barbershop mythology or a meditation on the circumstances of one's own conception, Fulghum makes us a little more aware of the richness, fullness, and joyousness of life.

    Twenty years later, the slaughter was blamed on one man named John D. Lee, previously a member of Brigham Young's inner circle. Red Water imagines Lee's extraordinary frontier life through the eyes of three of his nineteen wives. Emma is a vigorous and capable Englishwoman who loves her husband unconditionally. Ann, a bride at thirteen years old, is an independent adventurer. Rachel is exceedingly devout and married Lee to be with her sister, his first wife. These spirited women describe their struggle to survive Utah's punishing landscape and the poisonous rivalries within their polygamous family, led by a magnetic, industrious, and considerate husband, who was also unafraid of using his faith to justify desire and ambition.

    The local villain, Blackway, is making life hellish for Lillian, a young woman from parts elsewhere. Her boyfriend has fled the state in fear, and local law enforcement can do nothing to protect her. She resolves, however, to stand her ground, and to fight back. A pair of unlikely allies – Lester, a crafty old-timer, and Nate, a powerful but naive youth – join her cause, understanding that there is no point in taking up the challenge unless you’re willing to “go through.” In this modern-day drama, a kind of Greek chorus – wry, witty, digressive; obsessively, amusingly reminiscent; skeptical, opinionated, and not always entirely sober – enriches the telling of this unforgettable tale as the reader follows the threesome’s progress on their dangerous, suspenseful quest.

    

    Steinbeck tackles two important literary traditions here; American naturalism, with its focus on the conflict between natural instincts and the demand to conform to society's norms, and the short story cycle. Set in the heart of 'Steinbeck land', the lush Californian valleys.

    All books included in this collection feature a hyperlinked table of contents and footnotes. The collection is complimented by an author biography. Table of Contents T. S. Eliot BiographyList of Works in Alphabetical OrderPoetryPrufrock and Other Observations:The Love Song of J. Alfred Prufrock Portrait of a Lady Preludes Rhapsody on a Windy NightMorning at the Window The Boston Evening Transcript Aunt Helen Cousin Nancy Mr. Apollinax Hysteria Conversation Galante La Figlia Che PiangePoems:GerontionBurbank with a Baedeker: Bleistein with a CigarSweeney ErectA Cooking EggLe DirecteurMelange Adultere De ToutLune De MielThe HippopotamusDans Le RestaurantWhispers of ImmortalityMr. Eliot's Sunday Morning ServiceSweeney Among the NightingalesThe Waste LandShort StoryEeldrop and AppleplexEssayEzra Pound: His Metric and Poetry

    It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them.  “They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother’s journals were blank.” What did Williams’s mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?”

    Now living happily in Berkeley, married and the mother of twins, Nora Jane is back in college, pregnant again, launching a new career, and facing circumstances that imperil her domestic bliss.The nine stories that follow explore the hazards of recapturing and reviving old affairs. Featuring both new and familiar Gilchrist characters, all of these stories shed brilliant new light on the oldest emotion.

    Michael Perry loves this place. He grew up here, and now -- after a decade away -- he has returned. Unable to polka or repair his own pickup, his farm-boy hands gone soft after years of writing, Mike figures the best way to regain his credibility is to join the volunteer fire department. Against a backdrop of fires and tangled wrecks, bar fights and smelt feeds, he tells a frequently comic tale leavened with moments of heartbreaking delicacy and searing tragedy.

    Trying to be the best mother of a teen mom, and daughter to her mom with Alzheimer’s, that she can be. But Billie’s fragile life is thrown into turmoil when the target of her biggest regret, Crazy Sadie, shows up claiming to have witnessed the only murder in the town's history. Sadie Byrd accuses the nearly dead and sainted Judge Norris of savagely beating his own little girl to death forty years ago. Could Miss Sadie be right? As Billie uncovers the terrible truth of stolen babies and bone-chilling corruption, she will have to risk everything when powerful people are prepared to do anything to keep buried.

    Following Pulitzer Prize finalist Ron Padgett's 2013's Collected Poems (winner of the Los Angeles Times Book Prize and the William Carlos Williams Prize) Alone and Not Alone offers new poems that see the world in a clear and generous light.From "The World of Us":Don't go around all daythinking about life—doing so will raise a barrierbetween you and its instants.You need those instantsso you can be in them,and I need you to be in them with mefor I think the world of usand the mysterious barricadesthat make it possible.