The year is 1986, and the strange communal life of this foursome, extending over half a year, from the end of winter to midsummer, makes up the plot,such as it is, of Plainsong, as this ersatz family finds itself growing closer, and lifecontinues—quietly—around them. Part of the generation that grew to prominence following the success of baby boomers like Haruki Murakami, KazushiHosaka’s work chronicles the small moments, the moments without conflict,that most novels work to elide. His characters talk, work, exist; their story is onewhere the tiniest occurrence takes on the proportions of a grand drama.

    The grace and elegance of the Japanese sensibility is reflected in both modern and traditional Japanese homes, from their fluid floor plans to their use of natural materials. In The Japanese House, renowned Japanese photographer Noboru Murata has captured this Eastern spirit with hundreds of vivid color photographs of 15 Japanese homes. As we step behind the lens with Murata, we're witness to the unique Japanese aesthetic, to the simple proportions modeled after the square of the tatami mat; to refined, rustic decor; to earthy materials like wood, paper, straw, ceramics, and textiles. This is a glorious house-tour readers can return to again and again, for ideas, inspiration, or simply admiration.

    Hundreds of thousands of fans, many waving Japanese and American flags, welcomed the team with shouts of “Banzai! Banzai, Babe Ruth!” The all-stars stayed for a month, playing 18 games, spawning professional baseball in Japan, and spreading goodwill. Politicians on both sides of the Pacific hoped that the amity generated by the tour—and the two nations’ shared love of the game—could help heal their growing political differences. But the Babe and baseball could not overcome Japan’s growing nationalism, as a bloody coup d’état by young army officers and an assassination attempt by the ultranationalist War Gods Society jeopardized the tour’s success. A tale of international intrigue, espionage, attempted murder, and, of course, baseball, Banzai Babe Ruth is the first detailed account of the doomed attempt to reconcile the United States and Japan through the 1934 All American baseball tour. Robert K. Fitts provides a wonderful story about baseball, nationalism, and American and Japanese cultural history.

    The words haunt him as he studies the Kaiju (Japan’s giant monsters) on an island reserve, attempting to understand the beauty his wife saw.“The Return to Monsterland” opens 'Where We Go When All We Were Is Gone,' a collection of twelve fabulist and genre-bending stories inspired by Japanese folklore, historical events, and pop culture. In “Rokurokubi”, a man who has the demonic ability to stretch his neck to incredible lengths tries to save a marriage built on secrets. The recently dead find their footing in “The Inn of the Dead’s Orientation for Being a Japanese Ghost”. In “Girl Zero”, a couple navigates the complexities of reviving their deceased daughter via the help of a shapeshifter. And, in the title story, a woman instigates a months-long dancing frenzy in a Tokyo where people don’t die but are simply reborn without their memories.Every story in the collection turns to the fantastic, the mysticism of the past, and the absurdities of the future to illuminate the spaces we occupy when we, as individuals and as a society, are at our most vulnerable.

    He conveys in the sweet simplicity of grounded language a sense of the self where it belongs, floating between heaven, earth, and underground.”—The Atlantic Monthly“W.S. Merwin is our strongest poet.”—The New York Times Review of BooksIn this new masterwork from one of America’s foremost poets, W.S. Merwin guides his readers to universal themes through worldly specifics. Akin to Neruda’s Elemental Odes, every poem in Present Company directly addresses the people and things of daily life, as in “To the Thief at the Airport” or “To Lingering Regrets.” To This May They know so much more now about the heart we are told but the world still seems to come one at a time one day one year one season and here it is spring once more with its birds nesting in the holes in the walls its morning finding the first time its light pretending not to move always beginning as it goesThese poems to the world are playful, deadly serious, and full of wonder. Whether writing of an unused vehicle in “To Zbigniew Herbert’s Bicycle” or watching fireworks from a distance in “To the Coming Winter,” Merwin’s poems create a rare and compelling intimacy. There is no one writing today like W.S. Merwin.Poet and translator W.S. Merwin has long been committed to artistic, political, and environmental causes in both word and deed. He has received nearly every major literary accolade, including the Pulitzer, Tanning, Lannan, and Bollingen prizes. His most recent award is the International Golden Wreath from the Struga Foundation, a longstanding literary honor that, in its 70-year history, has been offered to only three English-speaking poets. W.S. Merwin lives in Hawaii, where he cultivates endangered palms.

    She has succeeded in remaining true to herself in a stubborn struggle against powerful conformist pressures. Yet her resistance is largely passive.Self-absorbed, indecisive, she makes her own uncharted way through life,letting her husband, lovers, even her only daughter, gradually slip away.Signs that she is pregnant after a casual affair rouse her to make decisions. Then a deeply ironic turn of events thrusts her into the cold light of a reluctant self-knowledge. Through layer upon layer of dreams,memories, defenses, and delusions, she emerges finally to take a conscious step toward the independence she cannot yet define, certain only that she herself has changed.In Child of Fortune, Yuko Tsushima has brought to life a woman whose psychological complexity reflects the meeting of Japanese fiction and women's changing consciousness. The depths of inner conflict are illuminated here by radiant imagery, wry humor, and a sharp clarity of vision.While drawing on the "I-novel" tradition that has dominated modern Japanese literature, the author integrates the autobiographical elements into a fully realized fictional work of penetrating social insight.The novel received the 1978 Women's Literature Prize, one of many awards that have spotlighted Yuko Tsushima as a writer of exceptional gifts.

    Reflecting a new editorial approach, this volume demonstrates the breadth of Ted Berrigan's poetic accomplishments by presenting his most celebrated, interesting, and important work. This major second-wave New York School poet is often identified with his early poems, especially "The Sonnets, " but this selection encompasses his full poetic output, including the later sequences "Easter Monday" and "A Certain Slant of Sunlight, " as well as many of his uncollected poems. The Selected Poems of Ted Berrigan provides a new perspective for those already familiar with his remarkable wit and invention, and introduces new readers to what John Ashbery called the "crazy energy" of this iconoclastic, funny, brilliant, and highly innovative writer.Praise for" The Collected Poems of Ted Berrigan: ""This is a great, great book for all seasons of the mind and heart."--Robert Creeley"Thanks to this invaluable "Collected Poems, " one can hear, as never before, Ted Berrigan dreaming his dream."--"The Nation"""The Collected Poems of Ted Berrigan "is not only one of the most strikingly attractive books recently published, but is also a major work of 20th-century poetry. . . . It is a book that will darken with the grease of my hands. There is no better way to praise it than by saying, 'If you enjoy poetry, you should have it.'" --"Bloomsbury Review ""It's a must-have, a poetic knockout."--"Time Out New York"

    They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu.The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense.The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.

    The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film.Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.

     On that fateful day, Kai loses nearly everyone and everything he cares about in the storm. When he’s offered a trip to New York to meet kids whose lives were changed by 9/11, Kai realizes he also has a chance to look for his estranged American father. Visiting Ground Zero on its tenth anniversary, Kai learns that the only way to make something good come out of the disaster back home is to return there and help rebuild his town.Running through my ruined town,pack flapping like wingsagainst my back.Plowing through blocksstrewn with heaps ofrefrigeratorsblackboardsbicyclestaxisbustedpianosshelvesdesksstairsallmixedtogetherin a marshlandgrave.

    When her mother-in-law suddenly dies of a stroke, Akiko becomes the sole caregiver for her selfish father-in-law Shegezo.The Twilight Years raises important issues about the quality of life at the end of life, caregiving for the old, and the dilemma of women who have both career and family obligations.

    The spellbinding world of Hiromi Kawakami; the hair-raising horror of Otsuichi; the haunting, poignant prose of Banana Yoshimoto; even the poetic word-play of Yoko Tawada whatever a readers taste, he or she is sure to find something of interest and value in this book, suitable for students at the intermediate level and above. As in real Japanese novels, the text on each page runs from top to bottom and from right to left. Each double-page spread features translations of all the difficult passages. In the back of the book, moreover, is a built-in Japanese-English learners dictionary and a notes section covering issues of nuance, usage, grammar and culture that come up in each story. Best of all, the books comes with a free audio CD containing narrations of the stories, performed by a professional voice actress.

    As they walk through the city, Kandagawa relives moments of their relationship and questions their decision to be apart. Lose Your Private Life Waterumi Yano is a successful young novelist, her books winning prestigious prizes and the hearts of readers all over the world. However, Waterumi is herself a fiction, a penname for the 28 year old Terumi Yano, a woman struggling to hold on to her identity as she is increasingly recognized by her loved ones as Waterumi.A GenealogyA fable-like retelling which broadly sketches the evolution of mankind. Despite fictional / magical retellings ('The frog gave birth to the dinosaur'), the narrative begins with of a rock and ending with Kandagawa, sitting in a bath in her apartment, remembering how, in the past, she used to be a fish. Though the narrative appears to be summarizing thousands of years' worth of development, Kandagawa's closing memory of being a fish seems to imply that the whole evolution has simply taken place in the time it has taken for us to read the short story (which, because this evolution exists only as the short story, it technically has). Or, we are left wondering if Kandagawa is accessing a kind of collective memory.Translated by Polly Barton. Design by Nigel Aono-Billson.

    She dedicates 30 years of her life as a housewife, custodian and chatelaine of a 350–year–old farmhouse in rural Japan. This astonishing book traces a circular path from were Rebecca began, to living under Japanese customs, from the basic day to day details of life in the house and village, through relationships with family, neighbors and the natural and supernatural entities with which the family shares the house. Rebecca Otowa then focuses on her inner life, touching on some of the pivotal memories of her time in Japan, the lessons in perception that Japan has taught her and the ways in which she has been changed by living in Japan.An insightful and compelling read, At Home in Japan is a beautifully written and illustrated reminiscence of a once simple life made extraordinary.

    The following winter, her dismembered remains were found buried in a seaside cave. The seven months in between had seen a massive search for the missing girl, involving Japanese policemen; British private detectives; Australian dowsers; and Lucie's desperate, but bitterly divided, parents. As the case unfolded, it drew the attention of prime ministers and sado-masochists, ambassadors and con-men, and reporters from across the world. Had Lucie been abducted by a religious cult, or snatched by human traffickers? Who was the mysterious man she had gone to meet? And what did her work, as a "hostess" in the notorious Roppongi district of Tokyo, really involve?Richard Lloyd Parry, an award-winning foreign correspondent, followed the case since Lucie's disappearance. Over the course of a decade, he traveled to four continents to interview those caught up in the story, fought off a legal attack in the Japanese courts, and worked undercover as a bartender in a Roppongi strip club. He talked exhaustively with Lucie's friends and family and won unique access to the Japanese detectives who investigated the case. And he delved into the mind and background of the man accused of the crime--Joji Obara, described by the judge as "unprecedented and extremely evil." With the finesse of a novelist, he reveals the astonishing truth about Lucie and her fate. People Who Eat Darkness is, by turns, a non-fiction thriller, a courtroom drama, and the biography of both a victim and a killer. It is the story of a young woman who fell prey to unspeakable evil, and of a loving family torn apart by grief. And it is a fascinating insight into one of the world's most baffling and mysterious societies, a light shone into dark corners of Japan that the rest of the world has never glimpsed before.