As they remake the wilderness in their own image, planning for a future of settlement and civilization, the long-held bonds and secrets between the two will be tested, fractured and broken—and possibly healed.Fifty years from now, in the second half of the twenty-first century, climate change has ravaged the Earth. Having invested early in genetic engineering and food science, one company now owns all the world’s resources. But a growing resistance is working to redistribute both land and power—and in a pivotal moment for the future of humanity, one of the company’s original founders will return to headquarters, intending to destroy what he helped build.A thousand years in the future, North America is covered by a massive sheet of ice. One lonely sentient being inhabits a tech station on top of the glacier—and in a daring and seemingly impossible quest, sets out to follow a homing beacon across the continent in the hopes of discovering the last remnant of civilization.Hugely ambitious in scope and theme, Appleseed is the breakout novel from a writer “as self-assured as he is audacious” (NPR) who “may well have invented the pulse-pounding novel of ideas” (Jess Walter). Part speculative epic, part tech thriller, part reinvented fairy tale, Appleseed is an unforgettable meditation on climate change; corporate, civic, and familial responsibility; manifest destiny; and the myths and legends that sustain us all.

    Everything changes when she’s recruited into the Office of Strategic Services by family friend and legendary WWI hero Major General William Donovan.Donovan has faith in her—and in all his “glorious amateurs” who are becoming Anna’s fast friends: Maggie, Anna’s down-to-earth mentor; Irene, who’s struggling to find support from her husband for her clandestine life; and Julia, a cheerful OSS liaison. But the more Anna learns about the organization’s secret missions, the more she longs to be stationed abroad. Then comes the opportunity: go undercover as a spy in the French Resistance to help steal critical intelligence that could ultimately turn the tide of the war.Dispatched behind enemy lines and in constant danger, Anna is filled with adrenaline, passion, and fear. She’s driven to make a difference—for her country and for herself. Whatever the risk, she’s willing to take it to help liberate France from the shadows of occupation and to free herself from the shadows of her former life.

    Folklorist Helene Adeline Guerber brings to life the gods and goddesses, giants and dwarves, and warriors and monsters of these stories in Tales of Norse Mythology. Ranging from the comic to the tragic, these leghends tell of passion, love, friendship, pride, courage, strength, loyalty, and betrayal.

    Every night, before she puts them to bed, she whispers to them: “You are good, you are kind, you are clever, you are funny.” She’s determined that they never doubt for a minute that their mother loves them unconditionally. After all, her own mother Jeanie had died when she was only seven years old and Faye has never gotten over that intense pain of losing her.But one day, her life is turned upside down when she finds herself in 1977, the year before her mother died. Suddenly, she has the chance to reconnect with her long-lost mother, and even meets her own younger self, a little girl she can barely remember. Jeanie doesn’t recognize Faye as her daughter, of course, even though there is something eerily familiar about her...As the two women become close friends, they share many secrets—but Faye is terrified of revealing the truth about her identity. Will it prevent her from returning to her own time and her beloved husband and daughters? What if she’s doomed to remain in the past forever? Faye knows that eventually she will have to choose between those she loves in the past and those she loves in the here and now, and that knowledge presents her with an impossible choice.Emotionally gripping and ineffably sweet Faye, Faraway is a brilliant exploration of the grief associated with unimaginable loss and the magic of being healed by love.

    Fleming and six other authors will each contribute a story from different points of view: M.T. Anderson, Jennifer Donnelly, Stephanie Hemphill, Deborah Hopkinson, Linda Sue Park, and Lisa Ann Sandell.

    Unbeknownst to him, there’s a reason why he’s always the odd boy out: he is an Oddfit, a rare type of human with access to the More Known World, a land invisible to most people. Yet unfortunate circumstances keep Murgatroyd stranded in the Known World, bumbling through life with the feeling that an extraordinary something is waiting for him just beyond reach.Seventeen years later, that something finally arrives when a secret organization dedicated to exploring the More Known World invites Murgatroyd on a mission. But as the consummate loser begins to grow into the Oddfit he was meant to be, the Known World becomes bent on exterminating him. For once in his underachieving life, will Murgatroyd Floyd exceed expectations and outsmart those trying to thwart his stupendous destiny?

    When she’s caught using illegal magic, she fears being branded a traitor and imprisoned. Meanwhile, on the front lines, Linné defied her father, a Union general, and disguised herself as a boy to join the army. They’re both offered a reprieve from punishment if they use their magic in a special women’s military flight unit and undertake terrifying, deadly missions under cover of darkness. Revna and Linné can hardly stand to be in the same cockpit, but if they can’t fly together, and if they can’t find a way to fly well, the enemy’s superior firepower will destroy them–if they don’t destroy each other first.We Rule the Night is a powerful story about sacrifice, complicated friendships, and survival despite impossible odds.

    Richard Marsdon marries a young American woman named Celia, brings her to live at his English estate, and all seems to be going well. But now Richard has become withdrawn, and Celia is constantly haunted by a vague dread. When she suffers a breakdown and wavers between life and death, a wise doctor realizes that only by forcing Celia to relive her past can he enable her to escape her illness. Celia travels back 400 years in time to her past life as a beautiful but doomed servant. Through her eyes, we see the England of the Tudors, torn by religious strife, and experience all the pageantry, lustiness, and cruelty of the age. As in other historical romance titles by this author, the past comes alive in this flamboyant classic novel.

    As traders and raiders, explorers and colonists, they reshaped the world between eastern North America and the Asian steppe. For a millennium, though, their history has largely been filtered through the writings of their victims. Based on the latest archaeological and textual evidence, Children of Ash and Elm tells the story of the Vikings on their own terms: their politics, their cosmology, their art and culture. From Björn Ironside, who led an expedition to sack Rome, to Gudrid Thorbjarnardóttir, the most travelled woman in the world, Price shows us the real Vikings, not the caricatures they have become in popular culture and history.

    Each story builds a new world all its own: a group of children steal a haunted doll; a runaway bride encounters a sea monster; a vendor sells toy boxes that seemingly control the passage of time; an insomniac is seduced by the Sandman. These visions of modern life wrestle with themes of death and technological consequence, guilt and sexuality, and unmask the contradictions that exist within all of us.  Mesmerizing, electric, and wholly original, Kim Fu’s Lesser Known Monsters of the 21st Century blurs the boundaries of the real and fantastic, offering intricate and surprising insights into human nature.

    Warring kings rule over the British Isles, but the Church rules over the kings, threatening all who oppose them with damnation. Only the dreaded Vikings of Scandinavia do not fear the priests.Shef, the bastard son of a Norse raider and a captive English lady, is torn by divided loyalties and driven by strange visions that seem to come from Odin himself. A smith and warrior, he alone dares to imagine new weapons and tactics with which to carve out a kingdom--and launch an all-out war between....The Hammer and the Cross.

    . . until a perilous destiny forces her to take flight. Where is Maximum Ride?Ten years ago a girl with wings fought to save the world. But then she disappeared.Now she's just a fading legend, remembered only in stories.Hawk doesn't know her real name. She doesn't know who her family was, or where they went. The only thing she remembers is that she was told to wait on a specific street corner, at a specific time, until her parents came back for her.She stays under the radar to survive...until a destiny that's perilously close to Maximum Ride's forces her to take flight. Someone is coming for her.But it's not a rescue mission.It's an execution. span

    Zho, is transported into the dying body of bootlegger Ryan Costello. Immediately following his death, Costello’s body is reanimated by the alien. Unfortunately, Zho’s new “host body” is so damaged from a decade of alcohol abuse that the alien’s memory and vital files are corrupted. All that remains of Zho’s mission plan is one phrase: “Find the one called Mike Kelly.”Complicating matters, the alien soon discovers that Kelly is, himself, the leader of a criminal gang of World War veterans, who are battling mobster Jack “Legs” Diamond for control of the lucrative Canada/New York rum-running market. Upon recognizing Costello’s enhanced abilities and physical strength, Kelly forces the alien into the mob. Since Kelly is his only chance of discovering and completing his mission, the alien agrees. Costello soon recalls his critical task - to free an alien child from the Craig Colony, which they interpret to be a prison camp, before his home world, Dagan, dispatches its “rescue armada.” A force so massive and clumsy that its mere entry into the Earth’s atmosphere would devastate the planet.By setting part of the plot in the Craig Colony, a little-known state institution in which patients with seizure disorders were essentially warehoused, the novel raises awareness of the human rights violations that occurred there.

    Tolkien composed his own version, now published for the first time, of the great legend of Northern antiquity, in two closely related poems to which he gave the titles The New Lay of the Völsungs and The New Lay of Gudrún.In the "Lay of the Völsungs" is told the ancestry of the great hero Sigurd, the slayer of Fáfnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness.In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrún. In the "Lay of Gudrún" her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge.Deriving his version primarily from his close study of the ancient poetry of Norway and Iceland known as the Poetic Edda (and where no old poetry exists, from the later prose work Völsunga Saga), J.R.R. Tolkien employed a verse-form of short stanzas whose lines embody in English the exacting alliterative rhythms and the concentrated energy of the poems of the Edda.

    It destroys us.The Feed is everywhere. It can be accessed by anyone, at any time. Every interaction, every emotion, every image can be shared through it.Tom and Kate use The Feed, but they have resisted addiction to it. And this will serve them well when The Feed collapses.Until their six-year-old daughter, Bea, goes missing.Because how do you find someone in a world devoid of technology? And what happens when you can no longer trust that your loved ones are really who they claim to be?