In scenes and settings that circle family and the generations in the American South--one poem, Kith, exploring that strange bedfellow of kin--the speaker and his young son wander among the stones of their ancestors. Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead.Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them--of us--poetry can save.

    Also, never has there been a new generation of Latinas so ready to say what they mean and even criticize the Latina generation that preceded them. Until now.In Border-Line Personalities, twenty writers share their poignant and wickedly funny stories about fighting with their mothers, struggling with speaking Spanish, and dealing with the men who've done them wrong, among a myriad of other topics. In the end, each essay encompasses a different point of view, lending credence to the theory that no one can label any one item, idea, or person more Latina than the other.Questions posed to Latinas of all ages in Border-Line Personalities:Why do many of us often feel more American than Latina?How important is Spanish, really?Do we all really fit under one cultural umbrella?When thinking about having children, do we really have to consider being stay-at-home moms as most of us were raised to believe was law, or can Latinas even consider the possibility of raising children while working?What do we do when we fall in love with someone (male or female) outside our culture?

    In his debut, Hustle, Martinez offered a kaleidoscopic coming-of-age narrative replete with teen shootings and car-jackings, uncertain forays into sex, and the ongoing violence of colonialism upon Latino communities in San Diego. Emerging from the fray, the poet is left to wonder: Who am I now? In Post Traumatic Hood Disorder, the speaker assembles a bricolage self-portrait from the fractures of the past. Sliding between scholarly diction and slangy vernacular, studded with references to Greek mythology and hip-hop, Martinez's poems showcase a versatility of language and a wild-hearted poetic energy that is thoughtful, vulnerable, and distinctly American.David Tomas Martinez is a recipient of a 2017 NEA fellowship, the Pushcart Prize, the Verlaine Poetry Prize, a CantoMundo fellowship, and the Stanley P. Young Fellowship from Breadloaf. His debut collection of poetry, Hustle (2014, Sarabande Books) received the New England Book Festival's prize in poetry, the Devil's Kitchen Reading Award, and $10,000 as honorable mention from the Antonio Cisneros Del Moral Prize. His work has been published or is forthcoming in Poetry, Ploughshares, Tin House, Boston Review, Los Angeles Review of Books, Oxford American, Prairie Schooner, and elsewhere. Martinez lives in Brooklyn, NY.

    With an immediacy made possible by a twenty-seven-year career, Schwartz immerses the reader in the troubling and complex realities of U.S. jails, the monster factories -- places that foster violence, rage and, ultimately, better criminals. But by working in the monster factories, Schwartz also discovered her dream of a criminal justice system that empowers victims and reforms criminals. Charismatic and deeply compassionate, Sunny Schwartz grew up on Chicago's south side in the 1960s. She fought with her family, struggled through school and floundered as she tried to make something of herself. Bucking expectations of failure, she applied to a law school that didn't require a college degree, passed the bar and began her life's work in the criminal justice system. Eventually she grew disheartened by the broken, inflexible system, but instead of quitting, she reinvented it, making jail a place that could change people for the better. In 1997, Sunny launched the Resolve to Stop the Violence Project (RSVP), a groundbreaking program for the San Francisco Sheriff 's Department. RSVP, which has cut recidivism for violent rearrests by up to 80 percent, brings together victims and offenders in a unique correctional program that empowers victims and requires offenders to take true responsibility for their actions and eliminate their violent behavior. Sunny Schwartz's faith in humanity, her compassion and her vision are inspiring. In Dreams from the Monster Factory she goes beyond statistics and sensational portrayals of prison life to offer an intimate, harrowing and revelatory chronicle of crime, punishment and, ultimately, redemption.

    First published in 1992 and now in its seventh printing in English, with translations underway into Spanish, Korean, and Indonesian, Bevans's book is a judicious examination of what the terms "contextual theology" and "to contextualize" mean. In the revised and expanded edition, Bevans adds a "counter-cultural" model to the five presented in the first edition -- the translation, the anthropological, the praxis, the synthetic, and the transcendental model. This means that readers will be introduced to the way in which figures such as Stanley Hauerwas, John Milbank, Lesslie Newbigin, "and (occasionally) Pope John Paul II" need to be taken into account. The author's revisions also incorporate suggestions made by reviewers to enhance the clarity of the original three chapters on the nature of contextual theology and the five models.

    Product youll find a vibrantly colorful tribute to such pop-culture icons as the Jolly Green Giant, natty Mr. Peanut, the cute little Morton Salt Girl, and the countless other advertising characters who have been helping us navigate the grocery aisles and choose our products for years. Offering up a bustling gallery of over 500 spokescharacters, this chunky compendium charts the origins and development of the advertising character and gives brief glimpses into some of their most intimate secrets. (Did you know that the Michelin Man has been spotted with glamorous ladies on his arm? Or that Bordens Elsie the Cow was married to Elmer of household glue fame?) Famous faces and a host of recently rediscovered characters fill Meet Mr. Products pages to bursting.

    Ellen Stimson and her husband had such a wonderful time in Vermont that they wondered what living there would really be like. What if we stayed here . . . forever? So began the series of adventures and misadventures of Ellen Stimson s hilarious first book, Mud Season. Now, having settled the family in Vermont s rich muddy soil, they are faced with new challenges of raising kids in the paradise of this very small, very rural town. Good Grief tells the tales of the hopes and dreams of parents just trying to do their best and not always succeeding. Imagine being the mom of the kid who peed on his teacher s chair . . . On. Purpose. Now imagine the governor asking you about it! Good Grief is all about the inevitable moment right after somebody says, What next? Ellen Stimson s irrepressible optimism and good humor prevail as she, her two husbands, their three kids, and various much-loved pets face down real life, and even death and grieving, with good humor intact. This is life in a state where everyone knows everything, and everything is everybody s else's business."

    Read it—it’s moving, brave and just profoundly human and sad....There aren’t any answers. And that’s what makes this all so impossible, and Solomon’s journalism so essential” (Salon.com). “Both parents loved Adam. Neither parent imagined or wanted their child’s horrific end. This is why what Peter Lanza did by sharing his story with Andrew Solomon is so important. Lanza’s story fills important gaps in our understanding of how a beloved child became a killer—and reminds us as a society that we have an obligation to help families and children before they find themselves on irreversible paths of violence” (Time).

    As listeners have grown increasingly eclectic and adventurous in their tastes, The Wire has emerged as the most authoritative source on modern music.In Undercurrents some of the best music writers of our time uncover the hidden wiring of the past century's most influential music. Ian Penman discusses how the microphone transformed the human voice and made phantom presences of great singers such as Billie Holiday, Robert Johnson, and Brian Wilson. Christoph Cox demonstrates how the pioneers of live electronic music, the West Coast ensemble Sonic Arts Union, redefined virtuosity for the electronic age. Philip Smith and Peter Shapiro examine Harry Smith's Smithsonian Anthology of American Folk Music, which led to a massive reappraisal of musical values that went far beyond the folk music revival.Music explored in Undercurrents ranges through avant rock, jazz, hiphop, electronica, global music, and contemporary "classical."

    The idea that our civilisation is doomed is not established fact. It is a story we tell ourselves.' In the 1980s, we gave up on the future. When we look ahead now, we imagine economic collapse, environmental disaster and the zombie apocalypse. But what if we are wrong? What if this bleak outlook is a generational quirk that afflicted those raised in twentieth century, but which is already beginning to pass? What if we do have a future after all?John Higgs takes us on a journey past the technological hype and headlines to discover why we shouldn't trust the predictions of science fiction, why nature is not as helpless as we assume and why purpose can never be automated. In the process, we will come to a better understanding of what lies ahead and how, despite everything - despite all the horrors and instability we face - we can build a better future.

    But where once we settled down to admire the 'top-quality original songwriting' that the contest was inaugurated to showcase, throughout the long post-ABBA decades Eurovision has come to entertain us for all the wrong reasons: we chortle at its magnificent foolishness, its stubborn reinforcement of the crudest national stereotypes, at a scoreboard shamelessly corrupted by cross-border friendship and hatred. And as post-modern connoisseurs of showbiz meltdown, our focus has shifted from the blandly competent winners to the spangled, hapless, table-propping losers, those left to wander the lonely, windswept summit of Mount Fiasco. The gold standard of farcical failure, the benchmark of badness, to score nul points is to suffer international ignominy and find sympathetic understanding replaced by brutal guffaws. Remorseful of his own longstanding contributions to the latter chorus, yet darkly fascinated with those lives shadowed by the entertainment world's most grandiose humiliation, Tim Moore sets off to track down the thirteen Eurominstrels who have come and gone without troubling the scorers since Norway's Jahn Teigen twanged his silver braces and leapt splay-legged off the Palais des Congres stage in 1978. From Lisbon to Lithuania, from the Black Sea to the Baltic, Moore travels the continent to hear their extraordinary stories - 'poignant, ludicrous and heartwarming in almost equal measure' - recounting as he does so the no less improbable history of Eurovision itself, a towering cathedral of cheese that can nonetheless claim responsibility for keeping Norway out of the EU and catalysing the overthrow of a Portuguese dictatorship.

    The case became the wildly successful Netflix “Making A Murderer” documentary. In WRECKING CREW: Demolishing The Case Against Steven Avery, Ferak lays out in exacting detail the post-conviction strategy of Kathleen Zellner, the high-profile, high-octane lawyer, to free Avery. To write this book, Zellner, perhaps America’s most successful wrongful conviction attorney, gave Ferak unique access to the exhaustive pro bono efforts she and her small suburban Chicago law firm dedicated for a man she believes to be a victim of an unscrupulous justice system in Manitowoc County.

    And no one gets it like the Google Generation. God came to earth to invite us, personally, into a relationship. And while Christians at times downplay relationships, the social-media generation is completely sold on the idea. In Viral, Leonard Sweet says Christians need to learn about connecting with others from the experts—those who can’t seem to stop texting, IM-ing, tweeting, and updating their Facebook statuses. What would happen, he asks, if Christians devoted less attention to strategies and statistics and paid more attention to pursuing relationships? The current generation is driven by a God-given desire to know others and to be known by others. Most of them, in seeking to connect in meaningful ways, have found a place of belonging that is outside the organized church. Why not bring the two together? Those who are sold out to relationships can teach Christians how to be better friends to people who need God. At the same time, members of the social-media generation can learn how to follow their desire for belonging, straight into the arms of God. It’s time for relationship to be restored to the heart of the gospel. And when that happens, can revival be far behind? End-of-Chapter Interactives Included

    He who serves his fellows is the greatest of all. If a man is as wise as a serpent, he can be as gentle as a dove. The life of a man is a circle from childhood to childhood, and so it is in everything where power moves. A sin against a neighbor is an offense against the Great Spirit.

    Entire Christian populations have been eliminated, and the ultimate aim of ISIS and the Islamic State is to eradicate the world of Christianity. They are well on their way.  Thousands of Christians arrive in refugee camps daily as tents can be seen for miles across the countryside of Jordan, N. Iraq and Lebanon. Churches have been demolished, crosses burned and replaced with ISIS flags, homes destroyed, entire communities displaced, religious conversions forced, human torture enacted, children slaughtered, and all in plain sight. In many cities every single Christian has been “taken care of” - displaced, murdered or forcibly converted, and just as the Nazis painted the Star of David on the homes of Jews, Jihadists have painted the Christian “N” (the first letter of the Arabic word for “Christian”) on the homes of indigenous Christian communities to identify them before destroying them. They have proclaimed that they will not stop until Christianity is wiped off the earth from the land of its birth all the way to your own backyard.  So what can be done to help these brave souls in the crossfire and protect a holy land? With never before told stories of horror and of hope, Johnnie Moore unveils the threat of ISIS against worldwide Christianity, and what the world must do about it. Along the way, he introduces us to the courageous Christians who have stared down ISIS and lived to raise their crosses higher.