They sent hundreds of thousands of young men to their deaths on the Western Front - often needlessly. But is it fair? In this explosive book, Robin Neillands challenges the popular myth about the incompetence and callousness of the Great War generals and examines the battles of the Western Front through the eyes of the officers to explain the circumstances that led them to plan and fight as they did.The death toll on the Western Front provides the main evidence against the generals but Neillands examines many other factors and spreads responsibility far beyond the generals and their staff, asking the questions:· Why was Britain so unprepared for a European war in 1914?· What role did the British politicians play?· What was the truth behind Anglo-French relations?· Can the Australians and Canadians really take credit for the great victories of the War?· Was the arrival of the American army really decisive?· Was any general really equipped with the knowledge and information to deal with the horrors of trench warfare?· How much of what we now believe about the Great War is true?This thoroughly researched and controversial book shatters many assumptions about the commanders who led the British Army through the Great War. It essential reading for anyone who wants to understand the conflict. ‘Absolutely first class: an eye opener for those brough up on the First World War myths’ –Major-General Julian Thompson, CB, OBE‘One of our most readable military historians’ –The Birmingham Post‘A highly readable and thought-provoking book’ –Peter Simkins, Senior Historian at the Imperial War MuseumRobin Neillands is the author of several acclaimed works on the First World War including ‘The Old Contempibles: The British Expeditionary Force, 1914’, ‘Attrition: The Great War on the Western Front, 1916’ and ‘The Death of Glory’. Endeavour Press is the UK's leading independent publisher of digital books.

    A Drifting Life is his monumental memoir eleven years in the making, beginning with his experiences as a child in Osaka, growing up as part of a country burdened by the shadows of World War II.Spanning fifteen years from August 1945 to June 1960, Tatsumi’s stand-in protagonist, Hiroshi, faces his father’s financial burdens and his parents’ failing marriage, his jealous brother’s deteriorating health, and the innumerable pitfalls that await him in the competitive manga market of mid-twentieth-century Japan. He dreams of following in the considerable footsteps of his idol, the manga artist Osamu Tezuka (Astro Boy, Apollo’s Song, Ode to Kirihito, Buddha)—with whom Tatsumi eventually became a peer and, at times, a stylistic rival. As with his short-story collection, A Drifting Life is designed by Adrian Tomine.

    It is an honest account of one man’s journey to complete abandonment of ‘the self’ and the Western principles that we use to define ourselves. Professor Herrigel imparts knowledge from his experiences and guides the reader through physical and spiritual lessons in a clear and insightful way.Mastering archery is not the key to achieving Zen, and this is not a practical guide to archery. It is more a guide to Zen principles and learning and perfect for practitioners and non-practitioners alike.

    Thirty ready-to-color illustrations depict lavish dresses and gowns of velvet and damask; smart riding outfits trimmed with braid and gilt; an elegant cashmere shawl, children's outfits; as well as hair ornaments, footwear, and other accessories. A lovely collection that offers an authentic glimpse of what well-dressed ladies and youngsters of the Victorian era were wearing, this is a must-have for coloring book fans, costume designers, and cultural historians.

    EXPLORING ART uses art examples from around the world to discuss art in the context of religion, politics, family structure, sexuality, entertainment and visual culture.

    While complete in itself, it is also the first volume of a three-volume work which will be the first large-scale, comprehensive history of Japan.Taken as a whole, the projected history represents the culmination of the life work of perhaps the most distinguished historian now writing on Japan. Unlike the renowned Short Cultural History, it is concerned mainly with political and social phenomena and only incidentally touches on religion, literature, and the arts. The treatment is primarily descriptive and factual, but the author offers some pragmatic interpretations and suggests comparisons with the history of other peoples.A History of Japan to 1334 describes the growth from tribal origins of an organized state on a Chinese model, gives a picture of the life of the Royal Court, and examines the conflict between a polished urban nobility and a warlike rural gentry. It traces the evolution of an efficient system of feudal government which deprived the sovereign of all but his ritual functions and the prestige of his ancestry. The structure of Japanese feudal society is depicted in some detail and explained in terms of its internal stresses and its behavior in peace and war, especially during the period of the Mongol attacks in the last decades of the thirteenth century. The volume ends with the collapse of the feudal government at Kamakura under the attack of ambitious rivals.

    Concise and original, this engaging book is an antidote to the behemoth art history textbooks from which we were all taught. As he demonstrates so persuasively, there can never be one story of art. Cultures have their own stories - about themselves, about other cultures - and to hear them all is one way to hear the multiple stories that art tells. But each of us also has our own story of art, a kind of private art history made up of the pieces we have seen, and loved or hated, the effects they had on us, and the connections that might be drawn among them.Elkins opens up the questions that traditional art history usually avoids. What about all the art not produced in Western Europe or in the Europeanized Americas? Is it possible to include Asian art and Indian art in 'the story?' What happens when one does? To help us find answers, he uses both Western and non-Western artworks, tables of contents from art histories written in cultures outside the centre of Western European tradition, and strangely wonderful diagrams of how artworks might connect through a single individual. True multiculturalism may be an impossibility, but art lovers can each create a 'story of art' that is right for themselves.

    The work of Yagyῡ Munenori from 1632 concerns martial arts and military science. It is translated by Thomas Cleary and can be found tucked behind Miyamoto Musashi‘s “the Book of five rings” from 1643. Both these texts analyse conflict between two men armed with swords and scale this up bigger battles. These important treaties on swordsmanship, and have been taken as giving lessons on life in general.

    It features art from beloved series such as Clover, Magic Knight Rayearth, Legend of Chun Hyang, Clamp in Wonderland and many others. Also included: original Clamp artwork, the original comic Princess Mokona of the CLAMP Country (featuring the Clamp artists themselves), a CLAMP interview and a complete catalogue of all featured images with a description of each. The work here spans the period between 1989-2002.

    Ichigo Kurosaki never asked for the ability to see ghosts--he was born with the gift.See the world of Bleach in a blast of color! This art book contains Tite Kubo's vibrant illustrations, including art from Volumes 1-19 of the series, as well as an annotated art guide and some extra character information!

    JAPANESE EDITION

    But the bombing of Pearl Harbor strains the newly formed family as U.S. government mandates and Tom’s growing discomfort with all things Japanese force Mitsuko and young Bill to leave Seattle and Tom behind for the Minidoka Internment Camp, unsure if they will ever return.Two decades later, memories of Minidoka and long-lost Mitsuko haunt Bill, sparking an arduous journey that leads him from Seattle’s International District to newly reconstructed Japan to find his Japanese mother and learn the truth about their shared past.Jay Rubin is one of the foremost English-language translators of Japanese literature. He is best known for his numerous translations of works by Haruki Murakami, Japan’s leading contemporary novelist, and the study Haruki Murakami and the Music of Words. Most recently, he has translated the first two books of Murakami’s bestselling novel, 1Q84. In addition, Rubin’s Making Sense of Japanese remains one the widely used guides to Japanese language studies.Jay Rubin received his PhD in Japanese literature from the University of Chicago and taught at Harvard University and the University of Washington. He lives near Seattle with his wife.

    The second book from Brandon Boyd which follows up the successful White Fluffy Clouds, From the Murks of the Sultry Abyss comes in a special outer box, a limited edition #d sheet of stickers of artwork from Boyd, and the book itself comes sealed.

    Only a writer of W.G. Beasley's stature could render Japan's complicated past so concisely and elegantly. This is the history of a society and a culture with a distinct sense of itself, one of the few nations never conquered by a foreign power in historic times (until the twentieth century) and the home of the longest-reigning imperial dynasty that still survives. The Japanese have always occupied part or all of the same territory, its borders defined by the sea. They have spoken and written a common language, (once it had taken firm shape in about the tenth century) and their population has been largely homogeneous, little touched by immigration except in very early periods. Yet Japanese society and culture have changed more through time than these statements seem to imply. Developments within Japan have been greatly influenced by ideas and institutions, art and literature, imported from elsewhere. In this work Beasley, a leading authority on Japan and the author of a number of acclaimed works on Japanese history, examines the changing society and culture of Japan and considers what, apart from the land and the people, is specifically Japanese about the history of Japan.The arrival of Buddhism in the sixth century brought a substantially Chinese-style society to Japan, not only in religion but in political institutions, writing system, and the lifestyle of the ruling class. By the eleventh century the Chinese element was waning and the country was entering a long and essentially "Japanese" feudal period—with two rulers, an emperor and a Shogun—which was to last until the nineteenth century. Under the Togukawa shogunate (1600-1868), Chinese culture enjoyed something of a renaissance, though popular culture owed more to Japanese urban taste and urban wealth.In 1868 the Meiji Restoration brought to power rulers dedicated to the pursuit of national wealth and strength, and Japan became a world power. Although a bid for empire ended in disaster, the years after 1945 saw an economic miracle that brought spectacular wealth to Japan and the Japanese people, as well as the westernization of much of Japanese life.

    Illustrated throughout in full color.