But they don’t die, and we do. Equilibrium.The unnamed and morally questionable narrator is an exorcist with great follow-through and few doubts. His methods aren’t delicate but they’re undeniably effective: he’ll get the demon out — he just doesn’t particularly care what happens to the person.Prosper of Schanz is a man of science, determined to raise the world’s first philosopher-king, reared according to the purest principles. Too bad he’s demonically possessed.

    Throughout the story Blackwood personifies the surrounding environment—river, sun, wind—and imbues them with a powerful and ultimately threatening character. Most ominous are the masses of dense, desultory, menacing willows, which "moved of their own will as though alive, and they touched, by some incalculable method, my own keen sense of the horrible.""The Willows" is one of Algernon Blackwood's best known short stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

    Freud's Todestrieb, his statement that ''libido has the task of making the destroying instinct innocuous, and it fulfils the task by diverting that instinct to a great extent outwards....The instinct is then called the destructive instinct, the instinct for mastery, or the will to power.'' Few authors have spun stories of Thanatos and Eros as skillfully and powerfully as Livia Llewellyn. In his introduction to this volume, Laird Barron writes ''Scant difference exists between exquisite pleasure and pain.'' An orphan girl with a mind for anthracite falls into the hands of a cult worshipping an entombed god. In the Pacific Northwest, evergreens lull prepubescent girls into their trunks to serve as wombs. A suburban housewife troubled by her present encounters the sixteen year-old girl she ached to touch in her dreams. These ten stories promise to indulge a reader's sensibilities, their fears and desires.

    It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues the villagers. The newspaper asks, “Who will be smitten by this fatal madness next?” Through it all, Comyns’ unique voice weaves a narrative as wonderful as it is horrible, as beautiful as it is cruel. Originally published in England in 1954, this “overlooked small masterpiece” is a twisted, tragicomic gem.

    He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping.A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?

    Gifted with a supple and mellifluous prose style, an imagination that can conjure up clutching terrors with seeming effortlessness, and a thorough knowledge of the rich heritage of weird fiction, Langan has already garnered his share of accolades. This new collection of nine substantial stories includes such masterworks as “Technicolor,” an ingenious riff on Poe’s “Masque of the Red Death”; “How the Day Runs Down,” a gripping tale of the undead; and “The Shallows,” a powerful tale of the Cthulhu Mythos. The capstone to the collection is a previously unpublished novella of supernatural terror, “Mother of Stone.” With an introduction by Jeffrey Ford and an afterword by Laird Barron.Table of ContentsIntroduction: Reading Langan, by Jeffrey FordKidsHow the Day Runs DownTechnicolor The Wide, Carnivorous SkyCity of the DogThe ShallowsThe Revel June, 1987. Hitchhiking. Mr. Norris. Mother of Stone Story Notes Afterword: Note Found in a Glenfiddich Bottle, by Laird BarronAcknowledgments

    Nor did it bury the horrors predating civilisation. Ancient rites, old deities and savage ways can reappear in the places you least expect.Lifestyle journalist Katrine escaped past traumas by moving to a coast renowned for seaside holidays and natural beauty. But when a vast hoard of human remains and prehistoric artefacts is discovered in nearby Brickburgh, a hideous shadow engulfs her life.Helene, a disillusioned lone parent, lost her brother, Lincoln, six years ago. Disturbing subterranean noises he recorded prior to vanishing, draw her to Brickburgh's caves. A site where early humans butchered each other across sixty thousand years. Upon the walls, images of their nameless gods remain.Amidst rumours of drug plantations and new sightings of the mythical red folk, it also appears that the inquisitive have been disappearing from this remote part of the world for years. A rural idyll where outsiders are unwelcome and where an infernal power is believed to linger beneath the earth. A timeless supernormal influence that only the desperate would dream of confronting. But to save themselves and those they love, and to thwart a crimson tide of pitiless barbarity, Kat and Helene are given no choice. They were involved and condemned before they knew it.'The Reddening' is an epic story of folk and prehistoric horrors written by Adam Nevill, the author of 'The Ritual', 'Last Days', 'No One Gets Out Alive' and the three times winner of The August Derleth Award for Best Horror Novel.

    And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic.This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.

    Leisel and Evelyn lost everything. Husbands. Families. Friends. Lives that made sense. All they had left was each other, and a friendship that could withstand anything…Even an apocalypse.Until one fateful night, the marginal safety they’d come to rely on comes to a vicious and brutal end. With the help of Alex & Jami, both unlikely allies, Leisel and Evelyn are able to escape their shattered sanctuary only to find themselves face-to-face with a much altered, much crueler life where they have to find the way—and the will—to stay alive in a world they no longer recognize.Traveling across a broken and infection-ridden country; the road-weary group are pitted against endless violence, improbable circumstances, and the ultimate loss.Everything comes at a price—especially safety, the cost of which could very well strip them of the one thing they’ve tried so hard to cling to: their humanity.Yet along with all the trials they’re forced to endure, there’s also hope in the form of love. Having loved Leisel from afar, Alex attempts to put the pieces of her fractured heart back together.But in such a savage world, is there room for love?In a place of nightmares-made-reality, where the living should be feared far more than the dead, an unbreakable friendship and a love amongst all odds can mean the difference between life and death.There are friends…And then there are Leisel and Evelyn.

    It’s a nightmare reflection of the society you inhabit, a surreal explosion of pop, punk, and the post-apocalypse. Over the last decade, Bizarro Fiction has changed the definition of avant garde, it’s abolished the traditional prose of yesterday and established a new precedent for awesome. Collected in this anthology is some of the best weird fiction from the past decade. Award-winning writers, cult prodigies and burgeoning talents all collected together in one place. This is what you’ve done with the last ten years of your life.With stories by:D. Harlan Wilson, Alissa Nutting, Joe R. Lansdale, Carlton Mellick III, Kevin L. Donihe, , Ryan Boudinot, Vincent Sakowski, Cody Goodfellow, Amelia Gray, Robert Devereaux, Mykle Hansen, Athena Villaverde, Matthew Revert, Garrett Cook, Roy Kesey, Jeremy Robert Johnson, Aimee Bender, Ian Watson & Roberto Quaglia, Jeremy C. Shipp, Andersen Prunty, Jedediah Berry, Andrea Kneeland, Kurt Dinan, David Agranoff, Ben Loory, Kris Saknussemm, Stephen Graham Jones, Bentley Little, David W. Barbee, and Tom Piccirilli.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.But dark forces are at work in the bayou, And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.

    For Kylie, the miracle of her survival is also her burden-as a doctor at one of the clinics for the infected, she is forced to witness endless suffering. What's worse, strange things are happening to the remains of the dead, and by the time she befriends Ben Archer, she's beginning to wonder if a global pandemic is the least of her problems.... Thistle & Thorne by Ann AguirreAfter a catastrophic spill turns the country into a vast chemical wasteland, those who could afford it retreated to fortresses, self-contained communities run by powerful corporations. But for Mari Thistle, life on the outside-in the Red Zone-is a constant struggle. To protect her family, Mari teams up with the mysterious Thorne Goodman. Together, they'll face an evil plot in both the underworld of the Red Zone and the society inside the fortresses that could destroy those on the outside...for good. Sun Storm by Karen DuvallSarah Daggot has been chasing storms since she was a child. But after the biggest solar flares in history nearly destroy the planet, she becomes a Kinetic, endowed by her exposure to extreme radiation with the power to sense coming storms-in the cosmos and beyond. And she's not the only one. Sarah believes the Kinetics are destined to join forces and halt the final onslaught of the sun. She'll vow to keep trying to convince the one missing link in their chain of defense, the enigmatic Ian Matthews, up until the world ends.

    They represent the whole evolving trajectory of such notions as Hastur, the King in Yellow, Carcosa, the Yellow Sign, the Black Stone, Yuggoth, and the Lake of Hali. A succession of writers from Ambrose Bierce to Ramsey Campbell and Karl Edward Wagner have explored and embellished these concepts so that the sum of the tales has become an evocative tapestry of hypnotic dread and terror, a mythology distinct from yet overlapping the Cthulhu Mythos. Here for the first time is a comprehensive collection of all the relevant tales.

    During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.       One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.