It's the end of the summer and the seasonal hurricanes loom on the horizon. Set against this background is a romance between two twelve-year-olds: Lucy Bishop, (who lives on the island with her parents [Bill Murray and Frances McDormand] and three younger brothers) and Sam (an orphan who is camping on the island with the Khaki Scout troop). Lucy and Sam hatch a secret plan to run away, and undertake a perilous journey though the woods and across the streams that criss-cross the island, to an isolated cove, where they set up their kingdom. They are pursued by the local sheriff (Bruce Willis) and the scout troop leader Scout Master Ward (Edward Norton). The follies of youth are matched by the compromises of age, and as the conflict between the generations escalates, the hurricane breaks upon the island putting all the characters at risk...

    

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    The film was directed by Blake Edwards and released by Paramount Pictures. It was based on the novella of the same name by Truman Capote.

    On Jenna Hall’s thirteen birthday, her mother committed suicide, a tragedy that continues to haunt the young woman twenty years later. Now, on her thirty-third birthday, Jenna’s pain over her mother’s death and abandonment is tempered by her hopes for a brighter future—of a happier life in the new home she’s buying with her beloved sister, Cassie. While touring the house, Jenna finds a secret room—a portal that magically transports her to an alternate reality in which her mother is still alive. It is the first of many alternate existences Jenna will experience in which she discovers a different version of herself and the people she knows, both the living and the dead. Accompanying her on these mystical journeys is her ever-present guardian angel. Traveling through these alternate realities, Jenna uncovers a long lost sibling, learns about her mother's past, reconnects with a childhood best friend, and meets her soul mate. Ultimately, she discovers newfound courage, confidence, forgiveness, and love—for herself, those around her, and those who are gone.Enchanting and thoughtful, House of Cry explores the consequences of our daily choices and the power they have to shape our lives, reaffirming our faith in restoration and the possibility of personal transformation.

    This story begins and ends in Carville, Louisiana where in 1894, the town was transformed from an abandoned Plantation into a refuge for lepers. Children were forcibly isolated from their families and put under strict quarantine inside the confines of a twelve foot barbed wire fence. Once inside, they were stripped of their rights, their dignity, and often even their identity. Eighteen year old Frances was smack in the middle of the debutante ball season in Baton Rouge, when pale patches of skin were discovered on her arm during a dress fitting. Diagnosed with leprosy, she was seen as a blight on her family and was sent away at once. Restless and overwhelmed by her family’s abandonment, she set out on a journey through the confines of the plantation that led her to the bend in the Mississippi River. Here she discovers a hole dug under the fence; this is her chance to escape and reclaim her life, or start a new one. When Jenny, a spirited ten year old girl, and her four year old brother, Danny test positive for leprosy they also become reluctant residents of Carville. They are met with the open and compassionate arms of the Sisters of Charity who do their best to help them live normal lives among the suffering. This sweeping historical novel gracefully details the depth, strength, and stamina of the human spirit during extreme times. When lives unfold and intertwine, Faith and Jenny find one another. Together, they develop a deep affinity and unlock the key to surviving by opening their hearts and letting love in once again. This is a love story about the deep bonds of friendship, the effects of love, and the ability to overcome and thrive.

    Channeling "the primal vision of Hart Crane" (Harold Bloom), Adam Fitzgerald helped welcome the modernist aethetic into the twenty-first century. Part Technicolor, part nitrous oxide, Fitzgerald's chimerical poems confront "a surging ocean of sound and language" (Maureen McLane). In these forty-eight poems, he conducts a madcap symphony of language, memory, and fantasy with the "exhilarating assurance of nonstop invention" (Timothy Donnelly).

    

    Jon's new film is being shown at a festival in Lansing, Michigan, and Vince has come from Oakland to see it. Over the course of the evening, Vince finally gets Jon to admit that ten years ago he date-raped Amy Randall, a girl whom they both dated in high school only then to reveal that he's taped their entire conversation. And not only that, he's invited Amy to have dinner with them that night. Beneath its suspenseful, high-stakes surface, TAPE examines questions of motive, memory, truth and perception.

    Get caught up on all things Laura Kinney with these Marvel Primer Pages and then check out the start of All-New Wolverine in Marvel Legacy in All-New Wolverine #25.

    

    Sure, age isn't a problem. Neither are her looks. Heaven knows that plenty of perfectly respectable men would consider themselves lucky to end up with someone like her. Then again, the last perfectly respectable man to end up with her - her ex-husband - ended their marriage, not to mention Jane's belief in happy endings...But she just can't muster the cynicism to resist William Andrews - a dashing, debonair widower with two children of his own. Soon, Jane's doing what she swore she'd never do: Marching down the aisle, promising to have, hold, serve, and protect, 'til death do them part. But why does Andrew seem so obsessed with his dead wife? And why do the children seem to hate Jane so passionately?As Jane struggles to understand the nature of the powerful hold Andrews's first wife still exerts over the husband and children she left behind, her day-to-day life grows increasingly more dangerous. During a family outing, she is suddenly thrown violently from her horse. Had someone deliberately spooked the horse? As she takes a midnight swim, the mechanical dome over the pool closes on her. Did it short circuit, or was it sabotage? Are these just coincidences, or are the stakes and risks getting higher the closer Jane gets to the truth? Someone would clearly like to see her follow the first Mrs. Andrews to the grave. Why?In a thriller that moves from New York to Paris to the Caribbean, a plot filled with relentless suspense, and a witty and intelligent heroine worth cheering for, this latest from Diana Diamond is her best yet, an unputdownable romance of deadly proportions.

    He’s also a vampire. He lives alone and avoids the other vampires in L.A., but Pete’s simple life goes haywire when he falls for Angie, the cute bartender at a Sunset Strip dive -- and when sinister vampire lord Carson Fitzgerald returns to claim his children, Pete learns that nothing's ever easy for a creature of the night.

    Naked Pueblo, his absolutely maximalist, throw-everything-in-and-shake-it-up short story collection, buzzes like some kind of whacked-out fever dream." (Esquire)

    K.Williams's work: more than four hundred poems that, though remarkable in their variety, have in common Williams's distinctive outlook—restless, passionate, dogged, and uncompromising in the drive to find words for the truth about life as we know it today.Williams's rangy, elastic lines are measures of thought, and in these pages we watch them unfold from his confrontational early poems through the open, expansive Tar and With Ignorance. His voice is both cerebral and muscular, capable of both the eightline poems of Flesh and Blood and the inward soundings of A Dream of Mind—and of both together in the award-winning recent books Repair and The Singing. These poems feel spontaneous, individual, and directly representative of the experience of which they sing; open to life, they chafe against summary and conclusion.Few poets leave behind them a body of work that is global in its ambition and achievement. C. K. Williams is one of them.