His uniqueness lies not only in the fact that at the young age of 19 and a half, he travelled to snow clad Himalayas from Kerala, and there he met and lived for several years with a ‘real-time’ yogi, Babaji, but also that he should undertake such an unusual and adventurous exploration, given his non-Hindu birth and antecedents.The metamorphosis of Mumtaz Ali Khan into Sri ‘M’, a yogi with profound knowledge of the Upanishads and deep personal insights, born of first hand experiences with higher levels of consciousness is indeed a fascinating story.The bonus for those interested in the secrets of yoga, meditation and sankhyan metaphysics is that Sri ‘M’ is still living and easily reachable. He leads a normal life, married with two children, wears no special robes and conducts himself without pomp or paraphernalia.Someone who met him recently said, “I expected a flashy godman and instead I saw a jean clad gentleman with a smile of his face, ready to discuss my problems. In five minutes flat, I said to myself, this is no ordinary man. The peace and tranquility that enters your system is tangible”.

    Cecelia “Sissy” Little thought she had seen the last of Truitt Tate two years ago after he left her cousin at the altar. When he shows up at her door, claiming to be an undercover FBI agent and furthermore, in need of her assistance to play the role as his fiancé, Sissy is less than thrilled. Aside from the fact that Sissy can’t stand Tate, Sissy has worked hard to build a life for her and her nephews in their racially tense town. The last thing she wants is for Tate to come and upset things. Truitt Tate hasn’t always been a gentleman, but he has changed, starting from the moment he first met Sissy Little. He comes to Alabama on assignment for business, but hopes to make it personal. As Tate becomes immersed in the Civil Rights movement and Sissy is forced to face old fears and secrets, will they find out that they have much more in common than they ever thought?

    If nothing else, at least you’ll find out why society has an upset stomach these days.Raw, relatable, powerful, often times uncomfortable, Rescued By A Feminist will make you question your prejudices and shatter your preconceived notions.“In a parallel universe where Cinderella was an independent and outspoken woman, who neither came home before midnight nor needed a fairy godmother... maybe Prince Charming was Rescued By A Feminist.”

    He's set to wrestle and study creative writing at Columbia University in New York. These poems are a look into his early experiences with love and loss, an introspective coming of age tale told in verse.

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015

    Calling poets away from civilization, back towards the wilderness, Lasky brazenly urges artists away from conceptual programs, resurrecting imagination and faith-in-the-uncertain as saviors from mediocrity.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    The cultural phenomena that generated comment and discussion—literary works, theatrical performances, films, conferences, book launches, etc.—have been viewed within a framework spelled out by the first two sections of the book: “Culture and Politics” and “Language and Culture.” Lumbera has always made culture and nationalism the advocacy of his teaching and writing, and in this book he elaborates on these intertwining themes.

    And when he finds this God he tells his brothers, saying: “If I had not come and spoken to you, you would have no sin, but now you have no excuse for your sins.” God reveals himself to man as his eternal contemporary, saying: “Unless you believe that I am he, you will die in your sins,” but man finds it almost impossible to keep the tense. He thinks of God in the third person, addresses him in the second person, but can only know God in a first person, present tense experience. Just imagine - no one can sin until God reveals himself to the individual in a first person, present tense experience. Only then can man have no excuse for his sin. And when one who finds God tells his brothers, he receives no greater reception than the first one did, because they see him as a man of flesh and blood, and cannot see this invisible being who says: “I came down from heaven.” Man is looking for Christ to come from without, but his revelation is whispered from within.

    Moments after the clock strikes midnight, Veer calls his phone and is relieved when the driver answers. After they agree to meet the next day, neither has any idea that fate has just intervened in both of their lives. Veer is a graduate student pursuing his MBA. Raj is a native of Amritsar. Although the two men are vastly different in terms of their family backgrounds, values, thought processes, and beliefs, it is not long before they fall in love. Still, no matter how hard he tries, Veer cannot shrug the apprehension that haunts him from within. No one has a simple love story and neither do they. But when one of the men takes the other for granted, their bond is jeopardized. Will anything or anyone be able to save it before it is too late? In this romance, two Indians intertwined in a web of forbidden love must attempt to overcome several obstacles in order to move forward in their relationship.

    A revised and expanded edition of the classic volume of Yeats' work, including the play The Death of Cuchulain.

    The refined Arab courtier Ibn Fadlan is accompanying a party of Viking warriors back to their home. He is appalled by their customs—the gratuitous sexuality of their women, their disregard for cleanliness, and their cold-blooded sacrifices. As they enter the frozen, forbidden landscape of the North—where the day’s length does not equal the night’s, where after sunset the sky burns in streaks of color—Fadlan soon discovers that he has been unwillingly enlisted to combat the terrors in the night that come to slaughter the Vikings, the monsters of the mist that devour human flesh. But just how he will do it, Fadlan has no idea.

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    In 1985, under the editorship of Margaret Drabble, the text was thoroughly and sensitively revised to bring it up to date.The sixth edition, published in 2000, was extensively revised, expanded, and updated. Almost 600 new entries covered new writers, genres, and issues, and existing entries were reworked to incorporate the latest scholarship. In addition to the extensive coverage of writers, works, literary theory, allusions, and characters, there are sixteen featured entries on key topics including black British literature, fantasy fiction, and modernism. The Companion remains an unrivaled work that places English literature in its widest context: no other book offers such extensive exploration of the classical roots of English literature, and the European and non-European works and writers that have influenced its development.The sixth edition has now been revised to ensure that it remains absolutely up to date: the invaluable appendices - the chronology, and lists of winners of major literary awards - have been updated, as have many of the entries. Informed by the latest scholarly thinking, and comprehensively cross-referenced to guide the reader to topics of related interest, the Companion retains its position as the best guide to English literature available.

    They are about love, its complications, pains and joys.