Utilizing medical terminology and iconography to work through loss and detachment, McHugh’s startling rhymes and rhythms—along with her sarcastic self-reflection and infectious laughter—serve as antidotes to the sufferings of the world. Being “upgraded to serious” from critical condition is a nod to the healing powers of poetry."Not to Be Dwelled On"Self-interest cropped up even there,the day I hoisted three insteadof the ceremonially called-for twospadefuls of loamonto the coffin of my friend.Why shovel more than anybody else?What did I think I’d prove? More love(mud in her eye)? More will to work?(Her father what, a shirker?) Christ,what wouldn’t anybody giveto get that gesture back?She cannot die again; and Ido nothing but re-live.

    Find your favourite pop-culture character in this collection of silhouettes from well-known movie, television, comics and video game characters!

    

    Easy to tick off so you can keep track of which book is next in reading order. There are no parts or portions of the books themselves here, just the titles in reading order. Perfect for keeping a checklist in your kindle app.

    Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard.Of special note to collectors, this is the period when Herriman was again liberated from the "grid" constraints of the mid-'20s and was able to compose his pages far more creatively, resulting in richer, more complex, more eye-pleasing compositions. Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    Fine art, and book illustrations from Arthur Rackham, Charles Robinson, Richard Dadd, Henry Fuseli, Sir John Everett Millais, William Blake, Noel Paton, and William Holman Hunt will grace the pages of this elegant edition. With beautiful four-color art, and a whimsical design, Shakespeare on Love will make a timeless gift.

    Those who are familiar with Parra's work will find the humor more sharply honed and darker, the anger closer to the surface and sometimes breaking through, the language tighter, the compassion deeper and the statements more political--or anyway more social.

    Set in an apocalyptic and post-apocalyptic world that is disturbing because it is uncannily familiar, National Anthem chronicles the aftermath of the failure of imperial vision. Allowing Rome and America to bleed into one another, Prufer masterfully weaves the threads of history into an anthem that is as intimate as it is far-reaching.

    Featuring poems, excerpts from his private notebooks, lyrics, and hand-drawn self-portraits, The Flame offers an unprecedentedly intimate look inside the life and mind of a singular artist.A reckoning with a life lived deeply and passionately, with wit and panache, The Flame is a valedictory work.“This volume contains my father’s final efforts as a poet,” writes Cohen’s son, Adam Cohen, in his foreword. “It was what he was staying alive to do, his sole breathing purpose at the end.”Leonard Cohen died in late 2016. But “each page of paper that he blackened,” in the words of his son, “was lasting evidence of a burning soul.”

    The volume includes recent essays from Alastair Duckworth, Marilyn Butler, D.A. Miller, Isobel Armstrong and Karen Newman.

    In this mock autobiographical collection his mischievous drawings capture life's anxieties and ambitions from the mundane to the surreal. Here, at last, is The Truth about beer, doctors, shadow puppets, lunch, dolphins, boredom, and supernatural forces. Seductively strange and addictively amusing, this edgy little book welcomes the uninitiated and rewards the faithful.

    It is a dive deep into the circles of emotion, empathy, acceptance, healing and insights into a different perspective towards life. In the voice of a budding adolescent, the book cascades into day-to day-shortcomings, carved into poetry and at the same time, embraces you in silence and stillness of thought. The book is an attempt to connect with the reader, to reflect upon them, unbiased and together and embrace a new beginning. With simplified use of grammar and vocabulary, this book seeks nothing but the companionship of all. With this debut book, the author aims to connect to one and to all in the message and purpose of existence, the aid of spirituality and an ode to a beautiful journey called life.

    They aren’t evil, or violent, they’re just different. They don’t fit in. They will never feel comfortable on a crowded street, or surrounded by so much noise. These are Santa’s elves. Well, actually, that’s not quite true. There’s a group of elves that are perfectly fine wherever you stick them, but for this story, we’re focusing on the first type. Well, actually, we’re focusing on me. My name is Barrett, but everyone calls me Bear. I’m fifteen, and the second child of the latest generation of the Toy Box line. Yeah, that means Dollface is my big sister. You’re probably thinking that means I grew up in a dollhouse, right? Not really. I mean as I got older, once in a while, but the real impact it had on me was that up until I was seven, I thought it was perfectly normal for guys to have cartoon characters painted on their fingernails. I even remember several times where my mom would walk in on Dolly practicing makeup… on me. Thankfully, that stopped when puberty kicked in. I shot up taller than Dolly by the time I was thirteen, and she can’t run well in heels. But other than that, I think I’m pretty normal… nah, I’m just kidding. I’m not normal at all.

    Unconventional, raw, and impossible to categorize, his work continues to provide powerful criticism of American culture, a society defined by excess and determined to break the human spirit.Born in Germany in 1920, Bukowski did not begin writing until the age of 40. Still, he managed to publish 45 books—six of them novels—capturing the brilliant range of his perspective. His voice was one of dry humor, a general distaste for society, dysphoria, and—from time to time—a bit of madness. Bukowski’s gritty, blunt growl was one of the greatest to rise out of Los Angeles—a city hiding behind fantasies of wealth and progress—and expose its contradictions and delusions.In Bukowski For Beginners, playwright Carlos Polimeni evaluates the life and literary achievements of the man behind the antipathy; the father of words—no, calls to action!—that linger still, rousing and challenging readers globally.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.