He wrote not only letters, short fiction, poetry, and sports stories, but speeches, newspaper articles, and radio commentary on public policy issues, both foreign and domestic. Most of Reagan's original writings are pre-presidential. From 1975 to 1979 he gave more than 1,000 daily radio broadcasts, two-thirds of which he wrote himself. They cover every topic imaginable: from labor policy to the nature of communism, from World War II to the second Strategic Arms Limitation Treaty, from the future of Africa and East Asia to that of the United States and the world. They range from highly specific arguments to grand philosophy to personal stories. Even those who knew him best were largely unaware of Reagan's output. George Shultz, as he explains in the Foreword, was surprised when he first saw the manuscripts, but on reflection he really was not surprised at all. Here is definitive proof that Ronald Reagan was far more than a Great Communicator of other people's ideas. He was very much the author of his own ideas, with a single vision that he pursued relentlessly at home and abroad. Reagan, In His Own Hand presents this vision through Reagan's radio writings as well as other writings selected from throughout his life: short stories written in high school and college, a poem from his high school yearbook, newspaper articles, letters, and speeches both before and during the presidency. It offers many surprises, beginning with the fact that Reagan's writings exist in such size and breadth at all. While he was writing batches and batches of radioaddresses, Reagan was also traveling the country, collaborating on a newspaper column, giving hundreds of speeches, and planning his 1980 campaign. Yet the wide reading and deep research self-evident here suggest a mind constantly at work. The selections are reproduced with Reagan's own edits, offering a unique window into his thought processes. These writings show that Reagan had carefully considered nearly every issue he would face as president. When he fired the striking air-traffic controllers, many thought that he was simply seizing an unexpected opportunity to strike a blow at organized labor. In fact, as he wrote in the '70s, he was opposed to public-sector unions using strikes. There has been much debate as to whether he deserves credit for the end of the cold war; here, in a 1980 campaign speech draft, he lays out a detailed vision of the grand strategy that he would pursue in order to encourage the Soviet system to collapse of its own weight, completely consistent with the policies of his presidency. Furthermore, in 1984, Reagan drafted comments he would make to Soviet foreign minister Andrei Gromyko at a critical meeting that would eventually lead to history's greatest reductions in armaments. Ronald Reagan's writings will change his reputation even among some of his closest allies and friends. Here, in his own hand, Reagan the thinker is finally fully revealed.

    Scott Peck's The Road Less Traveled, Simple Abundance is a book of 366 evocative essays - one for every day of your year - written for women who wish to live by their own lights.In the past a woman's spirituality has been seperated from her lifestyle. Simple Abundance shows you how your daily life can be an expression of your authentic self . . . as you choose the tastiest vegetables from your garden, search for treasures at flea markets, establish a sacred space in your home for meditation, and follow the rhythm of the seasons and the year. Here, for the first time, the mystical alchemy of style and Spirit is celebrated. Every day, your own true path leads you to a happier, more fulfilling and contented way of life - the state of grace known as . . . Simple Abundance

    The daughter of Ronald and Nancy Reagan offers an insider's view of growing up Reagan, describing her father's emotional abandonment of her, her mother's cruelty, and the family's bitter rivalries, uncontrollable rage, and dark secrets.

    This detachment creates enough freedom in your life and mind to experience real contentment. Contentment is the key–it is not complacency, but more akin to satisfaction and cherishing. Minimalists are known for living well with less stuff. The point isn’t just having less stuff, but the benefits of having less stuff: more space, more time, more money, less trash, less cleaning, less organizing, less stress. The amount of time and space freed up is compounded by the sense of time and space regained, which gives back a precious sense of serenity and control to previously harried lives. Minimalists give Less a chance, and have almost universally experienced an amazing amount of contentment as a result. Minimalism is living with just what you need. Needs are defined individually. Minimalism can include, but is not limited to, frugality or simple living. It can be done expensively, as in having the very best of just a very few things, or it can be done on a pittance. It is ideally debt-free. Space and time are given high value. Unrewarding things or activities are kept to a minimum. A wonderful thing happens along the Minimalist path: you realize you’ve got enough mental and physical space to be yourself, that you are more than the sum total of your possessions, and you actually feel that you are enough in and of yourself. That’s a feeling akin to contentment. And that’s why a Minimalist approach to life, stuff, and everything is a good way to Have it All.

    Brande believed passionately that although people have varying amounts of talent, anyone can write. It's just a question of finding the "writer's magic"--a degree of which is in us all. She also insists that writing can be both taught and learned. So she is enraged by the pessimistic authors of so many writing books who rejoice in trying to put off the aspiring writer by constantly stressing how difficult it all is.With close reference to the great writers of her day--Wolfe, Forster, Wharton and so on--Brande gives practical but inspirational advice about finding the right time of day to write and being very self disciplined about it--"You have decided to write at four o'clock, and at four o'clock you must write." She's strong on confidence building and there's a lot about cheating your unconscious which will constantly try to stop you writing by coming up with excuses. Then there are exercises to help you get into the right frame of mind and to build up writing stamina. She also shows how to harness the unconscious, how to fall into the "artistic coma," then how to re-emerge and be your own critic.This is Dorothea Brande's legacy to all those who have ever wanted to express their ideas in written form. A sound, practical, inspirational and charming approach to writing, it fulfills on finding "the writer's magic."

    Now she brings her vast experience, good cheer, and finely sharpened pencils to help the rest of us in a boisterous language book as full of life as it is of practical advice.Between You & Me features Norris's laugh-out-loud descriptions of some of the most common and vexing problems in spelling, punctuation, and usage—comma faults, danglers, "who" vs. "whom," "that" vs. "which," compound words, gender-neutral language—and her clear explanations of how to handle them. Down-to-earth and always open-minded, she draws on examples from Charles Dickens, Emily Dickinson, Henry James, and the Lord's Prayer, as well as from The Honeymooners, The Simpsons, David Foster Wallace, and Gillian Flynn. She takes us to see a copy of Noah Webster's groundbreaking Blue-Back Speller, on a quest to find out who put the hyphen in Moby-Dick, on a pilgrimage to the world's only pencil-sharpener museum, and inside the hallowed halls of The New Yorker and her work with such celebrated writers as Pauline Kael, Philip Roth, and George Saunders.Readers—and writers—will find in Norris neither a scold nor a softie but a wise and witty new friend in love with language and alive to the glories of its use in America, even in the age of autocorrect and spell-check. As Norris writes, "The dictionary is a wonderful thing, but you can't let it push you around."

    By 2009, she had met and married the man of her dreams, a native Swede named Erik Landemalm, who worked to coordinate humanitarian aid with local authorities in Africa. With dreams of starting a family, they moved from Nairobi to Somalia, and their future couldn’t have been brighter… But on October 25, 2011, Jessica and a male colleague were kidnapped at gunpoint and held for ransom by an organized band of Somali land pirates. For the next three months, Jessica was terrorized by more than two dozen gangsters. She was held outdoors in filthy conditions and kept on a starvation diet while her health steadily deteriorated. Negotiations for ransom dragged on, and as the ordeal stretched into its third month, the captors grew increasingly impatient. Every terrifying moment Jessica spent suffering in captivity was matched by that of her adoring husband working behind the scenes to deal with her captors. Finally, on January 25, 2012, President Barack Obama ordered a rescue operation by a team of twenty-four Navy SEALs. The team killed all nine kidnappers, with no harm to the hostages, who were quickly airlifted out on a military rescue helicopter. In riveting detail, Impossible Odds details Jessica and Erik’s mutual journey during those torturous months. Together they relate the events prior to the kidnapping, the drama of Jessica’s fight to stay alive, and Erik’s efforts to bolster and support the hunt for her while he acted as liaison between their two families, the FBI, professional hostage negotiators, and the United States government.

    Stephen King, Hemingway, Vonnegut, and Orwell detest it. Herman Melville, Henry James, and Rebecca Solnit love it. But why? When is it effective? Have we been misusing it? Should we even care?In Semicolon, Cecelia Watson charts the rise and fall of this infamous punctuation mark, which for years was the trendiest one in the world of letters. But in the nineteenth century, as grammar books became all the rage, the rules of how we use language became both stricter and more confusing, with the semicolon a prime victim. Taking us on a breezy journey through a range of examples—from Milton’s manuscripts to Martin Luther King Jr.’s “Letters from Birmingham Jail” to Raymond Chandler’s The Big Sleep—Watson reveals how traditional grammar rules make us less successful at communicating with each other than we’d think. Even the most die-hard grammar fanatics would be better served by tossing the rule books and learning a better way to engage with language.Through her rollicking biography of the semicolon, Watson writes a guide to grammar that explains why we don’t need guides at all, and refocuses our attention on the deepest, most primary value of language: true communication.