She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    First published in 1984, the novel's central issues--technology, globalization, gender, sexuality, and multiculturalism--have only become more pressing with the passage of time.The novel's topic is information itself: What are the repercussions, once it has been made public, that two individuals have been found to be each other's perfect erotic object out to "point nine-nine-nine and several nines percent more"? What will it do to the individuals involved, to the city they inhabit, to their geosector, to their entire world society, especially when one is an illiterate worker, the sole survivor of a world destroyed by "cultural fugue," and the other is--you!

    As a priestess of the Sisterhood, she travels the stars alongside the soldiers of Earth and Mars—the same ones who own the rights to her body and soul. When her former captain abandons her, First Sister’s hopes for freedom are dashed when she is forced to stay on her ship with no friends, no power, and a new captain—Saito Ren—whom she knows nothing about. She is commanded to spy on Captain Ren by the Sisterhood, but soon discovers that working for the war effort is so much harder to do when you’re falling in love.Lito val Lucius climbed his way out of the slums to become an elite soldier of Venus, but was defeated in combat by none other than Saito Ren, resulting in the disappearance of his partner, Hiro. When Lito learns that Hiro is both alive and a traitor to the cause, he now has a shot at redemption: track down and kill his former partner. But when he discovers recordings that Hiro secretly made, Lito’s own allegiances are put to the test. Ultimately, he must decide between following orders and following his heart.

    These 14 stories contain, among other things, robots, alien planets, genetic manipulation and virtual reality, but their centre focuses on individuals rather than technology, and how they deal with love and loneliness, authenticity, reality and what it really means to be human.

    Now from this brilliant young writer comes a groundbreaking collection of stories, many of them previously unavailable in the United States, and including four never-before-published tales–one set in Miéville’s signature fantasy world of New Crobuzon. Among the fourteen superb fictions are“Jack”–Following the events of his acclaimed novel Perdido Street Station, this tale of twisted attachment and horrific revenge traces the rise and fall of the Remade Robin Hood known as Jack Half-a-Prayer. “Familiar”–Spurned by its creator, a sorceress’s familiar embarks on a strange and unsettling odyssey of self-discovery in a coming-of-age story like no other.

    From being that world's only genetic misfit, the shunned outcast of an otherwise ideal society, she became the focus of attention for mighty forces. Once they had installed her in the midst of the Electric Forest, with its weird trees and its super-luxurious private home, Magdala awoke to the potentials which were opening up all about her. And to realize also the peril that now seemed poised above Indigo . . . which only she, the hated one, could possible circumvent.

    Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

    It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film. Michael Joseph of The Bookman wrote about the novel: "It is a remarkable piece of work, skillfully reproducing the atmosphere one has come to associate with the most ambitious German film productions. Suggestive in many respects of the dramatic work of Karel Capek and of the earlier fantastic romances of H. G. Wells, in treatment it is an interesting example of expressionist literature. ... Metropolis is one of the most powerful novels I have read and one which may capture a large public both in America and England if it does not prove too bewildering to the plain reader."

    But Holly is no typical teenage runaway: a sensitive child once contacted by voices she knew only as “the radio people,” Holly is a lightning rod for psychic phenomena. Now, as she wanders deeper into the English countryside, visions and coincidences reorder her reality until they assume the aura of a nightmare brought to life.For Holly has caught the attention of a cabal of dangerous mystics—and their enemies. But her lost weekend is merely the prelude to a shocking disappearance that leaves her family irrevocably scarred. This unsolved mystery will echo through every decade of Holly’s life, affecting all the people Holly loves—even the ones who are not yet born.A Cambridge scholarship boy grooming himself for wealth and influence, a conflicted father who feels alive only while reporting from occupied Iraq, a middle-aged writer mourning his exile from the bestseller list—all have a part to play in this surreal, invisible war on the margins of our world. From the medieval Swiss Alps to the nineteenth-century Australian bush, from a hotel in Shanghai to a Manhattan townhouse in the near future, their stories come together in moments of everyday grace and extraordinary wonder.

    From Hugo and Nebula winners to Pulitzer and Booker Prize finalists to New York Times bestsellers, this anthology collects 30 pieces of Subterranean’s best, representing diverse, breathtaking short fiction from today’s modern masters.In “Last Breath” Joe Hill spins the tale of a man who collects the breaths of the dying for his haunting museum. Catherynne M. Valente’s “White Lines on a Green Field” chronicles what might happen if Coyote became a small town high school quarterback. Karen Joy Fowler’s “Younger Women” finds a woman confronting her daughter’s new boyfriend, who happens to be a vampire. Visit the Twilight Zone via George R.R. Martin in the script “The Toys of Caliban”. In Ted Chiang’s “The Truth of Fact, the Truth of Feeling” the narratives of a journalist and a young man are told in contrast, both impacted by technology and literacy. And in Kelley Armstrong’s “The Screams of Dragons” a boy is declared a changeling and things only get stranger from there. Other pieces visit far-flung space and intimate sick rooms, the futuristic pyramids of the rich and a jungle where a man-eating tiger stalks a village.Contents:- Perfidia (2004) by Lewis Shiner- Game (2012) by Maria Dahvana Headley- The Last Log of the Lachrimosa (2014) by Alastair Reynolds- The Seventeenth Kind (2007) by Michael Marshall Smith- Dispersed by the Sun, Melting in the Wind (2007) by Rachel Swirsky- The Pile (2008) by Michael Bishop- The Bohemian Astrobleme (2010) by Kage Baker- Tanglefoot (2008) by Cherie Priest- Hide and Horns (2009) by Joe R. Lansdale- Balfour and Meriwether in The Vampire of Kabul (2011) by Daniel Abraham- Last Breath (2005) by Joe Hill- Younger Women (2011) by Karen Joy Fowler- White Lines on a Green Field (2011) by Catherynne M. Valente- The Least of the Deathly Arts (2012) by Kat Howard- Water Can't Be Nervous (2012) by Jonathan Carroll- Valley of the Girls (2011) by Kelly Link- Sic Him, Hellhound! Kill! Kill! (2012) by Hal Duncan- Troublesolving (2009) by Tim Pratt- The Indelible Dark (2013) by William Browning Spencer- The Prayer of Ninety Cats (2013) by Caitlín R. Kiernan- The Crane Method (2011) by Ian R. MacLeod- The Tomb of the Pontifex Dvorn (2011) by Robert Silverberg- The Toys of Caliban (script) (2005) by George R.R. Martin- The Secret History of the Lost Colony (2008) by John Scalzi- The Screams of Dragons (2014) by Kelley Armstrong- The Dry Spell (2009) by James P. Blaylock- He Who Grew Up Reading Sherlock Holmes (2014) by Harlan Ellison- A Small Price to Pay for Birdsong (2011) by K.J. Parker- The Truth of Fact, the Truth of Feeling (2013) by Ted Chiang- A Long Walk Home (2011) by Jay Lake

    Louis, he follows a voice that is calling him to witness the stunning mystery at the heart of mortality.

    Reprint. K.

    Employing a critical slant, the book provides a discussion of the novels and the writers in the context of popular literature. Moreover, each entry features a cover image of the novel, a plot synopsis, and a mini review, making it an ideal go-to guide for anyone wanting to become reacquainted with an old favorite or to discover a previously unknown treasure. With a foreword by David Pringle, this invaluable reference is sure to provoke conversation and debates among sci-fi fans and devotees.

    HeinleinForgetfulness (1937) by John W. Campbell, Jr.Nerves (1942) by Lester del ReyThe Sands of Time (1937) by P. Schuyler MillerThe Proud Robot (1943) by Henry KuttnerSeeds of the Dusk (1938) by Raymond Z. GallunBlack Destroyer (1939) by A. E. van VogtSymbiotica (1943) by Eric Frank RussellHeavy Planet (1939) by Milton A. RothmanTime Locker (1943) by Henry KuttnerThe Link (1942) by Cleve CartmillMechanical Mice (1941) by Eric Frank RussellV-2: Rocket Cargo Ship (1945) essay by Willy LeyAdam & No Eve (1941) by Alfred BesterNightfall (1941) by Isaac AsimovA Matter of Size (1934) by Harry BatesAs Never Was (1944) by P. Schuyler MillerQ.U.R. (1943) by Anthony BoucherWho Goes There? (1938) by John W. Campbell, Jr.The Roads Must Roll (1940) by Robert A. HeinleinAsylum (1942) A. E. van VogtQuietus (1940) by Ross RocklynneThe Twonky (1942) by Henry Kuttner & C. L. MooreTime-Travel Happens! (1939) essay by A. M. PhillipsRobot's Return (1938) by Robert Moore WilliamsThe Blue Giraffe (1939) by L. Sprague de CampFlight into Darkness (1943) by J. Francis McComasThe Weapons Shop (1942) by A. E. van VogtFarewell to the Master (1940) by Harry BatesWithin the Pyramid (1937) by R. DeWitt MillerHe Who Shrank (1936) by Henry HasseBy His Bootstraps (1941) by Robert A. HeinleinThe Star Mouse (1942) by Fredric BrownCorrespondence Course (1945) by Raymond F. JonesBrain (1932) by S. Fowler Wright

    The authors include scientists, journalists, and many of the most famous SF writers in the world. Futures from Nature includes everything from satires and vignettes to compressed stories and fictional book reviews, science articles, and journalism, in eight-hundred word modules. All of them are entertaining and as a group they are a startling repository of ideas and attitudes about the future.   Appearing in book form fo the first time, these one hundred pieces were originally published in the great science journal, Nature, between 1999 and 2006, as one-page features. That proved very popular with the readers of the journal. This is a unique book, by scientists and writers, of interest to any reader who might like to speculate about the future.   With stories from: Arthur C. Clarke; Bruce Sterling; Charles Stross; Cory Doctorow; Greg Bear; Gregory Benford; Oliver Morton; Ian Macleod; Rudy Rucker; Greg Egan; Stephan Baxter; Barrington J. Bayley; Brian Stableford; Frederik Pohl; Vernor Vinge; Nancy Kress, Michael Moorcock, Vonda N. McIntyr; Kim Stanley Robinson; John M. Ford; and eighty more.